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"...Is it all so far behind us? Did all of that ever happen? 

Can we really return to the inane college games of the 

fifties? Where in the world are we?" 

Letter to the Editor 
Daily Kent Stater 
March 12, 1974 



Volume 60 
Copyright, 1974 
Kent State University 
101 Taylor Hall 
Kent, Ohio 


In looking through past volumes of the Chestnut 
5m/-/- and old annuals from other schools, it seems ironic 
that memory books could be singly so unmemorable. 
The main problem is how they're put together. 
Yearbook staffs have been compiling last names and 
first initials from left to right and matching them to 
mob shots with the assumption that the reader knows 
the rest of the story. If a university has a lot of groups, 
it will have a pretty thick book. 
Not many students though, will 
appreciate or understand more 
than a few groups on a few pages. 
By throwing in an opening section 
on campus buildings, or a shot of a 
dissected frog, nothing distinctive 
is said about the year-what people 
thought and did that was any 
different from the previous or 
following years. 

The 1974 Chestnut Burr is our 
effort to print as much of the KSU 
story as we could fit into 400 
pages. We produced 66 
photostories with hundreds of 
headlines and thousands of words modeled after the big 
magazines over the last fifteen years. We chose 
somewhat of a conservative style for an ambitious book 

The stories from Kent State demanded a change in 
coverage. A razzle-dazzle montage of day-glo graphics 
and no identification would be the wrong medium for 
documenting what this last year was like. We wanted to 
let people talk for themselves. We wanted to get inside 
groups instead of shooting the surface-rather than 
shooting a/ people, publishing person-to-person. 

Much of this year's book shows people coping, 
picking up the pieces and putting them back together. 
People kept busy with sports, tried out nostalgia in dress 
and dance, stuffed Volkswagens, and went drinking. All 
of the things that are supposed to happen at college. But 
the whole experience wasn't reruns. A lot of politics 
died off. Some unheard of movements started. 

The 1974 Chestnut Burr will live beyond the first 
reading, to document college life the way we found it to 

C). /-VJpo/ ')a<mi/v>v, 

/. Ross Baughman 
April 15, 1974 


Editor-ln-Chief: J. Ross Baughman 
Production Editor: Craig Pulver 
Photo Editor: Leland Ball 
Managing Editor: Kathleen Belknap 
Copy Editor: Janice Clark 

Business Manager: David Black 
Secretary: Arlene Pete 

Advisor: Charles E. Brill 

Editorial Staff: 

Jane Bernstein, Craig Cunningham, Dwight Ernest, Mark Greenberg, Len 
Jendry, Bob Jones, Nancy Kaye, Gene Neimenen, Jack Radgowski, Larry 
Roberts, Keith Sinzinger, Charlie Stricklen, Joanne Sturiale, Jim Wolen 
"Contributors": Jon Baker, Bob Baptist, Frank Beeson, Keith Crippen, 
Dan Ernst, Steve Evans, Billy Ivy, Linda Jones, Bruno Larusso, Joyce 
Lyman, Diana McNees, Tony Piazza, Milford Pruitt, Larry Rubenstein, 
Ron Stanway, Sue Wohlstein , Jim Firth 

Production Staff: 

Kathie Ashbaugh, David Black, Jane Bernstein, Leslie Burkhart, Evelyn 
Dalcolma, Tom Dalcolma, Tom Hudson, Gene Neimenen, Mary Louise 
Ruehr, Larry Roberts, Larry Schwartz 

Special Thanks To: 

John Urian, Arab, Tom Auld, Silas Ashley, Richard Bentley, Margaret 
Brown, Linda Borkowski, Campus Police, Daily Kent Stater, Delma 
Studios: Sam Fields, Jerry Schneider, Whitfield Delaplane, Rusty Brown; 
Joanna Harley, Richard Hess, Lab Boys, Cory Lash, Robert Lund, Nancy 
Lee, Doug Moore, Paul Mosher, Ed Mullins, Susan Murcko, Murvin Perry, 
Photo Journal Press, Frank Ritzinger Harvey Saalberg, Bill Synk, 
Treasurer's Office 

Technical Notes: 

The 1974 Chestnut Burr was printed in an edition of 4,300 copies, size 

9x12, 400 pages of 80 lb. Velva Brite manufactured by the Mead Paper 

Company of Chillicothe, Ohio, and printed in Black Ink. The end sheets 

are 65 lb. Solid Color Toffee stock manufactured by Howard Paper Mills of 

Dayton, Ohio. 

The soft covers of linen finish bookcloth are silk screened and laminated 

to the end sheets, and inserted into Slip Cases which are also covered in 

linen finish bookcloth and silk screened. The Soft Covers and Slip Cases 

were manufactured by Durand Manufacturing Company of Chicago, 


The 1974 Chestnut Burr was printed by Wm J Keller, Inc. division of 

Carnation in their plant at Buffalo, New York, 

Senior portraits taken by Delma Studios of New York City, Whitfield 

Delaplane and Rusty Brown, photographers. 

Coverage of Life related to Kent Students from March 1 , 1 973 to April 1 5 


Student Publications Policy Committee: 

Tom Shaker-chairperson, Richard Bredemeier, Frank Ericson, Myron 
Melnyk, Murvin Perry, Henry Tapp, Cathy Kotun, Nancy Soroka, Tom 
Ferguson, Jeff van Loon, Tony Capone 

University Administration: 

President; Glenn A. Olds 

Executive Vice-President and Provost: Bernard Hall 

Vice Presidents; David Ambler, Fay Biles, Walter Bruska, Richard Dunn, 

James McGrath 

Board of Trustees: 

Robert Baumgardner, Robert Blakemore, Kenneth Clement, Joyce Quirk, 
Robert Stopher, William Taylor, Robert Tschantz, William Williams 


Paul Keane 4 

May 4, 1973 10 

Peter Davies 22 

Gallery 25 

Student Life 34 

On-Campus Living 44 

Departmental Spotlights 52 

Gallery 73 

Eating 80 

Hillel 95 

Living/Learning Center 99 

Campus Day 1 06 

KWAC 112 

KGLF 114 

Recreating 120 

Greeks 126 

First Family 134 

ACPB 138 

Police 148 

Health Service 153 

Football -Homecoming _ 

Handicapped Students 

Gymnastics 192 

Rugby 196 

Self Defense 202 

Swimming 208 

Baseball 214 

Basketball 218 


Hockey 224 

Wrestling 229 

Speakers 232 

Townhall II 237 

Personalities 242 

Crafts 248 

Black Experiences 257 

Skeels/McElrath 273 

Maintenance 273 

Streaking 278 

CBS 282 

Ambulance Service 285 

Off -Campus Life 288 

Bars 294 

Media 298 

Gallery 302 

Rockwell Theater 301 

Gallery 315 

Theater Survey 321 

Artist-Lecturers 325 

Leaders 330 

Senior Pictures 333 

Calendar 370 

Organizations 380 

Sports Record 382 

Parting Shots 384 

Paul Keane resigns 

Don Quixote 

"This is a painful column for me 
to write, not because it will be an 
easy target for my critics, but 
because admitting that I have 
withered into a tired Don Quixote 
will trouble those few people who 
have taken nourishment from my 
idealism and thereby sustained me 
these past two years. But I write it 
in the name of truth. 

"I still believe it is possible to 
make poetry out of life, but I no 
longer believe it is possible for me 
to do so at Kent State University 
or in Kent, Ohio. And that is why I 
have resigned from my position at 
the University, effective the end of 
winter quarter. " 

These were the words of Paul 
Keane, alias Broderick Eudid, 
upon his decision to leave Kent 
State. To those who knew him, and 
to those who knew of him, he was 
quite a campus character known 
for his grande-eloquent manner of 

He was a modern-day Don 
Quixote, armed with a huge ego 
and vast concern, battling the 
windmills of apathy which he 
found consuming the university 

Of Keane's accomplishments, 
two stand out as most familiar to 
the university. 

Together with Greg Rambo, 
Keane collected 10,380 signatures 
on a petition to President Nixon, 
requesting the reconvening of a 
Grand Jury to investigate May 4. 

Keane, Rambo, and President 
Olds were granted an audience with 
the President's Civil Rights adviser, 
Leonard Garment. Although httle 
came out of the meeting, Keane 
helped to alert the government to 
the fact that the May 4 issue was 
still very much alive at Kent and 
around the country, and that the 
students would not rest until 
justice was done. 

Keane was responsible for the 
formation of Pop's Snow Squad, a 
group which shovels sidewalks for 
Pop Fisher, a 75-year-old crossing 
guard . 

Said Keane to Charles Kuralt of 
CBS News, "We're trying to show 
respect for a 75-year-old man 
who's got guts enough to stand out 
there in zero-degree weather three 
times a day and help little kids 
across the street." 

gives up on KSU 

Shades of Paul Keane 

In addition to these two 
note-worthy crusades, Keane 
pubUshed a variety of articles in 
the Kent Stater under the pen 
name of Broderick Euclid, 
campaigning to stop apathy on 
campus. In one article he called for 
an organization to be formed with 
the initials S.E.X. (Society to End 
Xenophobia). He defined 
xenophobia as the fear or hatred of 
foreigners or things that are 

In another article, he wrote of 
a widespread disease on campus 

known as Aversion, its victims 
known as Averts. Aversion, 
according to Keane, is the 
inability to look fellow students in 
the eye when passing and smile. 

He begged for involvement: with 
culture, fellow man, noble causes, 
anything that would drive the 
campus community out of its 
apathetic passivity. 

His outspoken manner evoked 
mixed reactions from the 
university, some very critical, some 
sarcastic and others supportive. 

His work as a resident student 

adviser found him trying to break 
down the barriers and steriUty of 
dorm life by creating the 
"Implosion Pad". He had hauled all 
of his furniture, books and 
magazines into a second floor 
study lounge of Wright Hall, and 
created a warm cultural 
atmosphere condusive to 
meaningful conversation. 

Keane was a "Snow Architect", 
a "Campus Treecologist" and a 
very rare phenomenon at Kent 
State. He was so rare, in fact, that 
Kent State wasn't ready for him. 

Above, "Do you realize it's only one 
month since twenty million viewers saw 
Kent State students shovelling snow for 
Pop Fisher on the Walter Cronkite show, 
and only one faculty member has come 
up to me and said what good publicity 
that was for KSU and for students?" 

Right, "We got 10,380 signatures in ten 
days, the largest petition response in the 
history of Kent State. A clear mandate. 
And then 40,000 others from around the 

And so, frustrated, disillusioned 
and tired, he decided to leave. 

In his last contribution to the 
Stater,Keane wrote, "When I close 
my office door for the last time on 
Friday, April 13, and walk quietly 
away from Kent State University, I 
would like to think I've left 
something more than my public 
image behind, an image which at 
times has been as burdensome to 
me as it has been troublesome to 

Keane, as the campus Don 
Quixote, explained, "Everything 
I've tried to do has been an 
attempt to uphold the worth of the 

"Hell — the fact that the 
university has had to deal with me 
as an individual is in itself a 
triumph in a bureaucratic world," 
said Keane with a smirk. 

However, just as Don Quixote 
had his faithful follower Poncho, 
Keane explains that he needs to be 
appreciated too. Admitting that his 
battles have worn him out, Keane 
leaves Kent in search of a new 

Above left, "Under the guise of 
Broderick Euclid, Keane has constantly 
barraged the Stater with columns, letters, 
advice and poems." 

Right, "I've met the four kids' parents. I've seen them 
cry and I've seen their anguish-I've been able to 
identify with them." 

Far right, "Without further explanation, let me simply 
say that I have enjoyed being at Kent State these 
difficult three and one half years, but I will leave after 
winter quarter, when the snow season ends. I can no 
longer continue to pour my emotional, physical and 
financial energy ijito a bottomless vessel." 

Below, "I've never been able to work my anger out at 
the universe~so 1 just internalized it. May 4th pulled it 
out. I guess I've purged myself of a lot of grief and 
anger," said Keane, sitting with Dean Kahler, a student 
wounded May 4th, 1970. 


A generation' later 

One more 

"For some people a candlelight vigil is a fitting 
memorial," Jerry Persky said. "But I think it leaves me 
somewhat demoralized to stand there with a candle if I 
don't have any sense of progress. We tried to put the 
four murders into some kind of educational context." 

Jerry Persky, with the help of others, organized an 
alternative to the memorial march sponsored by the 
Center for Peaceful Change (CPC). 

Not all Kent students agreed with Persky's stand that 
the CPC events were irrelevant. Proceeding 2500 strong 
past the site of the old R OTC building, east on Main 
Street, up and around Music and Speech, the crowd 
huddled at the site of the killings near Taylor Hall. 

Judge Jack G. Day spoke briefly to those making 
the walk on the evening of May 3. His address was 

intended to initiate an all-night watch at the four death 

Fewer and fewer kept the vigil-morning saw only 
four people in a cold parking lot. 

Later the next morning, Persky and those backing 
the May 4 alternative program, marched through the 
rain to the Commons. 

Right, Barry Romo, Jerry Persky and Mike Carmedy 
lead an anti-war march from downtown Kent to the 
Commons as part of the May 4 alternative. 

rainy May 


Above, students gather on the comer of 
Main and Water Streets in preparation for 
an anit-war march to the Commons. 

Far right, two students, standing at the 
site of Jeffrey Miller's death, participate 
in an all-night vigil. In the cold rainy 
weather, volunteers were taking 30 
minute shifts. 

Each in his own thoughts, 
obiivious to the weather... 

Tramping through the rain, 
the May 4 alternative program 
participants began with an anti-war 
march starting in downtown Kent. 

Heading for the Commons, 
the marchers passed the site of 
Jeffrey Miller's death and cried 
out, "Jeff Miller, live like 
him... dare to struggle... dare to 

Massing together on the 
Commons in biting cold, about 200 
students listened to Vernon 
Bellecourt, national director of the 
American Indian Movement (AIM), 
and John Froins, one of the 
Chicago Seven. 

One of the program organizers 
introduced Bellecourt as a relevant 
speaker for May 4 because, "What 
happened to students here has been 
happening to Indians for a long 

Bellecourt and other speakers 
were invited to attend the 
alternative program by the May 4 
United Front, Vietnam Veterans 
Against the War(WAW), and the 
Joe Hill Organization. 

"Rather than take the 
'negative' aspects out of May 4 as 
the CPC has proposed, we would 
like to educate ourselves and others 
about the reasons for the violence 
experienced here on May 4, 1970." 




■ W 1 


Above, members of the May 4 
United Front, Joe Hill Collective, 
and Vietnam Veterans Against the 
War sing along with People's Singer 
Barbara Dane. 

Right, Barbara Dane, longtime 
traveling activist, leads the crowd 
in anti-war songs. 

Right, one of the two hundred 
people who chose to participate in 
the alternative programs despite 
the continuous drizzle. 

Center, two hundred people close 
to participate in the alternative 
programs despite the continuous 

Opposite, Vernon Bellecourt, 
national director of the American 
Indian Movement (AIM), and 
Jerome Warcloud, state 
coordinator for AIM, and a Kent 
resident, speak at the alternative 


For some people mass marches are a 
fitting memorial. But we tried to put 
the four murders into some kind of 
educational context. 

"Jerry Persky. 

Flames of sorrow 

or flames o f an get 

For the first time since the 
memorials began three years ago, 
an opposing program was 
organized to offset the University 
sponsored services. 

"Some people said our 
alternate program was exploiting 
the dead, but I beUeve that the 
university has exploited the dead," 
Jerry Persky said. 

"It is foolish of the University 
to say they were just four 
students," Persky explained. "The 
things that must be considered are: 
who were they, what were they, 
what were they doing out there 
and why were they involved-then 
you can decide whether they are 

To demonstrate solidarity in 
the demonstration, the ROTC 
building was burned in effigy to 
show ROTC as a violent institution 
still having no right to be on 
campus, a spokesman said. 

Many campus Liberals voiced 
disapproval of the effigy burning. 
Persky accounted for this, he said, 
there are two trends on campus 
concerning what people should do 
about May 4. 

Speaking for the left, a 
member of the Attica Brigade, 
accused Uberals of "believing that 
the American system can work-if 
it's made to." He cited people 
working for a federal investigation, 
Uke Paul Keane and Greg Rambo, 
as "poUtically naive". 

"We know how federal grand 
juries are operated in this 
country," the Attica Brigade 
member continued. "Grand juries 
are used by the government to 
suppress and repress all dissent, Uke 
the grand jury that indicted 

Agreeing that a grand jury 
might be helpful, a former leader in 
Students for a Democratic Society 
(SDS), Richard Hess, pointed out 
however, "How can you redress the 
government that shoots you?" 

According to To be Fixler, the 
alternative program included"an 

explanation of events leading up to 
May 4 and their connection with 
most other colonial and military 

Watching the ROTC building 
burn m effigy, a freshman student 
said, "I wonder what program the 
four dead Kent students would 
have wanted to attend." 

Far left, students keep the all-night 
vigil at the places where Allison 
Krause, Jeffrey Miller, Bill 
Schroeder, and Sandy Scheuer 
were killed. 

Left, a student withdraws to reflect 
upon the events of May 4. 

Below, ROTC burning in effigy, as 
a reminder to some students of the 
events leading to May 4. 

"It's past time-that 
something be done" about the May 
4 shootings. Dean Kahler said at a 
Memorial Service for the four 
students killed at Kent State. 

Wounded and paralyzed in the 
1970 anti-war confrontation with 
Ohio National Guardsmen, Dean 
Kahler has pushed for a federal 
grand jury investigation of the 

Kahler is not alone in his 
desire for further federal inquiry. 
Working with Paul Keane and Greg 
Rambo, co-authors of the May 4 
petition calling for a federal 
investigation of the killings, Kahler 
has met with Nixon aides. 

Speaking at the Memorial 
Service with Kahler was Norman 
Cousins, former editor of World 
Magazine. Cousins signed the May 
4 petition and said, "The principle 
challenge of our time is to make it 
possible for men neither to kill nor 
be killed." 


Every year 
the crowds 
get smaller 
and smaller. 

Above, Norman Cousins, keynote 
speaker at the May 4 Memorial 
service and former editor of World 
Magazine , speaks with Dean 
Kahler, a student wounded in '70. 

Cousins called upon 1500 students 
to "do what the nation cannot do; 
that is, to create a situation of 
sanity, to create a structure of 
world law to end the age of world 

Right, an intent audience listens to 
the words of John Froins, one of 
the Chicago Seven. 



ILL SCYlUO^li^^ 


The name plates for Bill Schroeder, Jeffrey Miller, 
Allison Krause and Sandy Scheuer are stored away until 
next year's Memorial services. 



Davies -- Gov't hand 

Peter Davies, the author of the 
book The Truth About Kent State, 
has been searchmg for that truth 
for over three years, at much 
personal sacrifice. 

He was born in England in 1931, 
and moved to the States in 1957 
with his wife. "England was 
becoming too socialistic," he said. 
"I always felt that the attitude 
toward individual rights in the U.S. 
was similar to mine." 

Davies has been running his own 
insurance company, which has 
suffered neglect since his 
wholehearted involvement in 
uncovering the facts about May 

"My insurance business has gone 
downhill," he said. "It's also 
affected my family life. My wife 
supports what I'm doing, but she's 

The question arises as to why a 
man (who was, prior to May 4th, 
not involved with Kent State) 
would pursue such an issue at the 
expense of his business and family. 

"To me, Kent State was the last 
straw," he explained. "I'm doing it 
for my children. We must compel 
the law to be upheld, for if we fail, 
an incident like Kent could happen 

Davies, together with the help of 
the United Methodist Church, has 
waged a three- year battle pushing 
for a reconvening of a Federal 
Grand Jury to investigate the 

"It's been up and down," Davies 
said. "Every time you thing you're 
going to make a breakthrough, it 
falls through." 

That breakthrough almost came 
in October. Elhot Richardson 
finally announced a reconvening of 
the Grand Jury. One week later he 
turned in his resignation. Once 
again, Davies' efforts were 
thwarted, after coming so close. 

"Why is this administration so 
paranoically determined to keep 
the case closed?" he asked. "Could 
it be that an order was given on the 
National level? Was the desire to 
crush campus unrest so keen that 
someone in the higher-up said, 
'Shoot off your guns, boys, 
nothing will happen to you'?" 

An incident that has totally 
mystified Davies, and greatly 

in May 4 shootings 

aroused his suspicions, occurred 
last August 1973. 

This incident concerned a phone 
conversation between Davies and a 
highly respected Washington 
correspondent for the New York 
Times. Davies said he told the 
correspondent about Justice 
Department speculation on an 
additional inquiry into the 
shootings. Asking to remain 
anonymous, the correspondent 
informed Davies that there would 
never be a full-scale investigation 

The correspondent, who had 
been very sympathetic to Davies' 
cause, said, according to Davies, 
the pain of no investigation, to the 
parents of the dead students, 
would be nothing compared to the 
pain of a full investigation would 
reveal to the nation. 

Davies pleaded for an 
explanation, but the man said that 
he had been sworn to secrecy. He 
only said that his advice to "let 
Kent State die" was simply based 
on his "judgement" of what he had 
seen or been told by governmental 

This unsolved mystery has led 
Davies to believe that there may be 
a correlation between President 
Nixon's nomination of William 
Saxbe for Attorney General, and 

the fact that Saxbe wants to see 
the Kent case closed for good. 
Davies said he feels that Saxbe is 
out of line in determining what is 
going to be done with a case which 
he has no access to, before he is 

Saxbe was quoted as saying, "It 
is cruel to re-open a case because of 
public clamor." 

"If Saxbe is confirmed, and 
closes the case," Davies said, "it 
will be like trying to deal with 
John Mitchell in 1971." 

By November things looked very 
bleak for Peter Davies. He said, 
"Once you've started on this type 
of thing-and things come out~it's 
impossible not to pursue it. With 
this Saxbe thing, you can't give up. 
Perhaps I'm being selfish when I 
think of what I'm doing, and still 
doing, and they could care less. It 
disgusts me." 

As Saxbe is an ex-colonel in the 
Ohio National Guard and a 
personal friend of ex-Governor 
Rhodes, Davies said he will try to 
persuade the Judiciary Committee 
that it would be a conflict of 
interest for Saxbe to make a 
decision on the Grand Jury. 

Davies has gotten many positive 
reactions to his book. People have 
been writing to him and asking 
what they can do to help. Many 

say their views have been changed 
after reading the book. 

His main concern is that many 
students have let the issue die. He 
said, "It's very disheartening to the 
families of the dead students. They 
feel that the students should take 
issue. WiU this sit and pile up with 
the rest of the injustices?" 

On a more positive note, Davies 
said, "I have no doubt that the 
whole lid wiU eventually blow off 
this matter, when we once again 
have decent people in the 
administration. We'll be descending 
again. We will not let up the 
pressure. They will be sick of the 
sound of our voices." 

"As was the Boston Massacre of 
1770, I believe that Kent State 
1970 will also prove to be a turning 
point in American history." 

By January, the efforts of 
Davies and the parents of the dead 
students had paid off. The Grand 
Jury following the investigation 
had been reconvened. When 
contacted, Peter Davies had this to 
say: "We've proved that we've 
made an impact on Washington to 
the extent that the Senate 
Judiciary Committee has gotten a 
written statement from William 
Saxbe saying that he will keep his 
hands off the case. All of the work 
to get the Federal Grand Jury has 
finally paid off, but I think it is 
tragic that it took all of this time. " 

"What I don't understand is the 
resistance to the Federal Grand 

"It seems that if there's nothing to 
hide, they would settle this 

"Perhaps Norman Cousins was on 
the right track when he raised the 
question of the possibility that the 
decision to fire was made on the 
national level." 


The Dance 

Photography by 

Leland Hale Ball 

These are some of the Kent State performing 
dancers. Photographs concentrate on Paul Scardina and 
members of his company, along with Fritz Luden of the 
Artist-Lectures Series. This gallery documents the 
weeks of rehearsal, culminating in last spring's Creative 
Arts Festival. 

From what I saw, I believe that dancers dance for the 
same reason that photographers photograph. That is, to 
create a concise statement. 

One of the dancers said, "Modern dance is 
constructed so that each choreographer may put his 
own attitude, his own vocabulary into a piece." 

Leland Hale Ball 







i \1 









Student Life 

♦ T 

Reclaiming the land 

A wooded lot near Korb Hall 
was reclaimed by Indians on 
Columbus Day, as an attempt to 
preserve some of the natural land 
on campus. 

'0-chee-ce (the people's) Hill' 
was reclaimed by the American 
Indians Rights Association (AIRA), 
'in the name of peace-not only 
peace with other men but also 
peace with the earth.' 

AIRA members constructed a 
15-foot teepee covered with an 
orange and white parachute. They 
spent the misty day cooking on an 
open fire and talking to passers-by. 

'It is not that we want to own 
the land. Indians don't believe you 
can own or sell land-just as you 
can't own or sell water,' said one 
AIRA member. 

The teepee remained for a few 
days before it was torn down by 
other students. AIRA members 
tried to continue the vigil 
--however the weather turned 
colder and the Indian group was 
forced to move on. 


^^Last Tango 
in Kent" 

Right, dancing on the Commons, May 1973 


.... ^^-'^'; ' 

"Nine of us in the dorm pooled 
our money and bought three 
pounds of dope for $140 a 
pound~a pretty good price. 

"That's the best way to do 
it--buy it from friends-then you 
don't have to count on people you 
don't know. 

"That night we got together to 
break up the weed into ounces. It 
worked out so the first, second and 
third floors each got a pound, 
except for two ounces we all 
agreed to set aside for Terry and 
Barb as a wedding gift." 

sharing risk and pleasure 

.'' •' li»ie».-^^7--^aWt. 





^<9^-. \^ 

♦i*V xc- > 

.,^m* -^^fc^!^ 







True Stories' emerge 


on life in Tri-Towers 

by Steve Evans 

So you thought you were gonna 
get a hot sex story on Koonce 
Hall--a report banned on 
newsstands everywhere, mainly 
because Linda Lovelace (star of 
Deep Throat) gave a mouthful of 
"True Tale" accounts that no one 
could ever swallow. 

A juicy story I can't give you, 
because those architecture students 
on the top four floors and the 
Spanish- and French-speaking 
students on the fifth and sixth 
floors obviously have things to do 
other than entertain us vvith heavy 

The architecture floors were 
quiet the night I observed-not a 
deafening silence, but more a 
contemplative atmosphere. 

For the inside story I 
interviewed a soft-spoken, 
wiry-haired student-he looked like 
he spent his evenings with 
Chaucer's Tales. 

After thirty seconds in the 
glass-enclosed lounge. Super Ark 
(his nickname) looked at me and 
snapped, "Who are you?" 

"Steve," I replied. 

"Don't get wise." 

"What year are you in?" 


"No, I mean in school." 

"Oh! You're getting technical. 
I'm in my second year, but I 
should be in my fourth." I could 
see that. 

"You like living here?" I asked. 

"I should-it was my idea. Me 
and two other guys planned the 
whole thing." 

"I thought Morbito did it." 

"No-we did it." 

Super Ark goes on with his 
drawings and student number two 
walks in and joins the interview. 

I began questioning again, "You 
guys eat here?" 

"I don't. I used to weigh 325 
pounds and I'm still reducing... put 
us down as uncooperative." 

The architecture live-in program 
initially was just one floor, 
beginning in the winter of '73. 

An RSA (resident student 
adviser), majoring in architecture, 
thinks that this setup is great 
because now upperclassmen can 
help freshmen with their work 


Koonce Hall 

Various life styles co-exist 

When 60 students with 60 different life styles 
are put on one floor -- they either have to pull 
together or fight it out!" -- Koonce Hall RSA 




"Industrial design" majors may 
soon live here so that students of 
both majors can exchange ideas. 

The rooms seem well suited for 
two students-especially since an 
architecture student's bedroom is 
also his workshop. 

If you're looking for the kind of 
girl who will say "Om/, oui!" then 
all you have to do is walk down the 
stairwell to the sixth floor and 
you're in France. ..well. ..they speak 
French there anyway. 

The year-old program requires 
that students complete two 
quarters of the beginning French 
series before they can participate. 

Natalie is from France and she is 
also the RSA. She says that 
students living on this floor 
progress linguistically, but they 
also become more open-minded. 

"They're considering forcing 
students to live four in a room and 
shutting down the other half of the 
floor," Natalie said. "Twenty-five 
people live on the floor now with 
no crowding problems." That's 
right, pack 'em in. 

"We are limited in funds," 
Natahe added, "but we try to go to 
museums, see movies and we took 
a trip to Quebec in February." 

One might think that he/she 

took a trip south of the border 
after she/he walks down the 
stairwell to the next floor. 

When I knocked at the RSA's 
door to gather some info, she 
repeatedly answered in 
Spanish--made me feel guilty 
answering her in English. 

"You don't have to be a Spanish 
major to live on the floor," I was 
told by a nursing major. She said 
that this is a fantastic way to learn 
the language without going to 
structured classes. She hopes to 
work with Spanish-speaking people 

"The people really get close up 
here," said one student. Come to 
think of it, nobody complained 
about boys and girls living 
together. Their social Uves extend 
beyond the dorm, because the 
language groups eat together. 

No matter which floor you live 
on, both are total learning 
environments because speaking is 
supplemented by movies, slides and 
floor discussion. 

Floors one through four are 
open to all girls. 

"I just don't like dorm life," said 
a freshman girl who doesn't want 
to party from 11 p.m. until 
somewhere around 3 a.m. That's 
when most of her floor parties end. 

"Maybe I would like another 
dorm, but there's really no privacy 
here. Unless the ghls whisper, the 
room next door can get an earful 
through the paper-thin walls. 

"Blacks and whites should not 
be randomly put in rooms," she 
continued, "because of the 
different lifestyles and social 

Unless a student Uves on one of 
the majors' floors, there is really 
little dorm activity except Black 
social functions. Most white 
students provide their own 

And a few of you are wondering 
what happened to Wright Hall. 
Well, it's still there with all its 
Sheraton elegance, but fortunately 
it's now an office building. It just 
never made it as a zoo. 

But the people who work there 
find it quite suitable. The once 
reefer-vapored corridors now reek 
of fresh paint and perfumed 
secretaries. A fine office building it 
is-but for some strange reason it 
didn't make it as a men's 
(animal's?) dorm. 

Leebrick Hall--1 used to think 
that all the people that lived 
there were eggheads. I was 
wrong-there is an assortment 
of heads living in that dorm.' 

Leebrick always was, is, and 
probably always will be-Leebrick. 

I used to think that all the 
people who lived there were 
eggheads. But I was wrong-there is 
an assortment of heads living in 
that dorm. 

"There are less artists, less 
musicians than there used to be; 
it's almost too peaceful," said one 
Leebrick resident. 

The dorm is magnetic, attracting 
seniors who think it's time to 
study, those who want to smoke in 
peace, and even kids who lived on 
your block 

"It's really noisy on my floor. 


Kids are partying all the time," said 
another student. 

"Leebrick has really mellowed 
out," said one mellowed-out 

Obviously the dorm has toned 
down along with the rest of the 
campus. But parties still abound 
with a little more sophistication. 
Floors are free to use a certain part 

of their allocations for whatever 
they choose. The well-organized 
floor usually does some creative 
cooking, before they celebrate with 
their liquid stimulants. Leebrick 
isn't without healthy physical 
activity because the open lounges 

provide good courts for some 
modified versions of tennis, 
basketball, hockey, and bowling. 

Well anyway, the people in their 
rooms get tired of looking at the 
walls, walls, walls, and collect in 
the lounge for a little studying and 
a little fun. 

The popcorn pops, coke fizzles 
and the people sitting in the lounge 
close up the space with a little 
more butter and a little less salt 
with their popcorn. 

So that's a part of Leebrick and 
it also includes Penelope and her 
bird, who came prancing into the 

lounge as I was sitting there eating 

"My bird is sick," she said. "I'm 
teaching my bird French, but no 
one talks to it." 

"Do you reaHze that he's writing 
this down?" said an onlooker. But 
Penelope just shrugged her 
shoulders and said, "An revoir. " 

Security guards now roam the 
halls because the number of 
rip-offs became disastrous. 

Definitely a great place to hve-if 
you're wiUing to pay for it. Or you 
could forget about the meal ticket, 
get a refrigerator and cook on the 
floor stove--that's not so bad. 

That's no lady— 

just an RSA 

There's a mother Uving with the 
guys on second floor Johnson Hall. 

No, she's not there to comfort a 
homesick freshman, she is Dorian 
Cragin~the only woman Resident 
Staff Adviser (RSA) for a men's 
floor on campus. 

Cragin, affectionately known as 
"Mom" to her second floor 
residents, did not expect to be a 
RSA for men when she first 
accepted the position. 

"It took a long time to get used 
to relating to guys," said Cragin, 
"you have to be very frank with 
guys. I'm still and always will be a 
tomboy, I guess." 


Design, draft, construct: 


"Graphite Junkies"~a name used 
by one architecture student to 
describe himself and his colleagues. 
"You want to stop, but you've got 
to keep on going." 

Another student visualizes 
architecture as his lover: "I spend 
all my time with it, I always think 
about it, I sleep with it; I can't get 
along with it-and I can't get along 
without it." 

Architecture students contend 
that their devotion to studies is 

rarely paralleled in other university 
departments. They maintain their 
major is the hardest, and do so 
with pride. 

Cited in the past for its steep 
attrition rate (12 or 15 students 
graduating from an original class of 
125), the school now requires stiff 
entrance exams before accepting a 
student into the program . 

Out-of-state students, who make 
up well over a quarter of the nearly 
400 architecture students, must 

rank in the top third of their high 
school class in order to enter the 

Of the 560 Architecture degrees 
granted since the first graduate in 
1950, forty-five per cent of those 
eligible (having served an 
apprenticeship) are registered 

The history of architecture 
study at Kent is one of remarkable 
growth. In 1947, the University 
offered two elementary drawing 


the 24-hour study 

Far left, an architecture student 
works late at night drawing up 
design plans. 

Left, the architecture library on 
first floor Taylor Hall is well 
stocked with works by students 
and other books on architecture. 

Top, third-year students work on 
designs for an art center. 

Above, students must design and 
build many complicated models 
during the five-year architecture 

courses, taught in a room above the 
heating plant. 

In 1950, a four-year program 
was estabUshed with the opening of 
Van Deusen Hall. 

The School of Architecture 
became a five-year program in 
1956, and in 1963 was named a 
member of the Association of 
Collegiate Schools of Architecture. 

A year later, the school was fully 
accredited by the National 
Architectural Accrediting Board. 

Taylor Hall became the new 
home of architecture in 1966, and 
a focal point for the University was 

At the helm of this progress is 
the legendary patriarch of Kent 
State architecture— Professor 
Joseph F. Morbito. With a 
mile-long list of credits, including 
the prestigious title of Fellow of 
the American Institute of 
Architects, Morbito is the reason 
for the success of the KSU 
architecture program 

Praised by students for his skill, 
drive and accompUshments as an 
administrator, Morbito is also 
viewed on a more personal level. 
The gray-haired mentor was 
dubbed "Papa Joe" by students 
five years ago; the name-and the 
image-still hold. 

"He has a deep concern for the 
school and the students," 
comments one second-year major. 
"He seems rough on the surface, 
but deep down he is really 
sensitive ." 

Another sums him up as "a 
really fine man." 

"I hear weird stories," repUes 
Morbito, "that students are afraid 
of me. door is always open." 

Students in all stages of the 
program agree that the director will 
help all he can when it comes to 
finances. Currently, Morbito is 
helping out-of-state students gain 
resident status to help cut their 
tuition costs. 

Included in Morbito's other 
projects are the fourth-year trip to 
study architecture in Florence, 
Italy, the architecture dormitory 
floors in Koonce Hall, and the 
Synergy One symposiom held 
during the winter. 

The Koonce Hall project began 
last year as an experiment with one 
floor, and has since expanded to 
the top four floors. Residents are 
enthusiastic, one student said. "It 
gives us a chance to share a 
common interest, and relate to 
each other's problems." 

Much of the late-night project 
work associated with architecture 
students goes on at the Koonce 

A fourth-year student explains 
how much time a project usually 
takes: "Figure out how long you 
think it will take to complete-then 
multiply that times three." 
Another adds, "If you're not 

"In a way, the competition is 
good," one upperclassman 
maintains. "In a few years, we wiU 
be in competition with the 
professors teaching us now." 

Competition against the clock is 
another constant struggle. "The 
pressure is stiff," said one major, 
"and I've seen people get depressed 
over the constant feeling of 

Another student estimates that 
30 or 40 per cent of the students 
speed while working on projects. 
"Everybody's fighting to get the 
work done. They're not alone." 

The "pep talk" is Morbito's tool 
for encouraging student 
motivation. "I want to get them 

working on the project, you think 
about it or worry about it." 

A drawing for a project may 
require 40 hours of work; a good 
model up to 100 hours. The 
emphasis in the project is 

"When students miss sleep or 
meals, it's because they want to," 
emphasized Morbito. "Motivating 
students is the goal of our 
professors. ..students only take out 
of the program what they put in." 

Competition is strong between 
architecture students, not unlike 
professionals in the real world of 
design who hesitate to share their 
ideas or plans. Morbito agrees, 
"The first day, I tell my students if 
they don't have a competitive 
heart, they shouldn't get involved." 

through-but I want them to give 
125 per cent. 

"I want to develop students who 
can go out into society and create 
new environments. That is where 
my dedication lies." 

Adds one upperclassman, 
"Architecture is more than walls 
and windows. It's how you design 
your space, it's movement, and 
how it makes you feel-we must 
design for people." 

Morbito's dream for the future is 
to develop a new community in 
Northeast Ohio, planned by 
graduate students and supported 

Joe Morbito, the man who 
brought architecture from the 
heating plant to Taylor Hall, has 
undisputable confidence in his 
graphite junkies. "We're in league 
with the big schools." 


Home Ec, expands, 
studies daily living 

"Everyone thinks that all a home economics major 
can be is a teacher," said Dr. Theodore F. Irmiter, 
director of Home Economics. 

"Teaching is important-but there are only about 1 80 
to 200 students in home economics education," the 
director said. 

In the other professional areas of home economics 
there are 445 students enrolled in the fields of research, 
public health, dietetics, institution and administration, 
and business. 

Vocational home economics is conducted jointly 
with the College of Education. 

The curriculum is organized into five areas: foods 
and nutrition, textiles and clothing, management, 
equipment, and family living. 

All majors are required to take courses in the five 
areas so that they are well rounded. 

"I always tell our students-when you get out in the 
world be prepared to answer anything," said Irmiter. 

Left, a professor teaches students about the evolution of the 
sweeper. Students must learn how all of the equipment in the 
department is used. 

Above, a home economics student studies academic subjects 
during a break in a sewing lab. 


Beyond Nixson Hall 

Spanning all human 

Home economics is not "just 
cookies and aprons anymore," said 
Dr. Theodore F. Irmiter, director 
of Home Economics. 

Puffing on his pipe, the 
bespectacled, white-haired director 
proudly explains that "because of 
the rising interest in 
consumerism—home economics is 
where it's at." 

A graduate student in food and 
nutrition agreed with Irmiter that 
"home economics has a changing 

"Most people think we only 
know how to cook, and that home 
economics majors are just learning 
to be good housewives-they are so 

"My field is very demanding-a 
great deal of extensive research is 
expected," she said. 

''We have the most 
comprehensive home economics 
school in Ohio," said Irmiter, "and 
while these other schools have 
about 25 faculty members-Kent 
has only 16 instructors." 

However, all the educating is not 
done in the classroom. Irmiter 
explained that a bus load of 
housing class students go to the 
Akron Metropolitan Housing 
project weekly. 

At the project each student is 
assigned to help two families with 
housing problems--but it turns out 
"to be much more," said Irmiter. 

"One student helped refinish a 
family's furniture and other majors 
get involved with the family's 
personal problems," he said. 

"I tell them not to be surprised 
if someone asks them how to cook 
moose liver-it's happened," he 

Another experience some majors 
have is a four-week live-in and learn 
program. Home Management Lab, 
in Nixson Hall. 

In the back of Nixson Hall, five 
or six education majors are thrown 
into a three-bedroom furnished 
apartment; they are expected to 
operate as a family for half a 

"The Home Management Lab 
was an interesting experience. If we 
didn't pull together and act like a 
family — we would have fallen 
apart," said one student. 

"We are stressing an ecological 
approach to human needs," said 
Irmiter. "Our program makes the 
student more flexible and it is 
easier for the student to get a job." 


Opposite above, Mrs.Shumaker, assistant professor, instructs a 
student in the Home Management House on the correct 
positioning of placemats. 

Opposite left, a student in a textiles class must have patience, but 
she can end with exciting, creative products. 

Opposite right, women in a design class practice drafting skills 
by making a blueprint of the classroom. 

Above, one of the volunteer grandparents whom the home 
economics department invites in for the morning nursery school 
lab reads to the children. 

Right series, two women in an Experimental Foods lab finish a 
creation, test it, and find the results startlmg. Foods are also 
tested for nutritional content, texture, and appearance. 


Physics: study of the 

Uri Geller, self-proclaimed 
psychic, visited the campus this 
year and gave exhibitions of his 
unusual powers in the University 

Providing entertainment and 
amazing his audience, Geller bent 
rings and snapped stainless steel 
spoons with his mental powers. 

The results were so startUng the 
Physics department began testing 
the articles to find some 

Dr. Wilbur Franklin, associate 
professor of physics is one of the 
few persons in the nation with a 
background and interest enough to 
undertake a study with other 
physicists to determine the validity 
of Geller's proclamations under 
controlled laboratory conditions. 

Working with scientists at 
Stanford Research Institute (not to 
be confused with Stanford 
University), Franklin studied 
Geller's potential to perceive 
drawings hidden in sealed 
envelopes, a number on a die 
shaken inside a steel box, and the 

location of a steel ball in one of 
ten aluminum film cans otherwise 
containing marbles. 

The experiments gave Geller the 
opportunity to pass when he was 
not sure of the answer without 
counting a miss, but the results 
were clearly in Geller's favor- 100 
per cent accuracy in all tests. He 
chose correctly eight times in a row 
in the die and the ball tests, and 
twelve in a row in the drawings, 
reaching odds of one-in-a-trillion 
against pure guesswork. 

The Stanford research team has 
made no definite conclusions other 
than the obvious necessity of 
continuing the observation and 
investigating other psychics to find 
whether super-human minds exist, 
the extent to which the mind's 
potential can be realized, and other 
telenural events such as telepathy 
and precognition. Clearly 
physical in its scope, phenomena 
such as these give physics students 
an incentive to precede in their 
studies and find answers to other 
questions about the nature of all 

types of force. 

Topics of study include optics, 
electronics, force, magnetism and 
many other areas which have only 
been touched upon considering the 
vast number of questions 
remaining unanswered thus far. 

Under leadership of such men as 
Dr. Franklin, these questions will 
slowly be answered providing more 
and more knowledge and 
understanding of things which 
have stumped mankind for ages. 

We all have wondered about 
such questions as 
where the universe goes, whether 
it ends, whether other life exists, 
and where life itself began many 
eons ago. 

Through physics the answers 
may come. Through diligence 
and controlled laboratory 
techniques to minimize error, we 
will eventually know more. 
Opposite bottom, Holography, 
astronomy and the not so easily 
explained phenomenon of psychokinesis, 
Dr. Franklin and his associates explore 
the latest frontiers of man's knowledge. 


Through physics the 
answers may come. 
Through diligence and 
controlled laboratory 
techniques to minimize 
error, we will eventually 
know more. 

"Speculation? Sure. Yet is it 
really so incredible? The Earth 
exists. So why no several other 
distant planets in distant solar 
systems. Maybe millions of other 
planets supporting Ufe! What a 
thing to think about! " 

What may be hindering progress 
is the skeptics. As FrankHn 
stated in one of his research 
reports, "Desire for a reasonable 
explanation seemingly governs, to a 
certain extent, one's belief." Even 
with substantial evidence, people 
are reluctant to beHeve what is 
foreign to them. Yet in the end the 
truth must prevail. It hurts 
sometimes, yet we must accept it 
for what it is. 

Nest for creativity 

To one side of the Commons 
there is a strange geometric 
building that exudes a golden glow 
at night. How many times ^oes one 
walk by it without ever knowing 
what goes on inside? 

That strange building, the school 
of Art, encompasses a large 
segment of faculty and students 
involved in teaching, learning and 
creating various forms of art. 

The studio areas of the 
curriculum offer courses in 
painting, sculpture, drawing, 
print-making, graphic design, 
cinematography, and industrial 
design. Courses in the creative 
crafts include jewelry, weaving, 
ceramics, glass-blowing, and 

Majors are also offered in art 
education for those who care to 
teach, and in art history for those 
who might want to write or get 
involved in museum work. 

According to Bernard Weiner, 
professor of art, the learning 
experiences in the school are quite 

Above, four hour studio sessions pressure 
art students to think on their feet and 
use their techniques confidently. 

Left, a graceful likeness in clay is 
achieved in a sculpture class. 

Below, the age-old art of weaving is still 
being taught. 

unconventional, because a student 
spends much of his time in the 
studio-living, doing, and working 
in an artistic situation. 

"We try to provide an exciting 
atmosphere for the development of 
the young artist," he said. 

Weiner said that there has been 
more and more student 
participation in all levels of the 

"The curriculum is always under 
review," he said. "There is student 
representation on every committee 
that discusses new ideas and 


Expression in any media 

Weiner spoke of the obligation 
the school of Art has to the rest of 
the university. 

"We cannot lose sight of the 
necessity to serve, through art, the 
broader university as a whole ," he 

"We try to make our classes, 
within the limitations of faculty 
and space, open to non-majors who 
are interested in art, as well as to 
our majors." 

"Because the school is living, not 
static, and the students are 
self-motivated," Weiner said, "the 
art school is probably the most 
flexible and unpredictable school 
in the university." 

Left and right, students working in 

drawing and painting classes. 

Below, art students take a break to watch 

another branch of the arts-dancing. 

Opposite above, a cinematography 

student works with a projector in the Art 


Opposite left, a student in a drawing class 

sketches a live model. 

Opposite right, machines help clay workers 

at Lincoln Center in downtown Kent, 

which is used as an annex for the 

art department . 


Nurses help others 

Everyone must face the bitterness of death 
sometime-but student nurses deal with this reaUty 
sooner than most students. 

Before experiencing her first contact with death, a 
sophomore nursing student said, "We were shown the 
glamorous, Florence Nightingale type situations-we 
were all out to conquer the world." 

Confronting death head-on, she said, "In the hospital 
it didn't really hit me. When I went to my afternoon 
classes and saw other people living.-then I thought of 

"Every student must go through these same anxieties 
and doubts," explained Carol Diller, assistant to the 
dean of Nursing. "Student nurses must face up to the 
realities of life that most students don't see until later 
on in years." 

When a nursing student's doubts force her to consider 
leaving the program, the instructors try to find out why. 

"If it is a bad experience-we'd like to see the student 
wait and delay her decision to quit for at least a week," 
Diller said. 

"Sophomore students are amazed at how assured the 
seniors are in facing realities like death-it's just 
something they have to work at," Diller said. 

When a student decides to leave the nursing 
profession, Diller said, "We want the student to have 
some plan in mind. You can't run away-you have to 
move toward something." 

Below, a student nurse works with a pediatrics patient at 
Robinson Memorial Hospital. 

Right, student nurses practice giving injections with instruction 
from their professor. 

>^ ^w__^ i 

^ ^ 

while learning skills 

"The hardest part about nursing 
is telling your dad that you're 
going to be a nurse," said a Kent 
State male nursing student. 

Male nursing students represent 
a growing minority in the Kent 
program with 38 men and 728 
women participating. 

Of the 62 students graduating 
from the nursing class in June 
'71 -two were men. In 1972 the 
number of male nursing graduates 
jumped to three. 

Being a male in a field 
dominated by females presents 
many problems. One male student, 
Pat Egan explained, "Nursing is 
great once you've finally convinced 
people you aren't gay." 

Jim Oliver, another nursing 
student agreed with Egan, said, 
"My roommate tells everyone he's 
living with a nurse." 

Why do men want to get 
involved in nursing? "I've got an 
interest in medicine-but can't 
swing medical school," Egan said. 
"Not that nursing is a step down, 
but some people aren't cut out to 
be doctors." 

Another nursing 
student, Dan Cole- 
man, said that men 

have certain advantages over 
females in the program--like 
freedom from pregnancy leaves. 

"Males get promoted faster to 
supervisory positions than women 
because we're around longer," said 
Coleman, referring to the fact that 
many female nurses abandon their 
jobs when they get married. 

Adding another advantage, a 
male nursing student said, "Male 
nurses tend toward specialization. 
For myself, I plan to concentrate 
my studies in administration. 
Whereas for females, nursing is a 
career supplement for the home." 

Male nursing is sometimes 
considered women's liberation in 
reverse. But a second year male 
nursing student, with a degree in 
psychology, said, "I don't want to 
be accepted in nursing just because 
I'm a male." 

He said further, "I want to make 
sure that I have enough on my 
record when competing against a 
girl for the same job." 

James P. DeMarco, assistant 
professor in the school of Nursing, 

doesn't see male nursing as a 
confrontation between the sexes. 
"Men and women nurses 
complement each other," he said. 
Problems arise-they work them 
out together." 

Many of the female nursing 
students agree with DeMarco. "We 
help each other." said one female 
nursing student. "Some things 
women can't do as easily as men, 
such as moving the patients." 

Replying to this, Ron Roberts 
said he felt like a moving van at 
times. "Any time a patient needs 
to be moved-you know who they 
call," he said. 

Male nurses don't just provide 
brute force, according to one 
female nurse, "Male patients 
sometimes find it easier to relate to 
other men." 

With more and more men 
entering the nursing program at 
Kent State, people are just going to 
have to get used to the idea that 
nurses are the "people in white" 
and not the "women in white." 

New "men in white" 

Left, a male student nurse receives 
instruction from an adviser while on duty 
at Robinson Memorial Hospital. 


Psychology today 

Of Rats and Men 

After taking the introductory 
psychology class at KSU, many 
students are left with the 
impression that psychology is no 
more than rats, electric shocks, and 
deep, dark secrets. 

However, students who continue 
the study of psychology soon learn 
that it is not just a "soft" science 
with no answers. 

Currently, there are about 850 
majors studying behavioral and 
clinical psychology. Since 1971, 
410 people have graduated with 
B.A. degrees in psychology. 

There is a large amount of 
research involved in psychology 
today. Experiments are run with 

small animals such as rats, snakes, 
pigeons, cats, monkeys and mice. 

According to researchers at 
KSU, rats are used because they 
"provide a reasonable analogue for 
the researcher to study human 
neural development." Rats are used 
extensively to study learning 
development and retention because 
"human and rat brains proceed in 
advancement along the same lines." 

Dr. Richard Vardaris and several 
graduate students have been 
running experiments on rats to test 
effects of THC (synthetic essence 
of marijuana). They have tested the 
effect of the drug on learning, on 
reactions, and on internal 



Upper right, there are only about 20 pigeons left at KSU that are 
used for operant conditioning. 

Left, Rich Rakos, a doctoral student in clinical psychology, 
guides a subject's hand to touch a snake as part of an experiment 
in modeling behavior. 

Above, Dr. Stuart Taylor uses an overhead projector in his 
lecture on motivation for an Introduction to Psychology class in 
University Auditorium. 

Right, Dr. Richard Vardaris and his graduate assistant, Don Weisz 
test the effects of THC-the synthetic essence of marijuana~on a 
rat to study internal reaction times. 

Far right, O. Hobart Mowrer, from the University of Illinois, 
lectures in "Integrity Therapy" on a trip to KSU in spring 1973. 

psyched on Psychology 

Besides the animal 
experimentation taking place in 
Kent Hall, there is extensive human 

All students enrolled in 
Introduction to Psychology must 
sign up to participate in 
experiments run by professors, 
graduate students, and other 

One major piece of equipment 
required for many human 
experiments is a polygraph (like a 
lie-detector). Subjects are hooked 
up to small electrodes that record 
heart and respiration rates and 
galvanic skin response. 

On the third floor of Kent Hall 
is the Psychology Clinic. Doctoral 
students in clinical psychology 
work with clients during the 
second year of their studies. 

According to Dr. Horace Page, 
clinic director, 80 per cent of the 
clients are students and the rest are 
from surrounding communities. 

There are about 60 students in 
the nine-year-old doctoral program. 
They work with children and 
adults with psychological problems 
for one year while taking courses. 
They must also finish an internship 
before completing the five-year 

HPER classes 

Shifting thought from 

"Finding time to take all the one 
hour courses" is the hardest part of 
being a health, physical education 
and recreation (HPER) major, said 
one senior. 

All HPER majors are required to 
take activity courses. These one 

hour courses take three hours of 
class time every week. 

"The 500 majors in our HPER 
program spend only 20 hours of 
their requirements in activity 
courses," said Dorothy M. 
Zakrajsek, chairperson of the 

women's physical education. 

"These courses do more than 
teach the fundamentals of an 
activity," explained Zakrajsek. 
"They involve skill development, 
analysis of the skill-and some 

"Most HPER requirements are 
devoted to building a theory for 
physical education," said 
Zakrajsek. "This deals with 
knowledge from the natural 
sciences--like physiology, 
biochemics, and behavioral 

A good teacher, said one 
badminton instructor, will learn to 
"give encouragement, criticism and 
advice to his students-OK, that's 
good—that's right, play to his 

HPER majors soon learn the 
difference between a coach and 
teacher. As one Kent student 
explained, the coach has 
athletically skilled people to work 
with, while the teacher has to 
"create interest" in sports. 

"You don't have to be a super 
star to be in HPER," said one 
major. "I want to teach HPER 
and that takes more than just 
basic skill." 

mind to body 

Opposite left, two women in a basketball Right, the study of muscular and skeletal 

class pause for further instructions in systems are important for physical 

dribbling techniques. education majors. 

Opposite right, at times physical Below, an instructor watches and 

education classes are very strenuous and encourages his student who jumps rope 

students must take time out for a to build endurance and control, 

"Physical training 
should be an 
active part of 
everyones' lives," 

- senior 
HPER major 

"You don't 
have to be a 
super star to 

be in physical 


HPER major 

"There's a trend toward 
individual activities-things people 
can do the rest of their lives," said 
Zakrajsek. "We would like to offer 
training in these activities. 

"We are continually trying to 
update our program according to 
student desires. Take skiing, for 
example. Students asked for the 
course-we provided one. 

"There are always money 
problems with special activities like 
skiing," said Zakrajsek. "With 
skiing we have to charge a S50 fee, 
but the department doesn't get the 
money-Brandywine Slopes does." 

Although skiing is one of the top 
drawing classes during winter 
quarter, karate and ballet are the 
most popular courses spring and 
fall. Modern dance, bowling, tennis 
and ice skating are other classes 
appealing to the average student. 

"The women's department is 
made up of 17 faculty and the 
men's department, headed by Carl 
Schraibman, has about 14 faculty," 
said Zakrajsek. 

"Because most of our classes are 
coed, we pick the faculty member 
who can teach the course the 
best-man or woman," she added. 

Almost 6,000 students enroll in 
HPER courses a quarter. These 
students include majors in 
education, HPER, and just 
interested people. 

Left, having the thorough knowledgeof 
what's connected to what is mandatory 
for all phisical education majors. 



Photography by Leland Hale Ball 


^f Festival 



Trumpet fanfare heralded in colorful banners, 
brightly dressed minstrels, Elizabethan lords and ladies, 
and lively court jesters for an unusual Christmas 

The "Olde English Yuletide Feast and Renaissance 
Revel," part of the All Campus Programming Board 
(ACPB) Christmas on Campus project, featured the KSU 
Chorale on Dec. 6-7. 

Dr. Vance George, director of the Chorale, acted as 
lord of the feast and revel. About 150 guests partook, 
of a full course dinner, an authentic wassail toast, and 
flaming plum pudding. 

Pages carried in a boar's head while the Chorale 
accompanied with the "Boar's Head Carol." 

Minstrels and jesters entertained at tables during the 
Christmas dinner. After dinner the Chorale performed 
songs and dances of ' M e r r i e Olde 

Opposite above, a whole roasted pig adds to the authenticity of 
the Renaissance Revel. 

Opposite left, Dr. George and a Chorale member serenade 150 
guests with a lyre and a song. 

Left, KSU Chorale members dressed in Renaissance costumes 
sing and dance numbers of "Merrie Olde England". 

More food for thought 

Whatever shape 

your stomach's in 

"He's not going to come--! know he's not going to 
come." There they sat, fingers chewed to the fourth 
joint--sweating-not knowing if they'd make it. 

One stood watch at the window, while others sat 
tensely, poised on the edges of any available furniture. 

Bursting into tears, one sobbed, "I can't take it any 
longer. I'll die-I just know it." 

"Oh God," said another. "My whole being aches for 
the stuff. I've got to have it-where the hell is he?" 

"Maybe if you guys walk around a httle you'll feel 
better. Don't worry-he'U show." 

And then it happened. ..the phone rang. ..each 
responded with a jolt. One student sprang to answer it. 

"Yeah?. ..You got it?. ..Well, come on up. sure took 
you long enough," he sputtered into the mouthpiece. 

They looked at each other and smiled. The tension 
subsided and all seemed well again. 

A knock was heard at the door... 


"It's your pizza." 

^.,--?;x;.... .-■:>.. 

Pizza places 

just rolling in the dough $$ 

Ron Pisanello enjoys his work. 
He enjoys it to the point that he 
looks more like Pillsbury's dough 
boy than a successful businessman. 

"I guess I like my pizza," he 
chuckles, "and due to the long 
hours I put in here I usually end up 
having a pizza for lunch or dinner." 

The long day that Pisanello 
refers to is the 12-16 hours a day 
he spends making pizza, sausage 
and assorted other Italian dishes. 

"Sometimes the hours seem a 
httle too long, but there's always 
something to break up the 
monotony," Pisanello said. 

He recalls with a quick smile one 
particular incident that happened a 
few years back. 

"I was showing off for a few 
people by tossing dough in the air. 
Quite a crowd began to gather and 
there I was in my white outfit, 
smiling and just tossing the dough 
high into the air when it came 
down and hit a ladle full of sauce. 
It splattered all over me and 
everybody was laughing to death." 

Despite his pleasant and jovial 
nature, Pisanello is serious when 
the topic of good pizza is 

"To me, a good pizza must first 
of all taste delicious. To do this 
you must have fresh dough, a good 
crust and the best sauce." 

To insure his pizzas are the best, 
Pisanello combines his 19 years of 
experience with homemade 
ingredients. All his dough is made 
in his own kitchens along with 
most of the other foods. 

"Sausage is probably our biggest 
seller on pizzas because it's 
homemade, with pepperoni and 
mushrooms running a close 

Pisanello's Pizza averages about 
200 pizzas a night. Combine that 
with subs and other Italian dishes 
and one can understand why 
Pisanello's has seen many 
competitors come and go. 

"We do a lot of business thanks 
to our location. I f it wasn't for the 
University I probably wouldn't be 
here. I like meeting the students. 
They are good customers and the 
ones I employ are good workers," 
Pisanello said. 

Pisanello continued by saying 
that anybody can be taught to 
make a pizza in one night, but it 
takes at least three months to 
become proficient. 

Those who have stopped in at 
Pisanello's know that the man who 
is worth his weight in pepperoni 
must be a good teacher, because 
every pizza is a delicious 

Warm and intimate 

Captain Brady's, a restaurant 
and bake shop near the corner of 
front campus, is run by the same 
people who own Hahn's Bake Shop 
in downtown Kent. Known for 
their lunch specials and a variety of 
hot sandwiches, the Brady is 
packed with students at breakfast 
and lunch times. 

The Tudor-styled restaurant has 
a small but steady flow of students 
during the off hours in search of a 
quiet place to escape from the 
rigors of college life, or just to wait 
for the West Main Plaza bus. 

The waitresses are motherly and 
even the food has a home-cooked 
taste to it. 

"The Brady has warmth," said 
one of the customers. "It's not 
sterile like a lot of the franchise 
carry -outs iji Kent." 

"Captain Brady's hot chocolate 
is great early in the morning," said 
one commuter who frequents the 
establishment every day. 

"I can't start the day out right if 
I don't have my Brady roll," she 

at Captain Brady's 

A' >'»«mmmmmmmmgliitmmtti 

awwwtiU l l iiii i ii wai l Uj lU Ki i •• 


home of the 

"Big Howie 


With the metal screen door still 
clanging behind me, I stumbled 
into Jerry's Diner and selected the 
nearest shaky stool. 

"Could I have your menu?" I 
asked the flannel-shirted man 
playing the flute on the stool next 
to me. Without losing a note, he 
nodded yes. Rubbing my sleeve 
across the greasy counter, I 
plucked the menu away from the 
sugar bowl it clung to. 

Finding the same Elton John 
news article on the back of the 
menu that I'd read before, I said 
aloud, "I can't believe Elton John 
paid all that money for a lousy pair 
of sunglasses with windshield 
wipers on them." 

With the flute still poised to his 
lips, the fellow next to me replied, 
"Yeah-isn't that something." 

Thinking that I could pass the 
long wait for the waitress in 
pleasant conversation, I asked, 
"Are you a music major?" 

"No," was the reply. He gave a 
few more trills on his flute and 
said, "But my roommate is." 

"Does your moustache get in 
your way when you play?" 

"Yeah, sometimes," he said, as 
he put the flute into a worn, blue 
velvet-lined case. "How come you 
eat here?" 

"I don't know-I guess because 
it's open all night," I said with a 
shrug. "How come you eat here?" 

"Gee, I don't know. The food is 
OK, but look at this crooked 
counter-I hold the side of my plate 
up so the grease doesn't slide in my 

I guess I eat at Jerry's Diner 
because it has such a great 
atmosphere," I said with a smirk. 

"Well. ..I come here because it's 
the only place I can play my 

Eating on the Go... go 

Top left, fast food carry-outs like 
Arthur Treacher's give a complete 
dinner in the time it takes to read 
the menu. 

Left, dorm students receive their 
meals in the time it takes to walk 
through the line. 



Kent Food Co-op 

Not just a food store 

At 3 a.m. some people are just giving up the day and 
going to sleep. Others have five or six hours before their 
night ends-but at the Kent Food Co-op people are 
gathering at 3 on Friday mornings at the Unitarian 
Churcn at 228 Gougler for the trek up to Cleveland 
Farmers Market. 

At the market they choose the food they'll 
need--from strawberries to zucchini to rhubarb-bring it 
back to Kent and begin the job of unloading it all from 
the truck. 

Other people pitch in, and everyone can find 
something to do. There's cheese to be cut, boxes to 
unload, orders to weigh and between times fresh bread 
and butter or apples to eat. 

Involvement and sharing are key words at the Kent 
Food Co-op. "We like to think of the Co-op as the 
beginning of teaching people to work together," says 
Sue Lonsdale, organizer behind the Co-op. She doesn't 
think of herself as a leader of an organization-perhaps 
just a cohesive force behind the group action. 

"This is a Co-op, not a food store," says Carolyn 
Henny as she weighs mushrooms for an order. "We all 
work around here. People don't just come in here to 
buy food and then leave. If someone wants something, 
he'll have to help us. There's work to do and we all do 
it," she added. 


Even children are expected to help, and they seem 
glad to be given the chance to really pitch in and work. 
Seven-year-old Alys Henny spent half an hour packing 
eggs, and with only one broken egg in the bunch. To 
Alys' question, "How come these eggs don't all look 
alike?" Carolyn Henny answered, "Well, sometimes 
chickens don't always lay perfect eggs." 

A free dinner is given on Friday evenuigs for all 
members of the Co-op. Here also, people help prepare, 
serve and clean up afterwards-it's an experience in 

The fresh bread at the Co-op comes from the 
Peaceable Kingdom Bakery, located in Kent Natural 
Foods in the Town House on Main Street. 

The Peaceable Kingdom Bakery is a branch of the 
Co-op. Located in the Kent Natural Foods store, the 
bakery provides fresh bread daily. Peter Leon is the 
chief baker. 

Co-op means sharing 

Far left, a member of the Food Co-op samples the 

Left, individual food orders are weighed before the 
members come to pick them up. 

Top, the Food Co-op sponsors community dinners open 
to everyone for 50 cents. 

Above, Co-op members go to the Cleveland West Side 
Market every Friday at 3 a.m. to purchase produce. 

Working and eating togethier 

Kent Natural Foods and the bakery are just as busy 
on Saturdays as the Co-op is on Fridays. People wander 
in and out munching on the cherry or date-filled 
goodies while they get their groceries together. There is 
also a feeling of co-operative work sharing here. It is a 
place where people help you find what you need, offer 
you a bit of their peanut butter cookie, pack their own 
orders instead of expecting someone else to do it and 
find the time to stop and shoot the bull with others. 

Both the Co-op and Kent Natural Foods are 
non-profit organizations, but even here prices are going 
up. The price of whole-grain flour and other ingredients 
that go into the Peaceable Kingdom's bread are going 
up, which will force the price of the bread up~but Peter 
Leon is proud that his bakery wUl retain the high 
quaUty he demands. 

Larry Durkalski, who works at Kent Natural Foods, 
almost apologetically admits that many of the prices are 
going up, but only when necessary. 

It's a bare-assed, down-home kind of feeling you get 
at Kent Natural Foods-all that's missing is the pickle 



Hillel: not just 
bagels and lox 

Getting a rabbi and a house was 
not enough for Hillel members this 
September-they needed a Torah 

"How much use is a synagogue 
to us without a copy of the written 
law?" Hillel members asked. 

A Cleveland synagogue 
responded to Hillel's need for the 
scrolls just in time for Rosh 
Hashana~the Jewish New Year. 

Three hundred faculty members, 
students, and townspeople 
attended the New Year services to 
celebrate the new acquisition-a 
comparatively large turnout. 

Hillel members began to 
speculate about a year filled with 
well-attended events. They 
anxiously awaited Yom Kippur to 
see if Hillel's sudden drawing 
power would last. 



Above left, students monitor short wave 
broadcasts around the clock. 

Below left, Michelle Ross and Sheri Rush 
compile news reports from various 

Center, crowds are commonplace in the 
small office in the Jewish Student 

KSU students 

On October 6 it was a bright, 
brisk and sunny day in Kent-but 
that morning Israel declared itself 
on an air raid alert. 

But the situation in Israel was 
unknown to the people pouring 
into the Jewish Student Center to 
celebrate the Day of Atonement, 
Yom Kippur. 

Rabbi Gerald Turk, director of 
Hillel, slowly began morning 
prayers as people continued to 
tip-toe into the main room at 9:30 

Forty-five minutes later, a 
professor arose from his seat and in 
a subdued voice told the group 
about Israel's air alert. 

Rabbi Turk attempted to 
conduct normal services for Yom 
Kippur, but he was soon 
interrupted by Marc Wallenstein, 
president of Hillel. 

Wallenstein explained that he 
had slipped away from the services, 
and defying Jewish law turned on a 
radio to find out more about the 
air alert. 

Forcing out his words, he told 
the group that "Egypt and 
S y r i a . . .at t acked on two 
fronts... crossed Suez and into the 
Golan Heights... Israel caught by 

Rabbi Turk tried to start praying 
again, but he stopped. With 
bewilderment on his face he said, 
"I just can't continue." 

When their amazement wore off, 
courses of action started to form in 
people's minds. Students ran to 
radios and televisions, while others 


Above right, student volunteer take time 
off from their work to watch television 
news reports on the Middle East. 

Below right, the Hillel house gets total 
usage by the Israel Aid and Information 
Center-so Rabbi Turk is forced to hold 
classes in the livingroom. 

rally for Israel 

snatched up passports to fly to 
Israel to work on 
kibbutzim-freeing men to fight. 

Everyone worked together: 
Jews, non-Jews, professors, 
students, and people who would 
have crossed the street rather than 
be seen near Hillel, broke down 
doors to work for Israel. 

Hillel members formed an Israel 
Aid and Information Center, acting 
as an agency for all money 
collected by university students in 

The goal for the Israel Aid and 
Information Center was ten 
thousand dollars, but forty 
thousand was raised by the final 

Israel was pouring millions into 
the war, but blood was also 
needed. All money raised by Hillel 
was used to purchase blood plasma 

Those worried about friends 
and relatives or just interested 
people turned to Hillel for the 
latest information. Students at the 

center were manning short wave 
sets and monitoring radio 
broadcasts around the clock 

News of the center trickled out, 
and very soon an NBC camera crew 
interviewed active members on 

Across the United States, people 
heard about the young people in 
Kent who were working on two 
hour's sleep and living on bread, 
beans, spaghetti, jelly and an 
occasional shot of booze~all for 


Simchat Torah 

Tradition survives thie strain 

With the threat of war still 
hanging over the heads of many 
Hillel members, people wondered 
whether the Jewish Center could 
return to its normal pattern of 

Simchat Torah, a Jewish holiday 
celebrating the completion of 
scripture reading in the sacred 
scrolls, is a time of festivity in the 
Jewish religion. 

Even after the strain of the latest 
outbreak in the Middle East , Hillel 
members could still celebrate 
Simchat Torah with the traditional 

One member said his 
campaigning for Israel "increased 
his desire to get the most out of 



Living and learning 

"People here have names-in 
Engleman Hall no one had 
anything to hold on to but their 
silly paranoia," said Molly Wagner, 
one of the 25 students involved in 
the Living/Learning Community 

The L/LC is a family of 
commune-minded students living in 
what used to be called "Pipe 
Alley" in the bowels of Stopher 

This dorm community is an 
extension of skills and philosophies 
taught in courses for the Center for 
Peaceful Change. 

"I wish every dorm was like the 
L/LC," Wagner added. "Dorm 

living should be a personalized 
experience-instead it is a stifler of 

Another member of the L/LC 
family was also disenchanted with 
dorm living. "Musselman seemed 
just like Air Force barracks-cold 
and unfeeling," he said. "1 realized 
that the L/LC was closer to my 
views about living and sharing with 

"The people in the L/LC seemed 
uniquely friendly-not just a social 
friendliness, but a much deeper 
one," he explained. 

Students wishing to become part 
of the coed community are asked 
to meet with the residents on the 
floor and get to know them. 


Living and Learning Community 

New dormitory program 

Above right, L/LC residents paint graphic 
murals on the walls to express their 
personal creativity and to brighten the 
hallways in the basement of Stopher 
Hall. Many of the students in the 
community are interested in art, 
particularly in painting. Student 
Residence Life has been very liberal in 
wall-painting pohcies at L/LC. 

Opposite, residents develop the 
community identity by talking and 
partying together. All twenty five have 
gotten to know each other better by 
sharing music, dancing, by putting on 
self-designed costumes, and sometimes 
by painting each others' faces. 

stresses communal living 











Living and 



Upon meeting some of the 
people, one student said, "I've 
been exploring the 25 individuals 
who make up the group. There are 
25 different worlds to explore and 
share-25 different meanings of life. 

"The group seems able to tackle 
problems with open 
discussions-each person is willing 
to sacrifice a little of himself for 
the group," he added. 

Involvement with others in the 
community is considered a prime 
responsibility. Many of the people 
on the floor question how much 
interaction is necessary . 

"Do I become an outcast if I 
don't put my books in the 
community library?" asks one 
member. No one is forced to do 
things against his will. 

Other members on the floor are 
concerned with the growth of the 
community. "I don't feel we are 
developing as a community. We 
have a good time living and doing 
together-but we aren't sharing our 
lives enough," said yet another. 

As with any other family there 
are times of joy and then times of 
discouragement. However, as one 
member put it, the L/LC gives 
students the chance to "correct our 
present community ills." 

Opposite left, students post questions 

and suggestions in order to get feedback. 

Opposite right, Jean-Pierre Debris, a 

former prisoner of the Thieu regime, one 

of the participants in the coUoquia 

speaker series spends the night with the 


Above, the community is involved in 

many dialogues with diverse speakers and 


Center, Dr. Benjamin Spock, a guest of 

the L/LC, dines with student union 


Right, University President Olds spends 

an evening in conversation with the 




i) -{>< 


~>-^^ ^ 



3000 survive spring 

The 59th annual Campus Day 
was "stretched a country mile" this 
year, running from a wet May 1 1 
to an even soggier May 20. 

Said Jerry McMuUen, head of 
ACPB's Special Events Committee, 
"The weather was cold. We were 
sitting up here crying, 'We can't 
have snow on Campus Day.' We 
were prepared to chip the ice off 
the dunking machine." 

"The weather ruined some of 
the activities; however, we still had 
the biggest carnival and the biggest 
alumni turnout ever," Jerry 

With the theme Down a Country 

Road, the week's activities began 
with the annual Blue and Gold 
spring football inter-scrimmage, 
with half the proceeds going to the 
Portage County unit of the 
American Cancer Society. 

The Expo '73 air show, 
sponsored by Alpha Eta Rho 
fraternity, highlighted Sunday with 
demonstrations of helicopters and 
skydiving, and antique and 
experimental aircraft displays at 
Andrew Patton Airport in Stow. 

Tuesday featured a Marx 
Brothers Film Festival at the 
Student Center ballroom with A 
Night at the Opera and Go West. 

The Ma and Pa Kent contest, 
satirically replacing the 
once-traditional Campus Day 
Queen, ended a duel with Ky Kraus 
and Kathy Slight becoming the 
winning couple. Competing couples 
dressed according to their own 
interpretation of the Down a 
Country Road theme and 
performed a five-minute talent act. 
The winners rode in the Campus 
Day Parade the following Saturday. 

On Thursday, a sudden 
downpour and temperatures 
dipping to 35 degrees greeted Red, 
White and Bluegrass, John 
Hartford, and the Earl Scruggs 


festival in downpour 


/:■ ^ f^^ 




Revue. Uncle Dirty, a professional 
country-western emcee, hosted the 
concert on the Commons. Despite 
the weather, 4,000 bluegrass fans 
huddled together for an evening of 
free country music. 

Other events on Friday and 
Saturday included a bicycle race 
(Brad Loftin taking first place), all 
night movies in Eastway, hot-air 
baUoon flights (compliments of 
Professor Charles MacAurthur, 
Windsor, Conn.), the musical 
comedy Company, a KSU Opera 
Workshop Tales of Hoffman, and 
several happy hours. 

Floats, clowns, unicycles, high 
school marching bands, and the 
KSU Show Band were all part of 
the Saturday parade. Two floats. 
Country Love by Twin Towers and 
Keep a pickin' and a grinnin' by 
Chi Omega and Sigma Phi Epsilon, 
tied for first prize in the float 

'Country Road' attracts 
biggest crowd since '70 

Immediately following the 
parade were the carnival and 
songfest. Damp weather did not 
dampen the spirits as music 
provided a background for hot 
dogs, popcorn, candy apples, 
wine-jelly tasting and amusement 

Alpha Phi, winner of the 
songfest, featured barefoot country 
girls with checkered bonnets and 
long dresses singing Mariah. 

An Alumni Cafe, running 
concurrently with the carnival, was 
set up on Taylor Hall's terrace as a 
special gathering place for alumni. 
Said Donald Shook, director of 
Alumni Relations, "To our 
amazement, we served 50 per cent 
more than last year." 

The tradition of Campus Day 
began in 1914 with John E. 
McGilvrey, Kent's first president, 
to help boost summer enrollment. 

Far left, students compete for trophies in 
a bicycle race sponsored by Phi Kappa 
Psi fraternity . 

Lower left, Professor Charles Mac Arthur, 
"aeronaut extra ordiner" from 
Connecticut, gives hot air balloon rides 
from the rugby field as part of the 
Campus Day festivities. 

Upper right, Prentice Hall residents ride 
through downtown Kent on their 
Campus Day float. 

Below targets in one of the 30 game 
booths at the carnival are continuously 
pelted with eggs. 



Scruggs & 

pick in' an' 
a grinnin 

Rain dampened the audience 
and the cold made it difficult to 
play guitars and banjos, yet this 
weather failed to keep John 
Hartford and Earl Scruggs from 
"pickin' and a grinnin'." 

Four thousand attended the free 
Campus Day concert on the 
Commons that featured "Red, 
White, and Bluegrass," John 
Hartford, and "The Earl Scruggs 

Many people in the audience 
came prepared for the cold and 
rain with blankets, booze, and huge 
sheets of plastic. 

Shortly after "Red, White, and 
Bluegrass" began the five-hour 
concert, most people in the 
audience began clapping and 
dancing to the foot-stompin' 
country-western music and 
continued like that until 1 a.m. 

Despite temperatures dipping to 
35 degrees, John Hartford gave a 
rousing performance in his easy 
banjo style that was greatly 
influenced by Earl Scruggs. 

Said Hartford about his music, 
"I was just thinking the other day, 
it's a combination, like bluegrass 
and rock. So maybe it's grass-rock 
or something." 

Earl Scruggs, who has been a 
legend in country music for 25 
years, topped the concert with 
"The Earl Scruggs Revue." He and 
his sons have been performing an 
amalgamation of country, rock, 
and bluegrass under this name. 

The concert ended with several 
accomplished banjo-pickin' duets 
by Hartford and Scruggs. 












Above left, John Hartford plays before 
an audience of 3,000 on the Conunons. 

Above right. Uncle Dirty, emcee for the 
Scruggs-Hartford concert, laughs along 
with the rain- drenched audience. 

Far left, John Hartford listens intently to 
Earl Scruggs, at last spring's ACPB 
concert on the Commons. 


New roles for women 

"As long as a woman is prouder 
and happier, to bring a boy rather 
than a girl into the world, it will be 
proof that woman 's victory has not 
yet been won. " 

"That quotation," said a thoughtful young woman, 
"hits the nail right on the head. That's what the 
women's movement is all about." 

Pam Edwards of Kent Women's Action Collective 
(KWAC) added, "Sure we have been poUtically active 
this year, but I think our most meaningful activity has 
been the Sunday CR (consciousness raising) sessions. 

"It is here we come to terms with suppression, and 
study what we can do about it as individuals. It really 
does good things for your head to know that other 
women are fighting for you." 

"We don't always agree on issues," said Linda 
Lazzari. "For example, not all the sisters supported the 
proposed Equal Rights Amendment (ERA). Some of us 
felt that the long hard fight to get laws on the books 


which protect women from adverse working conditions 
would be thrown right out the window if the 27th 
amendment were adopted. 

Nevertheless, KWAC launched an aggressive 
letter-writing campaign, and several members went to 
Columbus on February 7, when Ohio became the 
thirty -third state to ratify the ERA. 

KWAC was also instrumental in organizing a boycott 
of Farah Slacks in Kent. By picketing O'Neil's on 
Saturdays, they brought the plight of 2,000 striking 
workers to the attention of townspeople. The workers, 
mostly Chicanos, walked out on Farah after the firm 
refused to allow them to organize, two years ago. In 
February, the National Labor Relations Board found 
Farah guilty of "union busting" and "discharging 
workers for union activities." Nationally, Farah-slack 
sales were off 15 per cent due to the boycott. 

On campus, KWAC brought the feminist movement 
to the attention of students by speaking to classes 
about KWAC, ERA, and what's taking place in the 
women's movement today. 

In January, KWAC held a dance "to show women 
that they can have a good time with their sisters". 
Lovelace, an all-woman band from Cleveland, provided 
the music for about 100 sisters and brothers. Explained 
one member, "We didn't turn the men away." 

They also launched Women Against Rape (WAR) to 
educate women in some simple self-defense techniques. 
In the U.S., rape leads the rise of violent crimes~up 11 
per cent from 1972. "The most important thing for 
women to realize is that they are not helpless," Pam 
Edwards said. 

Opposite above, members of KWAC join Attica Brigade members 
to picket against Farah slacks at O'Neil's. 



Gay liberation 

No longer part 

Kent Gay Liberation Front (KGLF) has helped many 
homosexuals break from their status of a phantom 

Women and men attending meetings and functions of 
KGLF soon learn the difference between being 
"homosexual" and being "gay." "Being gay means you 
are happy with the sexual lifestyle you choose," said 
one member. 

Gay liberation is a new ideology in society. About 
20-25 years ago there were a few gay organizations; 
however, they were all non-political, apologetic, and 

In 1969 the time of war demonstrations, in New York 
City gay Uberation began. One night in June, police 
raided a familiar gay bar. They were surprised to find 
student activists resisting arrest. There was a fight, and 
soon there were 3,000 gay people fighting in the streets. 

The organization formed as a result of this, took the 
name Gay Liberation Front (GLF) from the Vietnamese 
National Liberation Front. 

GLF came to Kent on Dec. 11, 1971. Several gay people 
decided to hold a meeting to include other gay people 
on campus. According to Bill Hoover, co-founder of 
KGLF, 10 per cent of KSU's population is gay. 

Sixty-five people came to the first meeting and 
decided to write a constitution and organizational 

At a coming out dance at a local bar, 400 people 
turned out along with the media and the police. 

According to Hoover, police asked him, "Are there 
guys in there holding hands with guys, and girls with 
girls?" "Yes," replied Hoover, "And some of them are 
even kissing." There were no incidents. 

One month after acceptance as a club by Student 
Senate, KGLF still had not received confirmation. Some 
members met with President Olds who, according to 
Hoover, thought KGLF would deter potential 

KGLF threatened a picket and finally got approval. 

KGLF holds meetings on Tuesdays, women's and 
men's raps weekly, and takes care of business in 
Steering Committee. 

Many pickets have been threatened, and two have 
been carried out. One against a woman in the HPER 
department and one against a bar owner in Akron. "We 
have been systematically excluded from all telephone 
listings and all university invitations," said Hoover. "But 
we have been very sharp about it and never let those 
little discriminations pass by." 


phantom population 


Above, a member of the Shaker 
Sislcn, a female impersonator, imitates 
Mae West in song and appearance. 
Center, many people attended the 
Halloween Ball dressed in costumes 
complete with sequins and glitter. 

Opposite, after dancing and 
entertainment, KGLF held contests for 
unusual costumes. The categories 
included: best woman dressed as a man, 
best man dressed as a woman, and best 
representation of gay liberation. 

GLF can be an effective medium 
for dispelling the "fag, butch, 
dyke, femme" stereotypes of 
yesterday, according to KSU gay 

"It's true, " said one member, 
"some gay people still get into 
playing 'masculine' or 'feminine' 
roles. But more and more students 
are just trying to be natural-there 
doesn't need to be a dominant 
person and an obedient one in a 
liealthy relationship." 

However, KGLF members 
occaisionally have fun with 
stereotypes seen by straight 

At the Halloween Ball sponsored 
by KGLF, there were many men 
dressed as women and vice versa. 

Gay and straight people danced 
to music by Lovelace, an all female 
band, and watched a stage show 
and strip-tease by the Shaker 
Sisters, female impersonators. 

It was an opportunity to "flash" 
in the wake of David Bowie and 
Lou Reed, "cosmic" gay-culture 


'Our goal is to provide 
opportunities for gays 
to socialize in an 
atmosphere of liberation 
rather than oppression/ 

KGLF - opening closet doors 

"Opening closet doors" is a 
phrase used by gay people that 
means bringing gay people into 
society to accept and like 

KGLF formed a phone service 
for about a year to reach gay 
people with problems ranging from 
loneliness to job discrimination. 

Townhall II and Group 
Resources use KGLF members as 
sources for gay people with 
psychological problems. 

Perhaps the largest thrust of 
action in KGLF is concentrated on 
hundreds of talks to reach "closet" 
gays and oppressed gays and to 
educate the general public about 
gay liberation. 

Above left, KGLF and KSU Campus Ministries co-sponsored a 
meeting titled "The Church and Gay Liberation." KGLF enlists 
many speakers dealing with controversial, gay -oriented issues. 

Above, Debbie Core, former co-chairperson of KGLF, speaks to 

many KSU classes and also to high school classes. Many members 

speak to religious groups, police trainees, professional 

organizations, and also on radio and television shows about gay 


Left, many women show gay pride by wearing buttons purchased 

through KGLF. 

Below, at weekly meetings, women and men discuss problems 

arising within the organization and issues concerning gay people 

in general. 

Right, a central theme of gay liberation is that men can have fun 

with other men, and women with other women. 



All work and no play 
is not true on campus 

Winter quarter marks the first 
anniversary of KSU's Student 
Center. It gives students a place to 
go to relax and meet one another. 
The old Union was not so much a 
focal point for students because of 
it's small size. 

The Rathskellar provides what 
one student termed "a commons-a 
place to go, that is; a part of the 

One may go to the Rathskellar 
and see the best local talent for less 
than 50 cents. "Our philosophy," 
said Jack Gottschalk, assistant 
director of Student Activities, "is 
to provide the best talent at the 
cheapest price--we feel that we 
have met this need." 

But not all performers are local. 
Buzzy Linhart, Tim Buckely, and 
Butch Wacks and the Glass Packs 
are some nationally known 
performers who have played at the 

"We purposely lose money on 
some shows because we feel that 
the students should have 
entertainment, and good 
programming should be funded." 


"If any profit is made, it is 
donated to the Student Center art 
gallery or the music listening 
room," he said. 

Activities vary from Big Chuck 
and Hoolihan's spaghetti eating 
contest to an Oldies but Goodies 

night. "Two students bring back 
the 1950's every Wednesday," 
Gottschalk. explained. 

But what of Eastway? Ten years 
before the Student Center was 
built Eastway was, as one student 
relates, "the Union for the back 

Fun as 'big business' 


The volume of business at 
Eastway is down since the opening 
of the Student Center, said Bruce 
Austin director of recreation for 
the University Center. "Before our 
only competition was the old 
Union and that wasn't very big." 

"We've had to change our 
entertainment because business is 
different. We can't compete with 
the Rathskellar because they have 
ideal facihties," he said. 

Eastway used to have a variety 
of activities for students. Beer 
blasts were frequent-as were free 
concerts. "But we have been forced 
to change because of the 
Rathskellar," said Austin. 

Yet there still are many activities 
which Eastway can offer that the 
Student Center cannot. "Sure, 
students can shoot pool or play 
pinball at either place-but Eastway 
has bowling allies and Golf-O-Mat 

(a mechanized golf game), and I'd 
rather come here," said a 

Another said, "I would just as 
soon shoot pool here because the 
tables are better, and besides 
Eastway has a certain atmosphere 
that the Center can't duplicate." 

According to Austin, an average 
of 250,000 students per year have 
come to Eastway in the last five 
years. "But beer sales are down by 
75 per cent and by 10 P.M. the 
place is empty." 

Eastway was the only place on 
campus open around the clock 
until recently, when, said Austin, 
"Students just stopped coming. 1 
don't know why, but it is probably 
a result of the entire economy 
being down." 

Where do the students go and 
why? "1 would rather go to the 
Rathskellar," said one freshman, 
"because there are too few people 
downtown and all they do is watch 

"It's easier to meet people here 
and besides that, it's ours," said 
another freshman. Yet another 
said, "The music is better here and 
at Eastway people are always 
walking through--it's very 

To be sure, one could not 
truthfuUy say that KSU lacks 
entertainment for students. As one 
senior said, "Hell, if they have any 
more activities on campus I'll 
probably move back into a dorm." 

hits Kent 

Friar Tuck's Fifties Revival Fali, 1973 

i^- J 




Fraternities and Sororities 

Enter the new Greek 


with brand new image 

Enter the "New Greek". 

Fraternities and sororities, after 
suffering a decline in recent years, 
are again on the upswing, with a 
new image to fit the changing 

Not a return to the nostalgic 
innocence of the fifties, but a new 
social awareness-a new aspect of 
college, another way of viewing 
life-is evident in the Greek system 
at KSU. 

In the past, Greek organizations 
at Kent and throughout the nation 
were recognized as sanctuaries of 
the privileged-reserved almost 
exclusively for sons and daughters 
of the upper middle class. 

When the socially-conscious and 
poUtically active student arrived on 
campus in the late sixties, Greek 
membership, fraternities in 
particular, took an ominous 

In a desperate reaction, many 
fraternities revised their pledge 
standards and relaxed fees, in 
hopes of rebuilding their ranks. 

"There's a new attitude present 
now," says one KSU brother. "The 
frats are more open, appealing not 
to the rich, but to the average 

Costs of membership and living 
in a Greek house, in most cases, are 
cheaper than living on-campus. 

Yet, the Greek system at Kent 
does not share the popularity 
found at other schools. The fifteen 
fraternities and nine sororities at 
KSU comprise only six per cent of 
the campus population. 

The diversity and dravdng power 
of other campus activities have an 
effect on Greek membership, but 
are not seen as a problem. 

"People here don't feel 
pressured to join a frat or 
sorority," says another Greek, 
adding, "It's good that there are 
enough other things going on to 
offer the student a choice. At some 
schools, going Greek is almost a 
necessity for a social life." 


Parties and pranks are perhaps 
the most visible aspects of Greek 
life, but are not seen as the most 
important reasons for belonging. 

"The key to the Greek system 
goes back to when it was first 
founded," said Jane Bilewicz, 
director of Fraternity Affairs. 
"Brotherhood and sisterhood are 
the basic purposes for being a 

Also listed as important 
functions of Greek life are service, 
community involvement, and 
academic development. 

Most Greek organizations 
support a national philanthropy, 

such as aid to the blind or to 
cardiac victims. 

Collectively, the Greek system 
sponsored a bathtub pull last year 
which netted nearly $1500 for a 
cancer drive. 

Other projects include ecology 
programs, voter registration drives, 
and volunteers to the 
King-Kennedy Center project in 

Academic achievement is 
another objective emphasized in 
the Greeks. Most chapters require a 
pledge to hold and maintain a 
certain point average. 

Some organizations have 
established study and tutorial 
programs. In addition, many 
chapters offer scholarships through 
national organizations. 

"The image of the stereotyped 
Greek is a problem, although it was 
probably earned somewhere along 
the way," said Bilewicz. 

Greeks also see the problem of 
being labeled and categorized, 
although some members feel the 
"New Greek" has a wider 
acceptance from independents in 
the univeristy community. 

"When people don't know us or 
don't visit the house," says one 

It's a place to come home 


sorority member, "it's easy for 
them to form judgments based on 
the old image. When they meet us, 
the stereotype disappears." 

KSU sororities are more 
formally structured and selective 
than the male counterparts, but 
both boast a wide variety of 
backgrounds and interest among 
members, and stress that 
conformity is not a goal. 

One frat man says, "You can 
keep your individuality as part of 
the group. The organization tries 
not to force you into the group, 
but to develop your own 
personality and individuality." 

Far left, students who live in fraternity 
houses off campus have an opportunity 
to fix their rooms with stereos and 
mattresses on the floor to make them 
more comfortable to study in. 

Left, sorority members often hold large 
dinners for guests in order to make a 
homier atmosphere. 

Above, women living in sorority houses 
are able to lounge before bed in their 
own living rooms while entertaining 

Below, sisters often throw surprise 
birthday parties for other sisters. 

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The rush procedure is more 
structured in sororities than in 
fraternities, but the girls emphasize 
that it's a two-way street. The girls 
who rush must choose who their 
sisters will be, just as the sisters 
choose future members. 

The feared pledge rituals and 
hazings of the past are also 
different for the "New Greek". 
Men tal and physical harassment of 
pledges has almost disappeared. 

"It's a different type of 

discipline-based on respect, not 
abuse," said one Greek. "We don't 
demand as much from a pledge as 
we used to. He may be lower on 
the ladder now, but we still make 
him feel part of the group." 

The group feeling of a Greek 
organization is extended through 
its house. The fraternity or sorority 
house is a home, not just for those 
living there, but for all 
members--even alumni. "It's 
something to come back to," 

explained one member. "You're 
always welcome." 

Housing about fifteen Greeks on 
the average, the "home away from 
home" is a bond between the 
brothers or sisters. Like a family, 
the house may have an occasional 
"sibUng rivalry", but underlying 
the quarrel is a deep sense of unity 
and close friendship. 

In marked contrast to the new 
relaxed image of Greeks are the 


all in the spirit of giving 

seven Black fraternities and 
sororities at KSU. In general, these 
groups follow more rigid 
procedures and demand more from 
their pledges than do their white 

According to the leader of one 
Black fraternity, strict discipline is 
used to build unity within the 
organization and to instill a 
life-long sense of brotherhood 
among its members. 

One mark of the Black Greek 

that few members will forget or 
remove is the brand-a permanent 
reminder of their brotherhood. 

One fraternity claims that 95 per 
cent of its chapter's members wear 
the brand, and the practice is now 
spreading to some of the other 
Black frats. 

"It's much more than just a 
social group," says one member. 
"It's something to be taken 
seriously, something to devote 
yourself to for life." 

Opposite, during the Christinas season 
sorority sisters decorated a real tree 
before going home for the holiday and 
also held a gift exchange. 

Above, members of Sigma Tau Gamma 
get caught up in the streaking spirit and 
"shoot-the-moon" in front of the 
Administration building. 


Unity stressed by Black 

Most of the Black Greek 
organizations are highly selective in 
regard to their pledges. Most 
pledges must wear external signs of 
their status, such as a large wooden 
insignia, to distinguish themselves 
from other recruits. 

Some pledges may be required 
to march in line, shave their heads, 
or carry around bricks. 

In general, the Black pledges are 
expected to conform in their 

actions, or as one brother describes 
it: "to make them seem one." 

Of the many pledges who begin, 
few become active members. The 
feeling is that brotherhood must be 

The involvement of the Black 
Greeks in the "secret society" 
aspect of Greek living is generally 
more complex than in the white 
Greeks. One member explained. 

"Not even my girlfriend knows 
what goes on at our meetings." 

Black Greeks are also widely 
involved with community service 
projects, particularly in the 
Skeels-McElrath district of 

Division between the Black and 
white Greeks is wide, but attempts 
are being made to bring the groups 
together for common projects and 
events. Througli the Intergreek 



Council, differences are discussed 
and problems brought out into the 

Black or white, the Greek 
system at KSU offers specific 
things one won't find elsewhere on 
campus-whether it be a lot of 
sisters and brothers, a home, a 
community cause, or a brand. 

The "New Greek" is here, and is 
growing and maturing, offering 
new perspectives into life at KSU. 


Above, top. Alpha Phi Alpha members 
present Duke Ellington with a plaque for 
his greatness in the field of 

Opposite and above, Omega Psi 
Phi brothers memorize precision form 
drills for a Black Greek talent night. 
Many of the members wear the Omega 



"She is my principle confidante, my alter ego and 
when I get tired or discouraged, she is the one that 
takes the gaff--she is just terrific in every way." 

This is how President Glenn Olds describes Kent 
State's first lady-Eva Olds. 

Her thoughts come smoothly and rapidly-they flash 
across her face and are punctuated with an appropriate 
body gesture. 

Living in the president's century-old home on Main 
Street, Glenn and Eva have attempted to decorate the 
university- owned house so it "reflects us," says Eva. 

A student walking into the Olds' home would be 
struck by the assortment of treasures hung on the wall, 
displayed on tables and stashed in odd nooks 

Holding up a bird's nest that was a gift from a friend, 
Eva said, "I Uke natural things around me. 

"Well actually, I really like a bit of whimsy around 
me-it helps me from getting uptight and these things 
help other people to break through the barrier of a 

public figure." 

A blue-bottomed sand box of fine, white sand is 
perhaps one of Eva's most known trademarks. "Sand 
boxes are fun for everybody," she says. 

Found in the Hving room, the sand box is part of 
what Eva calls "sand pile therapy". 

"I worked with sand pile therapy at the Jung 
Institute in Zurich," she explains, "and it is sort of like 
dreaming out loud." 

Next to the sand box are some of the many plants 
the Olds' keep in their home. 

"I love plants," she said. "I like anythmg to do with 
growing-whether it's the growth of plants or of 

Admitting that she and Glenn love people, Eva said, 
"My husband and I come on strong because of our 
natural personalities. 

"It would take a pretty unhappy person who could 
be forceful enough to say, 'I don't want your 
enthusiasm. ..your hopes.. .or your expectations.'" 

Glenn and Eva join to 


Although Eva finds Kent State has a friendlier 
atmosphere than it did three years ago, she says, "I still 
find a great lack of outgoingness, but I recognize that 
this probably stems from my interpretation." 

Eva and Glenn said they tried to reach out to the 
student body, but "I have not felt that my openness 
and disposition have been met by a comparable 
response," said Glenn. 

"I've made it a fetish about saying hello to students," 
he added. 

"What I did in the first few days at Kent," Eva 
explained, "I knew would determine what image people 
would have of me. 

"If people see a picture of someone or hear a 
remark-they get an image." And as Eva put it, "Some 
people forget that this is just one thing in the total 

"I come on strong about my Letters from Eve and 
what I thought about life," she said. 

Letters from Eve is a five part solo drama, written by 

Eva, that deals with philosophical questions of life. 

She said her favorite lines from the play are, 
"...something within me knew that the Grace of God 
was the capacity of new beginnings-the possibility of 
the giant step." 

Eva is not just the president's wife-she is an artist 
and an individual and she expects to be treated as such. 

"I've been mto women's lib for a long time-way 
before it was popular," she explained. "So I've gotten a 
good deal of practice avoiding being a second rate 

With a B.S. in broadcasting and a masters in speech, 
Eva is now studying transactional analysis, 
transcendental meditation, tai chi (a form of karate), 
and dramatic interpretation of literature. 

First family of KSU 

humanize presidency 

Left, Glenn Olds welcomes opportunities to speak with students, 
get their views, tell his ideas and get feedback. 

Above, Eva Olds' personality shines in all types of situations, 
from informal talks at her home to formal dinner receptions for 
administration officials. 

Right, Glenn and Eva. Eva says, "When I first walked on this 
campus, I said, 'I like the feel of it.'" Glenn and Eva enjoy a walk 
on front campus in the spring. 

Glenn also remains in touch with the classroom by 
teaching one freshman philosophy course a quarter. 

It is Glenn's love for students that mfluenced his 
leaving the United Nations, because above all else "I am 
an educator," he said. 

Glenn does admit missing the "global feeluig" he had 
at the U.N. And he also regrets that he doesn't "have 
the time for the international leadership I expected to 
give Kent." 

Nevertheless, Glenn has liked being president. But he 
is troubled by the "prospect of the faculty's collective 

"I think the president will increasuigly become a 
manager of labor relations and this does not interest 

What interests Glenn is developing the student body 
at Kent into "whole" people. 

"I beUeve that one needs both depth of specialization 
and breadth of exposure," said Glenn. 

"I think the University should make students have an 
appetite for the whole body of knowledge-including 
the body, mind and spirit." 

Glenn also accuses the University of being "too 
inward-looking and too vertically oriented in its 

"I have been trying to change this," asserts Glenn. 
"And I'm viewed by some of the conventional faculty 
as kind of an enemy of the tradition. 

"But I like the challenge of turning the University 
around," said Glenn. 


1 like natural things around me. 
Well actually, I like a lot of 
whimsy around me- it helps 
other people to break through 
the barrier of a public figure.' 

-Eva Olds 

He is not worried about decreasing enrollments or 
finances. "My feeling is, if we are doing something of 
excellence here-then people will be here," he 

Although a little pessimism can creep into a Glenn 
and Eva conversation, their overridmg positivism 
usually triumphs. 

"Once when I was feeling very discouraged," said 
Eva, "I asked Glenn what would he do if everything in 
the world we had tried to do was gone." 

"And he told me," she said, "that hewouldkeep on 
rowing the oars-and I know that is what he would do. 

"And I guess after I had gotten over being angry and 
hurt, and had written my poems about it," Eva added. 

"I suppose I would say, 'OK Glenn, move over-I'm 
taking one of the oars."' 

Their experiences range from commencement to Eva's dramatic 
debut, with Sunday Softball if time permits. He enjoys the chance 
to talk directly to the student body. She values free time that she 
can spend at home, relaxing with her famous sandbox. 

Michael Solomon 

Student 'in 


"I laughed-I just sat in utter disbelief and lauglied." 
This was Michael Solomon's reaction to the Kent 
concert committee three years ago. 

"The committee was paying an agent SI 500 for 
booking the groups, and that was all he did-I had to 
laugh to keep from crying," Solomon explained. "When 
I joined the committee, the first thing I did was can the 
unnecessary, over-priced agent, and did the booking for 
groups myself," Solomon said. 

"Getting Elton John here for spring '72 was just 
lucky," Solomon added. He mentioned that the Elton 
John concert was the first profit making concert Kent 
had in years. 

Solomon estimated that about 10 to 12 thousand 
dollars was lost on concerts the year before he joined 
the concert committee. Now, about 20 concerts later, 
the concert committee can clear as much as S4,000 per 

After the Eltoa John box office success, Solomon 
said he became committed to bringing quality 
entertainment to the university. Solomon's concert 
committee is under the auspices of the All Campus 
Programming Board (ACPB). 

Tlie total amount of receipts and disbursements for 
ACPB last year totaled one half million dollars. The 
concert committee provided the greatest chunk of 
ACPB financing, Solomon said. 

Although the booking for Elton John was done 
without the help of an agent, for Solomon's later 
concerts he worked with Belkin Productions. 

"Instead of Belkin working as an agent for us-we 
work as equal partners," Solomon said. "And that is 
why we have been successful-we respect Belkin and 
they respect us." 

Working with Belkin for the most part, Solomon's 
committee has brought big name groups like Yes, Pink 
Floyd, James Taylor and Santana to the campus. Also 
under Solomon's direction, Frank Zappa and John 
MacLaughlin, Seals and Crofts, Slia Na Na, Clieech and 
Chong and the Doobie Brothers have been brought to 

Without the help of another student, Keith 
Raymond, Solomon said he never would have won 
Belkin's respect and received recognition from 
university staff and students. 

Solomon has been concert chairman and Raymond 
has been co-chairman since their sophomore year 
together. They've grown with each other, learning when 
to give in and when to stand up to the estabHshment~in 
order to get the shows on stage. 

Both Solomon and Raymond will graduate this year. 
Solomon must finally hang his phone up and end his 
countless conversations with rock star agents. 

Raymond, the quiet man in charge of production, 
will never put up with sneering rock stars' road crews 
again at Kent. 

When Solomon hangs up his phone for the last time, 
he will leave a professional and businesslike system for 
concert committees in the future. 

"If anything, I have learned to 
walk slower," Michael Solomon 
said about the day-to-day hassles 
he encounters in the entertainment 
business, as ACPB concert 

Working closely with Solomon 
for three years, co-chairman Keith 
Raymond said he, too, has had to 
slow down and not let University 
rules get in the way of a show. 

"Keith and I are in the 
entertainment business and no one 
on the University level knows how 
to deal with the situation," 
Solomon pointed out. 

Agreeing with Solomon, 
Raymond said, "It seems a place 
that is supposed to be teaching you 
how to think sometimes can't 
think for itself." 

Both Solomon and Raymond 
said they have estabhshed some 
rapport with University staff. They 
attribute their success at pulling off 
concerts to "knowing the ropes" 
and knowing when to ask for 
permission and when not to ask for 

Raymond and Solomon cited 
the Physical Education Department 
as having responded the most 
favorably to the concert 

"At first, the Physical Education 
Department had a negative attitude 
toward concerts~but we changed 
that," Solomon said. He explained 
that he couldn't "really blame 
them for not wanting their 
facilities abused—which does 

Above, Michael Solomon talks with 
Keith Raymond as they both set 
up the stage for tlie Spirit and 
Lighthouse concert in the Student 
Center ballroom. 

Right, Solomon calmly solves 
another hassle backstage. A 
member of the Student Center 
staff has just told him there is no 
power for that night's show. 

Far right, Solomon and Raymond, 
chairmen of the ACPB concert 
committee, take a breather before 
the beginning of a show. 

' I have learned to walk slower' 

"Now, the Phys-Ed Department 
is very co-operative and helpful in 
regard to the use of the gym," 
Solomon reported. "I guess we just 
proved to them that we were 
responsible." When the concert 
committee used fork lifts to bring 
in three-tons of Pink Ployed 
equipment onto the gym floor, 
Solomon admitted that his good 
relations with the Phys-Ed 
Department could have been 

"You can imagine what the 
repercussions would have been if 
we had made a hole in the middle 
of the basketball court," Solomon 

Raymond said that after the 
committee realized it's failure to 
check Pink Floyd's equipment 
poundage was a mistake, "we 
started asking questions 
first — before we acted." 

Solomon put down all of these 
problems as part of his learning 
process because, "when we started 
we didn't know anything about 
concerts at all." 

Now, Solomon asserts, "We have 
our system together and concerts 
just sort of fall into place." 

However, while concerts have 
been easier to organize because of 
an experienced committee, the 
excitement that the shows eUcit is 
not as great, as in the past, 
observed Solomon. 

"Concert sales are still very 
good, but people are not into 
concerts the way they used to be," 
Solomon said. "I haven't 
pin-pointed the reason, maybe 
people are tired of concerts or 
maybe it is just my imagination." 

Raymond didn't quite agree 
with Solomon saying, "Music tastes 
still tend to be the same, perhaps 
students don't have the money to 
go to all the concerts." 

The ACPB concert committee 
deals with large sums of money, 
but neither Solomon nor Raymond 

are paid for the arrangements they 
do for concerts. 

Raymond commented on his 
lack of pay," For the amount of 
work we do there is a lot of per- 
sonal satisfaction~but no financial 
bonuses. Our personal satisfaction 
is seeing 7,000 people enjoying 
what we've planned." 

Solomon agreeing with 
Raymond said, "There is a kind of 
magic to the whole situation in- 
volved with concerts-that magic 
makes us keep doing it and putting 
up with the hassles." 

Solomon's and Raymond's 

responsibilities on the committee 
have brought them in contact with 
many well known artists. 

However, Solomon explained 
that most rock stars are on a 
demanding " 40 day tour with only 
a few days off and they are either 
"too tired or too bored to talk 
with students." 

"The not — so — famous 
performers are easier to talk with," 
according to Solomon. 


Frank Zappa and 
the Mothers of Invention 


Pink Floyd 

John McLaughlin and 
the Mahavishnu Orchestra 

James Taylor 



Duke Ellington 


Paul Simon 

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They give us those nice bright colors 

They give us the greens of summers 

Makes you think all the world's a sunny day 

I got a Nikon camera 

I love to take a photograph 

So mama don't take my Kodachrome away. 

When I think back on all the crap I learned in high school 
It 's a wonder I can think at all 

And though my lack of education hasn 't hurt me none 
I can read the writing on the wall. 

If you took all the girls I knew when I was single 
And brought them all together for one night 
I know they'd never match my sweet imagination 
Everything look worse in black and white. 

copyright 1973 Paul Simon 


Doobie Brothers 

"Most college audiences are 
too intellectual and analytical to 
let themselves go," said John 
Hartman, a drummer with the 
Doobie Brothers 

However, Hartman said he 
was "pleased with the response of 
the Kent audience." 

Tyran Porter, bassist for the 
Doobies, differing with Hartman 
said, "People in concerts will 
respond to anything, but these 
same people on the streets will stay 
in their own shells." 

Another Doobie, P a t 
Simmons said, "When an audience 
has to sit in straight chairs, with a 
fear of standing up and getting in 
someone's way—this inhibits 
people's actions." 

The All Campus Programming 
Board brought the Doobie Brothers 
to Kent fall Quarter. 

3 1 policemen patrol 
the city within a city 


:-|t^- ;>^./r^?f^ "■*''■ 

Four years following the May 4 
tragedy, John Peach, campus police 
detective, reports there is a new 
spirit of friendliness on campus. 

"In the four years I have served 
on the force, the student body's 
attitude has changed-for the 
better, "Peach explained. "During 
the months of April, May, and 
June of 70 through 72, there was 
real hostility in the air. Now, that 
problem is diminishing." 

"Perhaps we are making some 
progress showing the student body 
that our main goal is to assist and 
help them--not hinder progress," 
said Peach. 

What is the largest problem 
facing campus poHce in 73-74 ?The 
unanimous answer is, "theft." 

Patrolman Terry Morris said 
many thefts occur when students 
are careless. While discussing this, a 
student came in to report a new 
pair of shoes taken from her locker 
while she was in gym class. "I guess 
I should have locked it," the 
student said. 

Robert Malone, director of 
campus security, said crime is 
down this year, but he declined to 
give figures on this year's theft 
"because sometimes things are 
reported stolen when they are 
merely misplaced." 

He explained that this often 
happens with equipment such as 
projectors. "They are reported 
stolen," he added, "but later we 
are informed that some professor 
used it without signing the 
projector out properly." 

Malone came to Kent this 
September to head a department 
operating on a $617,000 budget, 
nearly 20 per cent less than the 
year before. 

Malone brings 21 years of law 
enforcement experience to the 
force. He hopes to implement a 
new recruit testing program next 
fall involving psychological testing, 
rigorous physical examinations 
and background investigations of 

Working to cover over 400 acres of 
university property, campus police must 
use squad cars, foot patrols and 
watchmen shifts, all coordinated through 
dispatchers, to hold crime rates down. 

Officers serving the KSU campus must have a 
minimum of 400 hours of police cadet 
training-the state minimum is set at 250 hours. 

Also, KSU officers are encouraged to participate 
in in-service training programs, either on the 
college level or in courses set up by the 

Malone was unable to say how the KSU pohce 
stack up against other forces. He did point out 
that his department consists of 31 sworn 
personnel, seven civilian employes and five patrol 

In comparison, the Kent city police has 26 
sworn personnel, ten civilian employes and six 
patrol cars. 

Campus police have full authority on University 
property, on roads bordering the campus, and are 
deputized to direct stadium traffic. 

All sworn officers, uniformed or plain 
clothesmen, wear two things: a necktie and a fully 
loaded .38-caliber regulation revolver, with 12 
rounds of ammunition. 

"As long as we have armed robberies-and as 
long as there is evidence some students have 
weapons, it would be stupid for us to be without 
our guns," said Malone. 

Only three rapes were reported from September 
through February. However, this does not mean 
that sexual offenders are rare on campus. 

One campus policeman said that the motivation 
behind many crimes stems from sexual 

"For example," the policeman explained, "if a 
guy habitually shoplifts for only left-handed 
gloves, I guess that is his sexual fetish." 

Patrolman Morris was called upon to check out 
a report of a suspicious person in a girls' dorm. 

Arriving at the dorm, Morris asked the girls who 
phoned in the complaint a number of questions. 

"What color car did he drive ?" Morris asked. 

One girl replied that it was an old beige car. 

Another swore it was a new yellow car. 

And another said it was small and gray. 

Morris thumbed through a magazine trying, 
without success, to locate a car resembling the 
suspect's car. 

Later, when he delivered the report, he mused, 
"It doesn't sound like anyone I've dealt with 
before. Some of the guys are often chronic 
problems~and we get to know them." 

Morris said his uniform used to bother him. "I'd 
walk into a room and talking would stop," he 
explained. "The uniform sets you apart-that's for 

"You have to be careful when in uniform," he 
added, "because people watch you for everything, 
and if you do something wrong-they don't forget. 

"Meeting people, talking to people, and trying 
to understand people," says Morris, makes up for 
the problems of the uniform. 

"There is one thing all the police have in 
common," said Morris. "We really care about the 
people we deal with, and our community." 

Opposite above and left, officers Fabray and Howard spend a 
good deal of their working day back at headquarters, preparing 
themselves and their paperwork before they can resume patrol. 

Above and right, a pause in the day for coffee, and then a chance 
to sit down during roll call while shifts change. 

1t used to bother me. 
You know you walk into 
a room and the talking 
stops. It sets you apart 
- that's for sure. 

'You have to be very 
careful not to make 
mistakes because people 
watch you for everything, 
and if you do something 
wrong, they don't forget' 

Security as a day-to-day job 

That is the one thing 

we all have in common. 

We really care about 

the people we deal with, 

and our community/ 

Above, the routine day for officer Scalise may take him to 
the Student Center, where developing rapport with 
students could be one of the most important challenges 
that the department faces. 

Right, Officer Fabray arrives inside the vault at the Bursar's 
office to guard the transfer of a pouch for university funds. 


Health Center: 
OK, say Aahhh. 

'Dorm food is bad-look out 
for freshman English--and don't go 
to the Health Center," are the first 
three things freshmen hear from 
upperclassmen, according to Dr. 
Jay Cranston, director of the 
Health Center. 

"I believe that most students 
don't know what services the 
Center has available to them," he 

further explained.. 

"Staffed by eight doctors and 
twenty-one nurses, the Health 
Center treats approximately 377 
people per day," said Cranston. 
"We're geared toward general 
medicine and treat anything from 
colds to broken legs. 

"Besides our clinic, the Health 
Center operates an infirmary for 

in-patient service around the clock. 
We have a capacity on the second 
floor of the Center to put 36 
people in beds," the administrator 
pointed out. "We also have 32 
extra beds if the need arises," he 
said. "I think it's important to note 
that any students needing to stay 
in the infirmary receive all services 
free, including their medication." 


Above, a student waits in the laboratory while technicians 
perform blood and urine tests. 

Above right, a student recuperates in the Health Center from a 
back injury. 

Right, a lab technician treats a student for an eye infection. 

Far right, many students have throat cultures taken at the Health 
Center to check for colds and viruses. 

"Along with this, we have a laboratory which does 
routine work, such as blood counts--at no cost to the 
patient. We offer physical therapy if necessary and have 
an X-ray department which is also free," Cranston said. 
"The Center also operates a pharmacy which sells 
medication at less than retail cost, by purchasing 
through state contract. 

" We have a full time gynecologist on the staff, clinical 
psychologists in the Center daily, and an orthopedic 
surgeon at the Center once a week," Cranston added. 

"Confidentiality, a reason students shouldn't shy 
away from the Health Center, is not only our intent, but 
our practice," declares Mrs. Galizio, clinic head nurse. 
"All our records are strictly confidential. They are not 
released to anyone without written consent from the 

"We've been trying to humanize our health services," 
Cranston said. "Taking care of diseases is not 
difficult-taking care of students is." 

"I see my role as much more than just a nurse. If a 
student comes in and wants someone to talk to or feels 
a little homesick, then that's what I'm here for," said 
one nurse with a smile. 

Paula Fishman, a patient in the Health Center for 
over a week, said, "I've been made to feel really 
comfortable here. The nurses are great-they come in all 
the time just to talk. They'll bring you a snack whenever 
you want it." 

Apparently Fishman has no regrets about going to the 
Center because she said,"The attention I've gotten from 
the doctor has been really good. I couldn't ask for 
better service." 


'We've been trying to humanize our tiealtti 
services. Taking care of diseases 
is not difficult - - taking care of 
students is' - - ^^^ j^^ Cranston 

Left, Barrett Dorko, physical therapist, 
helps Bill Schultz strengthen his muscles 
in therapy sessions every week. 

Center, Dorko works with a student to 
help her develop the muscles in her hands 
and arms. 

Right, a student waits for his 
prescription in the Health Center 
pharmacy after having his ankle treated 
for a sprain. 





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Homecomecoming '73 

' Dynamics 

o f life 

Far left, Kent State cheerleaders 
make a blue and gold pyramid for 
the Homecoming crowd. 

Left, Kent State Flashes rally 
together before the Homecoming 
game against Eastern Michigan. 

Below, Kent State fans applaud the 
Flashes as the team rushes onto the 



For all the fans- 
a chance to scream, 

drink and show off 


/// A 





rt/-'^ 'i^ 

They blew their horns s. 


A surprising number of dorm 
students participated in 
Homecoming '73, Jerry McMullin, 
chairman of the event, reported. 

McMullin said he was pleased to 
see dorms involved because "all the 
power wasn't then thrown to the 
Greeks." He said that Terrace Hall, 
winners of the Bowman Cup, 
"really went bananas." 

The Bowman Cup is awarded to 
the group showing the most spirit 
in Homecoming activities. A 
scavenger hunt, carnival, 
Volkswagon-stuff, pep rally and 
spirit chase were events in which 
groups racked up theii' spirit scores. 

"We started out participating 
just for fun, but after we started 

winning, people got really 
excited," said one Terrace Hall 

Homecoming '73 wasn't just a 
competition for the Bowman Cup, 
however. For many it was a time to 
return to the simple, sunny days of 
the 50's. 

At the carnival, everything from 
sock hops, goldfish-swallowing, 
pony tails and bobby socks 
reflected this nostalgic turn. 

Amidst the carnival's rendition 
of 5 0's favorites, about 1,000 
students cast their ballots for 
Homecoming Queen. 

Suzanne Sherman was this year's 
Homecoming Queen, with Donna 
Pottinger the first runner-up. 



A day of memories- 

The New Kent Singers perform a 50's 
style half 'time show for Homecoming, One 
member said, 'Our half -time show wouldn't 
have happened a year ago. It's a rebirth - 
more than nostalgia because we have a 
number one football team/ 



Above, President Glenn Olds honks 
his horn when the Flashes score a 

Above left and below, Suzanne 
Sherman receives her crown from 
last year's queen Andrea Brady. 

For some, time to return, 
to visit, to replay . . . 


The Alumni Band for 
Homecoming '73 was "something 
I've always dreamed about," said 
Julia Stanford, a twirler with the 
Kent band 15 years ago. 

Julia Stanford and Nella Plough 
were returning twirlers heading up 
the Alumni band for this year's 
Homecoming half-time show. 

Giving up her baton to become a 
tiiird grade teacher, Julia Stanford 
was united with Nella Plough, her 
twirler-mate of 15 years ago, 
througli the Alumni band. 

"When we arrived at Kent the 
morning of Homecoming, Mr. 
Jacoby asked us to try twirhng 
again," Stanford said. 

"We only practiced for 40 
minutes," Stanford explained. "I 
really felt weird out on tiie football 
field-twirling must be one of those 
things you never forget." 

Plough agreed that being out on 
the field was unexpected, "We just 
watched each other and tried to 
put on a good show." 

"For a few ininutes I felt young 
again!" exclaimed Stanford, Kent's 
first and last band queen. 

Stanford said that as a student 
she was "always nervous when 
twirling on the football field. Now 
I'd go out there and have a good 

Stanford, Plough and other 
Alumni band members agreed it 
was good to meet people they 
hadn't seen since college. 

Ron Lucien, playing the same 
instrument in the Alumni band 
that he played in college 18 years 
ago, observed that the Kent band 
has "a peppier style than we did." 

"It's good to see Kent back on 
its feet from a losing football team 
in the past and the May 4th 
tragedy," Lucien said. Another 
Alumni band member, Liane 
Sickels of the class of '52, said she 
enjoyed being back at Kent. She 
observed that "Kent is different 
now--they win games." 


For others, time to stuff a bug 

Attempting to break the world 
Volkswagon-stuff record of 34, 
about eight groups gathered at the 
Student Center Plaza to stuff and 
squeeze their friends into 

Jackie Noll disclosed Fletcher 
Hall's secret method. "First we 
took ail the seats out except the 
driver's seat. We couldn't take that 
out because the floor of the car 
would fall out." 

"Then we put a row of people 
crunched on the bottom, with 
another row on top of them. 
Finally, we took tall, thin people 
and stuffed them on top." 

This technique proved to be 
successful. After piling out of the 
Volkswagons, Fletcher Hall and 
Terrace Hall tied for first place 
with 33 persons each. 

A hubcap vdth a Volkswagon on 
top was the prize. 

Liz Hershey of Terrace Hall said, 
"Everyone wanted to stuff people 
in wherever there was a space." 



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"I'd really like to put 

out a live album of the 

show I did at Kent. 

"I'm a ham-it's an element 

that comes out in me from time 

to time. 

"In general, my music will be 

more up tempo than what I ever 

did with Artie. 

"Almost never are my songs 

about myself. Maybe generally 

about me, but never specifically 

about me. 

''Like a Rock is about 

people who abuse power-like 

the Nixon people. 

"I don't have any personal 
favorite song. 

"Any time I can sit quietly 

somewhere and think-I can 

create. I can even create 

on the road. 

"I'm curious about other 
things, but songs are my way 
of saying what I have to say. 

"I don't feel any economic 

drive to produce albums. I do 

them when I feel Uke it. 

"Campuses look the way they 

always looked~I hardly see 

any changes. 

"I've got a lot of people 

praying for me. Those 

kind of people come up to me 

all the time. 

"I wish people wouldn't tell 
me what I'm searching for." 




A dynamite team . 

by Charlie Stricklen 

Nineteen seventy three was a 
banner year for Kent State 
football. Head Coach Don James 
and his Golden Flashes were victors 
nine times, including a 21-7 "Super 
Saturday" triumph over BowHng 
Green, a game which many thought 
would decide the Mid-American 
Conference championship. 

But later in the season, Miami, 
which had stormed through its first 
eight games without a loss, came to 
be ranked 17th in the nation to 
face Kent's 19th-ranked Flashes for 
the MAC title. 

The contest was appropriately 
tagged "Super Saturday 11" and 
more than 27,000 fans-a record 
crowd-jammed into Dix Stadium 
to peer through a driving snow as 
the Golden Flashes made their bid 
for Kent's second straight 
conference championship. 

But it was not to be. Miami's 
powerful defense-ranked No. 2 in 
the nation-stymied Kent State's 
"high octane" offense and the Red 
skins returned home to Oxford 

with a 20-10 victory-and the Mid- 
Am title. 

The loss was a crushing blow to 
the Flashes and to their fans. It had 
been a valiant effort by the 
Flashes, though. They had been 
pitted against a Miami squad which 
went on to finish the season 
undefeated (10-0) and was ranked 
15th nationally at the season's end. 

The Flashes were able quickly to 
bounce back after the devastating 
defeat, but the fans never 
recovered. A week after losing the 
championship, the Flashes travelled 
to Toledo where they ripped the 
Rockets, 51-16. 

When the best Flash team in 
history (9-2) returned home for 
their final game the following 
weekend, they ran onto the field to 
the cheers of almost no one. By 
game time, there were only 3,870 
fair-weather fans, many of whom 
left before the game ended. 

Kent handily won the contest, 
beating Central Michigan 28-7 
despite the lack of support-which 

prompted Coach James to lament, 
" I'd like to take this team 
somewhere where they would be 

Even more disappointment was 
to come. 

Players, coaches and fans alike 
expressed disillusionment when a 
well-deserved post-season bowl 
invitation never came. 

Thus, a team which had almost 
completely re-written the Kent 
record books and had outscored its 
opponents 299-131, finished the 
long season unheralded and 
seemingly unappreciated. 

Spirits were lifted somewhat 
when Coach James announced that 
he would definitely be back next 
year--dispelling rumors that he 
would leave to take a higher 
paying, more prestigious position. 

So even with the loss of 16 
seniors from this year's squad, 
there is reason to be confident that 
the Golden Flashes will again be in 
the thick of the title race in the 
coming season. 



And everyone 

is a football fan 







*at Ohio U. 



at San Diego 



*at Western Michigan 



*at Bowling Green 



Eastern Michigan 



at Utah State 









*at Toledo 



Central Michigan 



; games 


Kent of fense-- 
they do it 

by Frank Beeson 

Passing accuracy and running 
power best characterized the 
versatile Kent State offensive squad 
during the 1973 grid season. 

The well-toned Flash offense 
churned up 38 touchdowns 
through the 11-game season and 
finished the year atop the 
Mid-American Conference in total 

Before the season, rumor had it 
that Kent's Power-I Triple-Option 
offense would be hard to contend 
with and the Kent State Golden 
Flashes made the rumor a reahty. 

Quarterback Greg Kokal 
completed 133 passes in 234 
attempts for an impressive .568 
average, the best in the MAC. 

The sophomore quarterback 
sighted sure-handed Gary Pinkel 
and speedster Gerald Tinker as his 
prime receivers. Pinkel led the Kent 
receivers with 36, while Tinker was 
but a catch behind at 35. 

Offensive versatility was 
supplied through the running 
efforts of tailback Larry Poole and 
fullback Mike Mauger. 

Poole, breaking through the 
defensive clutches, ground out 1010 
yards for the season while Mauger 
bulled his way to fortune at Kent, 
totalling 515 yards in 102 carries. 

Tlie offensive line built Kent's 
running and passing attack. 
Without its efforts the KSU 
ground-gainers would have been far 
less productive. 

Setting up the "wall of 
concrete" were tackles Dave Korns 
and Bob Adair, guards Rick 
Gembar and Jon Hyde, and center 
Henry Waszczuk. 

For the Kent offense it was a 
year of success and frustration. 
Success when one considers that 36 
individual and team offensive 
records were broken. Frustration 
when one considers a 9-2 season 
and nothing to show for it but a 
scarred helmet and a number two 
spot in the Mid-American 
Conference final standings. 

Things go bad on the field but you've got to get up 
and fight back-thaVs what life is all about' 

Above quarterback Greg Kokal (8) sets to throw a pass. 

Opposite top, Greg Kokal gets a pass off before being dropped by 
a Redskin. 

Opposite center, Greg Kokal is knocked out of bounds after a 
short gain. 

Far right, Greg Kokal is tackled for a loss by on-rushing Redskin 

Center, Redskin defensive linemen close in on Kokal. 

_»»*.; .-iafc.-4g_'_? 

You have to be mentally 
ready for the game. You 
may only be 1 70 pounds, 
but on game day if you 
are mentally prepared, 
you can hit like 270 

"Jack Lambert 

by Bob Baptist 

"Defense! Defense! Defense!" 
The thundering chant was a 
famiUar one in Dix Stadium this 
past football season--a chant that 
surely inspired the Golden Flash 
defense and spelled doom for the 
opposing offense. 

For in the 1973 campaign, the 
KSU tacklers limited other teams 
to a meager 1 1 .9 points a game, 
second only to league-champion 
Miami in Mid-American Conference 
scoring defense. 

Five times during the season 
Kent opponents were held under 10 
points in a game. Two 
V i c t i m s - - L o u i s ville and 
Marshall-could manage but a single 
field goal. 

Anchoring Kent's defensive 
eleven was big No. 99, Jack 
Lambert, a frightening figure on 
any football field. The 6-5, 
215-pound senior again established 
himself as the finest defensive 
player in the MAC, gaining a 
first-team berth on the all-league 
team and following that up with 
third-team honors on the 
Associated Press All-America 

Making the linebackers' j obs that 
much easier were the efforts of the 
monstrous Golden Flash front 
four. Runners who ventured into 

the huge front four of Walt Vrabel, 
Larry Faulk, Marv Elliott and 
Tommie Poole allowed only three 
yards a play, something opposing 
coaches would think about when 
putting together their game plans 
for next year. To add to their 
worries, three of the four starters 
will be returning. 

The lone sore spot in the Flash 
defense was the secondary line 
where head Coach Don James tried 
a number of players in an 
attempt to shore up the obvious 
weakness. Kent was victimized by 
only five touchdowns through the 
air, second best in the MAC, but 
was vulnerable to the short 10 and 
15-yard tosses, completions that 
added up in the end, keeping alive 
many opponents' drives. 

Despite the loss of the 
conference crown, the Kent 
defense this year performed as well 
if not better than in the 1972 
championship year. And prospects 
for next season continue to look 

Six starters return to bolster the 
stingy defense, second in almost 
every MAC statistical category last 
year. With this personnel and 
several new faces, the defense may 
very well lead KSU football to the 
top of the Mid-American 
Conference once again. 

Top right, defensive end Larry Faulk 
(84) displays his fine tackling skills. 

Below right, Kent State defensive squad 
shows why it allowed only 11 .9 points 
per game for the '73 season. 


Above, the linebacker Jack Lambert 
rushes in to help Art Gissendaner stop 
the Redskin offense. 

Below, Art Gissendaner (47), Jack 
Lambert (99), and Walt Vrabel (88) team 
up to stop a Miami running back. 


Kent defense 
they undo it 


V Caesar we who are about to die salute you! 
was the gladiators' cry in the arena, standing 
face 'to- face with death and the Roman 
populace/ "Morituri Salutamus, Longfellow 

Above linebacker Byron Philmore, dressed in full battle 
gear, awaits his chance to get in on the action. 

Upper right, linebacker Bob Miller is wrapped up in the 
combat on the field. 

Lower right, center Henry Waszczuk grimaces after 
being wounded in battle. 


'Sports are a moral equivalent 

to wan Football creates an 
outlet for natural aggressions- 

which all of us have/ -Eva Olds 

7 like violence myself-legal 
violence, that is/ -Larry Poole 

7 don't represent any kind of 
mystical force behind the 
winning team, God gave these 

boys football playing talents/ 
"Father O'Brien, team chaplain 


Football Saturdays begin 
on Sunday night 

Coach Don James takes his team 
to the movies every Sunday 
night-but not for enjoyment. 

Football Saturday's begin 
Sunday night with films of the 
previous game for the Golden 

"When I get knocked down," 
said defensive tackle Walt Vrabel, 
'i think to myself, 'Uh oh--what's 
the coach going to say Sunday 
night when we watch the movies?'" 

For tight end Gary Pinkel, the 
Sunday night movies mark the 
beginning of the coming week's 
mounting pressures. 

Pinkel explained that for him 
pressure starts a slow upward trend 
Sunday and continues until 

"On Thursday I sit in class and 
bite off all my nails," said Pinkel 
"And on Friday and Saturday 
morning I have to sit and shake my 
leg up and down" to relieve the 
increasing nervousness. 

Taking a deep breath the boyish 
faced Pinkel said, "Saturday is the 
pressure plug that is pulled out of 
you-and then the tension starts all 
over again Sunday night." 

Tommie Poole, defensive tackle 
approaches football differently 
than Pinkel. "I just go out and play 
ball-getting psyched or worrying is 
wasting energy," Poole said. 

A rather jovial, but slightly 
cocky individual, Tommie Poole 
bitterly remarks that "Football 
hasn't prepared me for life. I'm too 
small for pro-ball--and so where has 
seven years of football left me?" 

Tail back Larry Poole disagrees with his brother 
Tommie on football preparing him for life. "Football 
has taught me how to endure anything," Larry said. 

The "cheerleader on the squad," according to Larry 
Poole is Pinkel. "He's pretty inspirational. Whenever I 
score a touchdown Pinkel is the first one to 
congratulate me." 

Coach James has told the team that "A football field 
is a classroom for character building." 

Agreeing with James, line backer Jack Lambert said, 
"Football teaches you self-pride and respect for your 


:'« V:- 


'A football field 
is a classroom. 
Every game is 
a final exam/ 


60 minute game demands all 

Football players lose strength 
during the season, so Donald D. 
Lowe, head athletic trainer, keeps 
the Flashes on a weight program 
designed "to help the players 
maintain their strength." 

"An athlete expends a lot of 
energy playing football, but the 
muscles aren't being developed," 
explains Lowe. 

Exercising every day on weight 
machines in the Stadium training 

room, the Kent football team 
builds up their "strength and 
agility" all year. 

"If a player doesn't do his leg 
exercises," Lowe points out, "then 
he has to run laps." 

"Coach James and I believe leg 
strength helps prevent knee and 
ankle injuries," continued Lowe. 
"The team's leg strength is part of 
the reason we're a fourth quarter 

"Our weight program also helps 
to develop bulk--the more padding 
a player has means more protection 
from injuries," said Lowe. 

All the Flashes' ankles are taped 
by Lowe and his ten assistants 
before practice and games. 

"Most injuries in athletics are 
ankle sprains and muscle pulls," 
explains Lowe. "We can't do much 
about accidents, but we can keep 
the players in good condition." 


"Taping limits the range of 
motion of a joint without 
interfering with the player's 
movement," Lowe added. 

Using adhesive and elastic tape 
"cuts down the severity of a fall," 
said Lowe. He estimates that the 
Flashes use 48 miles of tape each 

Injured players and 44 team 
members have to be taped for a 
game, Lowe said. "Anyone else can 
be taped if they want to--there are 
usually 70 to 80 guys on the 

Not just ankles and knees 
require taping, however. Fingers, 
hands, elbows, shoulders and even 
foreheads of some players need 
extra support. 

Lowe and his assistants start 
taping each weekday at 2 p.m., 
having the team out on the field at 
3:45. From beginning of practice 
to late afternoon, Lowe observes 
the team with special attention 
paid to injured players. 

"I make sure the guys are doing 
what they're supposed to do and 
avoiding what they're not supposed 
to do," Lowe said. 

"Taping helps to get a player 
back into play by limiting the 
motion of an injured joint," Lowe 
points out. 

We tape if the pain is not too 
severe or if the competition won't 
hurt him in the future. 

"But taping is not even one-third 
of the job," says Lowe. Treatment 
for injured players takes up a great 
deal of Lowe's day. 

Players get three to four 
treatments a day from the training 
staff. They use various modalities 
in treatments: whirlpools, ice 

massage and ultra sound are used 
to treat injuries. 

"Ultra sound equipment takes 
electrical waves and transforms 
them into sound waves providing 
intense heat," according to Lowe. 

When a player gets hurt on 
campus he goes to the Health 
Center "like any other student," 
said Lowe. "But I always like to 
know about what happened to him 
because it might effect his 
performance--and I might be able 
to help." 

"This was a good year as far as 
injuries go," says Lowe. "One 
reason for this was luck, but the 
other is our good conditioning 

Top, series, Kent Golden Flashes 
work out on the exercise machines 
in the Stadium training room. 
Before practice and games the 
players get a thorough taping from 
Donald D. Lowe, head athletic 
trainer, and staff. 

Above, members of the team horse 
around together in the shower. 

Left, Coach James gives a pep talk 
before a Friday practice. 



Handicapped students 

Disabled, alone 

"We can understand the feeling 
of sympathy for our disabilities, 
but when it goes as far as pity-we 
want no part of it," said Janet 
Postle, a lifetime wheelchair user. 
"We're not invalids, there's just a 
different mode to our mobiUty." 

The handicapped want ramps 
instead of curbs and steps, and 
private facilities their chairs can 
enter. They just want 
consideration, according to Postle. 

For the third year, Disability 
Month was organized to give 
students an understanding of the 
barriers involved in the use of a 
wheelchair. Students were given a 
chance to adopt a temporary 
handicap, either using a wheelchair 
or wearing a blindfold. 

Participants in Disability Month 
soon learned that "the biggest 
problems are getting into 
cafeterias, getting drinks of water, 
getting over curbs, and using the 
Johns when the doors are too 
narrow to get a chair through," 
Postle said. 

"We just want to show others 
the problems that being 'different' 
can bring," Postle explained. 
Belonging is also a big problem, 
said Postle. "The able-bodied form 
stereotypes and have pity for us, 
both of which are hard to 

"We're being confined to a 
minority and have little influence 
to bring about the changes we 
need," Postle said. 

The answer lies in numbers, 
explained Postle. Society is set up 
in a non-handicapped manner 
because the majority of the people 
are such, but with support of 
people, both handicapped and 
able-bodied, the objectives may be 

Students for MobiUty is a 
campus organization for this end, 
set up in order to get things done, 
because one person cannot change 
things alone. 

- yet still strong 







^ f|1i 


Far left, Don Douglas, resident of Stopher Hall, joins 
his friends as a spectator in the Disability Week 
wheelchair races. 

Above, Bill Schultz wins second place in the electric 
wheelchair race, following a course from Lake-Olson 
cafeteria about 250 yards to a finish line at the Student 
Center Plaza. 

Left, Bill Schultz and Janet Postle look at a patch she 
earned at the 17th annual National Wheelchair 
Olympics, where she placed third in the downhill slalom 


'The biggest problems are 
getting into cafeterias, 
getting drinl^s of water, 
getting over curbs and 

using jotins wtien doors 
are too narrow/ 

Right, Janet Postle is picked up for 
class by one the two mini-buses 
from Campus Bus Service. 
Navigating around campus ui a 
wheelchair takes two to three times 
longer than walking. 

Below right, dorm cafeterias 
present one of the biggest problems 
to handicapped students. The 
narrow passways, flights of stairs, 
the height of serving lines, and the 
arrangement of furniture create 
serious inconveniences, as they try 
to adapt to a two-legged world. 







Most architectural barriers 
I've learned to take in stride, 
Tliose steps, those curbs, those 

revolving doors 
That make me stay outside. 

I can live with water fountains 
That are level with my ears; 
And I have never used a phone booth 
In all my many years. 

But when it comes to restrooms 
It really is a blow- 
It's knowing that when I've gotta 
I ain't gonna get to go. 

I burn the rubber off my wheel 
I can hardly wait 

But my chair is thirty inches wide, 
The John door, twenty-eight. 

I've thought about reforming 
To change my wayward ways- 
To become a model of deportment 
For the remainder of my days. 

But when I get to heaven 
And sit before the gate, 
Will St. Peter say, "You're 

thirty inches wide. 
Our John door twenty-eight"? 

KSU handicapped student 


Souped-up chairs 

allow handicapped 
sports competition 

The wheelchair basketball team 
has practised for invitational meets 
between nearby schools that have 
independent wheelchair teams. 

The team will then participate in 
the nationals at Washington State 
University and possibly in the 
international events to be held in 
Europe during the summer. 

The basketball team's program 
climaxed in the spring with re- 

gional events in Columbus. 

One KSU member, Ric Tauber, 
participated in the Olympics in 
Europe last summer and 
participated in the Pan American 
games in November. 

The Wheelchair Club also par- 
ticipated in billiards, table tennis, 
bowling, swimming, shotput, dis- 
cus, slalom, archery and several 
other sports. 


They can develop their arms, 
their coordination, and their 
stamina as fully as anyone 




KSU gymnasts 

Strenuous feats look easy 

As one observes the young men 
and women of the gymnastics 
teams, one is struck by the seeming 
effortlessness of even the most 
difficult of feats. Exercises on the 
bars, rings, floor, horse and balance 
beam appear to be done with such 
ease that most people never really 
know the amount of work that 
goes into each stunt. 

The women practice not less 
than 20 hours per week, assisted by 
coaches Janet and Rudy Bachna. 

Ms. Bachna, who coached the 
1960 Olympics in Rome, and was a 
judge at the 1962 World Games in 
Prague, explained that despite the 
long hard hours of work out, the 
14 women of the team have 
maintained a median cumulative 
average of 3.4 

The tryouts for each Saturday 
meet are held on the previous 
Thursday night. Five women are 
selected to compete, and one is 
selected for a non-competitive 

Gymnasts strive to attain 


discipline, control of form 

One of the problems faced by 
the teams is the absence of any 
kind of scholarships. The women 
are allocated a budget of $500, and 
must raise the rest of the funds on 
their own. One of the methods 
used this year was the sale of 
buttons asking for support of 
women in sports. 

An assistant coach explained a 
problem with the men, "We have a 
group of men on campus who are 
not on the team for various 
reasons, including injuries and lack 
of time. 

"They would have been a boon 
to the team," he added. 

Last year the women had 59 
straight wins, but were defeated by 
Clarion. This year, they triumphed 
over Clarion, winning a shot at the 
Collegiate Nationals in Wisconsin 
on March 15 and 16, for the fourth 
year in a row. 

"Three of our girls have 
competed in the Nationals for the 
past three years," said Ms. Bachna. 

Mr. Bachna said the men, who 
have a total record of 60 wins and 
20 losses, and a record of 10-3 this 
year, will be competing in the Lake 
Erie Inter-collegiate Gymnastics 
meet on February 22 and 23. The 
league consists of nine schools, 
including Northern, Central, 
Eastern, and Western Michigan, 
Bowling Green, Miami, Cincinnati, 
Slippery Rock, and Kent. 

"The men on the team have 
come on strong this year," said 
Bachna. "They're favored to win. 
We've got a bunch of good guys 
that really work hard." 

Far left. Coach Rudy Bachna assists a 
gymnast in a vaulting feat. 

Above left, a member of the gymnastics 
team competes in men's floor exercises 
against Miami University. 

Left, a gymnast practices on the high bar 
in Wills Gymnasium. 

Right, many hours of practice are put in 
by gymnasts each week on apparatus like 
the horse. 



Rugby: Father of 

Above, Rick Puskar, a KSU rugger, 
tackles a member of the Indiana State 
team. Kent is victorious, winning the 
game 13-0. 

Far right, Ed Long, Don Stryenski and 
Joe Zone protect a fellow teammate 
from being tackled, enabling him to pass 
the ball. 

Right, Tom Moore fights for possession 
of the ball in a line-out. 


American Football 

Finishing with a record of 5-2, 
the Kent State Rugby team had 
one of their best seasons, according 
to Bob Beck, Rugby Club 

Comparisons are often made 
between rugby and football. But 
rugby is a different kind of sport 
than football, rugger Tipper Short 

He explained that, "As for 
preparing yourself for the gatnes, 
you do as much as you feel you 
need to do to keep in shape. 
There's no regimentation and no 
one tells you what to do like in 


Rugby is tough and it's brutal, 
but it's not cutthroat 
competition," added Lenny 
Marthng, captain. 

Supposedly, rugby came about 
in 1823 at Rugby College, England, 
when William Ellis disregarded the 
accepted rules of soccer to pick up 
a bouncing ball and carry it over 
the goal. 

Scoring in rugby and football is 
about the same, but play in rugby 
carries little resemblance to its 
stepchild football. 

Rugby is played on a field up to 
1 10 yards long and 75 yards wide. 
There are 40-minute halves with a 
rest period between. 

At the start of each half, play 
gets underway with a place-kick 
from the mid-field line. Play in 
rugby is constant. There is no halt 
of play after a tackle. 

Once play is underway the ball 
can only be advanced by running 
or kicking. It may only be thrown 
to the side and rear. No blocking of 
opposing players is allowed at any 


Rugby . . . 

Above, Everett Rodriguez, Mark Jones 
and Captain Lenny Martling confer 
during half-time. The KSU ruggers end 
their season with a 5-2 record. 

Above right, Ed Lx)ng receives aid after 
the wind is i<nocked out of him. 

Right, the rugby team holds a scrimmage 
during a practice session. Practices are 
held for two hours, three days a week. 

Far right, Dick Diekro and Tom Moore 
fight for the ball in a line-out during the 
Kent-Akron game. 


/ . " - . 



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^^ "^ 

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*■ ^E ^^^P* W 




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There are various reasons why men play rugby. 
Rugger Middy Hopps described it best when he said, "I 
like the contact, the exercise and keeping in shape, the 
comradeship on the field, and the marvelous parties." 

Scoring is done in three ways in rugby. A "try" is 
similar to a touchdown in that the ball is carried over 
the goal line. However, it is not scored until the ball is 
touched on the ground. A try counts four points. 

After a try, the scoring team gets a conversion 
attempt, taken opposite the point at which the ball is 
touched down. If the conversion kick is good, it receives 
two extra points. 

If a man carrying the ball doesn't think he can 
carry it over the goal line, he may attempt a drop-kick, 
over the crossbar between the goal posts. This is worth 
three points. 

One spectator expressed her impressions of rugby 
when she said, "Those games are like organized chaos. It 
looks as if a player could get killed out on that field. 
But after you've seen one game, you're addicted. You 
won't want to miss another one!" 


Right, Jeff Green, wing forward, runs 
downfield with the ball. 

Below, Joe Zone jumps for the ball in a 
line-out against Indiana State. 

Below right, rugger Tom Sorce is ready 
for some cold beer after a Kent victory. 

Opposite above, KSU rugby forwards, in 
a set scrum, battle for possession of the 
ball against Indiana. 

Opposite below. Bob Nieman is about to 
tackle a Pittsburgh player in the open 

"Rugby is an on the field, off 
the field sport. Fifty per-cent is 
playing the game and fifty per-cent 
is going out after tlie game and 
drinking a few kegs of beer with 
the other team," said Lenny 
Martling, captain of the rugby 

The fraternal aspect of rugby is 
continued up to the end of the 
game. The winning team forms a 
double line through which each 
member of the losing team runs, 
shaking hands. Then, the losing 
team lines up and receives the 

'Give blood'-play rugby' 











■> "■ -y 



Learning to defend 
the mind and body 

Martial arts, especially karate 
and kung-fu, have experienced a 
tremendous surge in popularity in 
recent years, and Kent State 
University is no exception. 

The 1973-74 year found eight 
martial arts clubs opera tiong here, 
offering training in Kwan Ying Do 
kung-fu, judo, jiu jitsu, aikido and 
various styles of karate. 

Training is rigorous, painful and 
time consuming, but students of 
the arts all agree that the benefits 
one receives, both physical and 
spiritual, are well worth the effort 
one puts forth. 

Mary Martin and Pat Etcher, 
members of the Kwan Ying Kempo 
Club, said they began training in 
the style of kung-fu "primarily for 
reasons of health and movement." 

Dedicated Karetka (students of 
karate) have a deep and abiding 
love for their art, according to KSU 
Karate club member, Ron Shaw 
who holds a Sho-dan (first degree) 
black belt. 

"One does not practice karate; 
one lives it," the Masters have 
often said. 

The martial arts philosophy of 
calmness and confidence is the 

antithesis of aggression and 
inhumity: "It is better to run than 
to hurt; it is better to hurt than to 
maim; it is better to maim than to 
kill; it is better to kill than be 

The Creed of Karate states, "I 
come to you with only 
karate-empty hands. I have no 
weapons, but should I be forced to 
defend myself, my honor or my 
principles; should it be a matter of 
life or death, of right or wrong, 
then here are my weapons-my 
empthy hands." 


"When I decided to take up 
karate, I thought it was going to be 
so neat because I'd get to learn 
how to bust ass with one kick. I'd 
be able to wipe out guys like in 
those Charles Atlas ads. After a 
couple of weeks my muscles felt 
like they were dead and we hadn't 
even gotten to the fighting part 
yet. I was beginning to wonder 
what there was to it." 

The newcomer to KSU's self 
defense class would probably agree 
with Bob Lund, an education 
major who found the road of the 

martial arts a hard one. 

Students who have started their 
training under the flurry of 
imported karate movies and the 
popular TV show Kung Fu will 
probably be expecting an 
Americanized school that the 
sensei instructors in Kent want to 

Traditional discipline, 
meditation, and form are stressed 
here. The serious students will 
want to concentrate on themselves 
most of all-building the mind and 
the body, discovering the soul. 


A V 

'You are a true pacifist 
wtien you ctioose to be 
one-not wtien you hiave 
no other choice.' 

Karate training sessions, that may last up 
to two hours, include meditation, 
push-ups and yelling. After rigorous 
drills, there is time for instruction in 
holding and fighting techniques and for 



Keeeyaii. . . 

1MB -A. 

Sweat ran from Master Feeman 
Ong's brow as he slowly drew a 
razor-sharp, double-edged sword 
through his clenched fist. 

The audience of Kent students 
and townspeople interested in 
Kung-Fu held their breaths in dead 
silence--unt il Master Ong 
unclenched his fist and showed he 
was unharmed. 

Master Feeman Ong, 46, holds a 
9th degree black belt and is the 
only authorized instructor of 
Kung-Fu or Shoalin System in this 
part of the world. 

He explained his sword feat was 
possible because of a program 
designed to make his hand resistant 
to cuts. 

However, most Kent students in 
the Kwan Ying Do Kenpo club 
learning the oriental art of 
Kung-Fu concentrate on basic 
fighting forms rather than sword 
demonstrations . 

The basic fighting forms, called 
katas, may contain 70 or more 
steps. Kicks, lunges, punches, 
blocks, sweeping leg movements, 
and low body stances continuing 
for up to a half hour characterize 
the dance-like katas. 

i^Jt>'^lf< ^. 

Swimmers take MAC 

It was in the six lanes at the left 
that the Golden Flashes of Kent 
State University captured the 1974 
Mid- American Conference 
Swimming and Diving 
Championships and quaUfied three 
swimmers and two relay teams for 
the NCAA Championships at Long 
Beach, California. 

A combination of hard work, 
team togetherness and a 
never-say-die spirit brought the 
Flashes the title in a year many 
thought would see a new team 
ascend to the top spot in MAC 

Head Coach Tod Boyle, who has 
won league crowns in both of his 
years at the Kent helm, summed up 
the successful season as "a 

tremendous team effort. 

"We didn't have the depth of 
some of the other MAC teams, but 
the guys came through when they 
had to," he said. "Everybody 

A record-breaking total of 455 
points paved the way for a 14-point 
margin of victory over runnerup 
Miami in the conference meet and 
assured Boyle, co-captains Jim 
DeVincentis and Don Dunkle and 
the rest of the Flashes of their 
third straight MAC Championship 

Kevin Scanlan was named 
outstanding swimmer of the MAC 
meet after winning the 200, 500 
and 1650-yard freestyles and 
participating on the victorious 

800-yard freestyle relay team. 

Dunkle, who virtually clinched 
the MAC title for Kent with his 
win in the 200-yard butterfly, was 
honored as the outstanding senior 
swimmer in the MAC by the Miami 
Aquatic Club. 

Scanlan set conference records 
in the 500 and 1650-yard freestyles 
and qualified for the NCAA meet 
in the 500. The Flashes' 400 and 
800-yard freestyle relay teams also 
set MAC marks as well as 
qualifying for the nationals. 

Jeff Horvath (100-yard 
breaststroke) and DeVincentis (50, 
100 and 200-yard freestyles) also 
qualified for the national 
championships in their events. 


'For us to win, everybody had 
to pull for each other and put 
the success of the team 
ahead of everything else.' 

" Coach Boyle ' 



Although they did not 
participate in a dual meet until 
January 11, the Kent State 
swimmers began the task of 
defending their Mid-American 
Conference championship back in 

Under the watchful eyes of 
CoachBoyle, the tankers ran, hf ted 
weights and went through a variety 
of other workouts. But swimming 
was the main thing. 

Three hours a day, four or five 
days a week, Kent's tankers toiled 
in Memorial Pool, perfecting the 
techniques and building up the 
endurance that would bring them 
yet another conference crown in 


There were plenty of 
good-natured complaints, as 
evidenced by the chorus of groans 
that usually followed Boyle's 
announcement of the next drill. 
Some swimmers even had their 
own suggestions for practice. The 
coach's standard reply to these 
ideas was a stern "Get your butt 

Even though the swimmers made 
no secret of their dislike for 
practice, each one of them knew it 
would pay off in the end. 
Everything in practice was geared 
toward the end of the year and the 
MAC Championships. 

Opposite left, an underwater view of a 
KSU freestyler. 

Opposite above, Kevin Scanlan, freshman 
distance freestyler, practices for the next 

Center, Mike Stolkey competes in 
freestyle at the MAC meet. 

Opposite below, Jeff ("Tank") 
Montgomery swims the breaststroke at 
the Ohio State meet. 

Above, Garry Prevedini, freshman, 
practices his backstroke. 

Below, Tom Sandercock, the only 
competitive KSU diver performs a reverse 
dive during a meet. 

Above, Coach Tod Boyle hugs co-captain 
Don Dunkle, who was named outstanding 
senior swimmer in the MAC. 

Left, a Golden Splash, a swim timer, 
screams for the team. 

Below, Coach Boyle cheers Scanlan as he 
is about to break an MAC record. 

Below, KSU swimmers encourage their 
teammates at an Ohio University meet. 

Bottom, hostesses who pass out programs 
at swim meets, yell for swimmers at the 
end of a match. 


And all the work paid off. 

The Flash swimmers splashed 
their way through an almost 
spotless dual meet season, a 
close loss to powerful Ohio State 
marring an otherwise perfect slate. 

The excitement generated at 
practically every meet was 
tremendous. The clapping, cheering 

spirits above, below water 

crowd complemented the 
swimmers' own spirit. Everybody 
had the same goal in mind-to be 
the best in the MAC. 

"For us to win, everybody had 
to pull for each other and put the 
success of the team ahead of 
everything else ," said Boyle. "We 
had to have a total team effort to 

win the conference meet." 

Boyle got that and more. Team 
spirit was at its peak during the 
three-day meet and the cheering 
spectators were not far behind in 

"C'mon, push, push, push!" 

"Move it! Move it! Move it!" 

"DeVo! DeVo! DeVo!" 

Spurred on by the cheers, Kent's 
swimmers banded together and 
accomplished what they had set 
out to five months earlier. And 
when it was over, the crowd and 
swimmers were still cheering. But 
this time it was all the same chant. 

"We're Number One!" 


A '^^^' 


Right, an Eastern Michigan runner fails 
to evade the tag of Flash third baseman 
Bob Baker. 

Below left, catcher Jerry Seimon seems 
to question the umpire's call. 

Below right, catcher Jerry Seimon looks 
on as teamate Bob Baker buries his head 
in despair. 


The Golden Flashes might 
well have wished for 

more rain , , , finishing 
in the cellar of the l\/IAC/ 

Varsity baseball 

When inclement weather twice 
forced postponement of the 1973 
Kent State baseball season opener, 
head Coach Art Welch and his 
Gollen Flashes waited eagerly for 
brighter skies and a chance to don 
their double knits and take to the 

Had they known what 
punishment MAC opponents had in 
store for them, they might well 
have wished for more rain. 

On April 6, the sun finally broke 
through in BowHng Green, where 
the Flashes at last were to open the 
campaign against the Falcons. 

Arms were ready, bats were 
poised-and that was the high point 
of the season. 

The Flashes committed nine 
errors in the three-game series 
against the Falcons, losing two of 
the contests. 

Similar results were to follow 
throughout the dismal season, as 
Kent managed only 1 1 victories in 
31 games and finished in the cellar 
of the MAC with a conference 
record of 4-14. 

slugs it out for '73 


Not much joy in Kent 

A good, young Kent State 
pitching staff and .400-plus hitting 
through most of the season by 
senior first baseman Jack Holl 
couldn't offset sloppy defensive 
play as errors were the major 
contributing factor in many of the 
Kent setbacks. 

A mid-season hot streak (six 
victories in a row) gave the Flashes 
a modicum of hope, but they 
dropped their last six decisions to 
cap a mediocre season which 
included embarrassing 17-0 and 
20-4 defeats. 

Holl finished as the leading 
hitter for Kent with a .385 average, 
followed by sophomore pitcher 
Mike Patrick with .308, 
right-fielder Scott Sullivan with 
.307 and third baseman Bob Baker 
with .289. 

The top pitcher was freshman 
Gary Kulbaga with a 3.97 
earned-run average. He was 
followed by junior hurler Joe 
Jaksic (4.27) and senior left-hander 
Mark Erdelyi (4.41). 

Erdelyi had the best record on 
the staff with a 3-2 slate and 
sophomore Randy Gonter finished 

Below center, Flash pitcher Gary 

Kulbaga glances toward first base as Jack 

HoU holds the Eastern Michigan runner 


Far right. Head Coach Art Welch barks 

instructions to his team. 




Truitt leaves position -- 

The 1973-74 season marked the 
end of an era in Kent State 
basketball. The eight-year reign of 
Head Coach Frank Truitt came to a 

His resignation was inevitable. 
Fans cry for a winner and Truitt's 
teams had not won. He produced 
losing seasons six times in eight 
years. A 14-10 record in 1968-69 
and 13-11 in 1970-71 were Truitt's 
only winning campaigns. 

Above top, Doug Shell, Dave DeVenzio, 
Mike Pitsenbarger-all KSU guards, 
discuss the game at halftime. 

Above, guard Rick Gates and Coach 
Truitt anxiously watch the action. 

Right, defensive specialist Doug Sheil 
eyes his opponent. 

team loses a "nice guy" 

But eight generations of Golden 
Flashes have won in a personal 
sense. They experienced the 
guidance of a selfless man 
dedicated to serving the University 
and its students. 

But the tooth-and-nail business 
of intercollegiate athletics just 
won't slow down for a man who 
cares about such trivial things as 
character, integrity, and teaching 
basketball players a little more 

than how to play basketball. 

Winning has become the 
all-important goal in college sports. 
"Whether you win or lose" is now 
the creed. Gone are the days of 
"how you play the game". 

What will Frank Truitt do now? 

"I'll just try to be of service to 
others like I've always tried to be. 
As long as I'm around young 
people I'll be excited every day of 
my life." 

Truitt will stay at Kent State as 
golf coach and physical education 
instructor. "I've raised my family 
in Kent for eight years. I want them 
to have a home to come back to." 

The records will show failure 
under Frank Truitt's name, but the 
records won't show what he is as a 

As one former player said, "A 

guy like him shouldn't have to do 
this for a Hving." 

Above, KSU forward Denny Odie 
dribbles toward the basket. 

Opposite top, Coach Truitt watches as 
players battle for a rebound. 

Opposite right. Coach Truitt provides 
some locker room strategy. 

Center, Denny OdIe drives around a 
Toledo defender. 

KSU basketball 


After a promising start, Frank 
Truitt and his "young but 
experienced" Golden Flashes 
basketball team suffered a 
disastrous 1973-74 season. 

They finished 9-17 overall and 
equalled their worst Mid-American 
Conference record ever, finishing 
1-1 1 for the fourth time. 

In a season marred by Truitt's 
resignation and the controversy 
surrounding it, the Flashes virtually 
were out of the conference title 
race by mid-season. 

Truitt's charges defeated only 
Western Michigan in the first round 
of conference play, but the worst 
was yet to come. 

Kent's only victory in the 
second half of the season, a 
non-conference encounter, was a 
gratifying one. An 85-70 trouncing 
of backyard rival University of 
Akron served as small consolation 
amid the frustration of an 
atrocious campaign. 

Although disappointments 
greatly outnumbered triumphs, 
there were some successes . 


team suffers losses 

Bradley Robinson, KSU's 6-7 
center, copped the Mid-American 
Conference rebounding title and 
was ranked third in the nation on 
his way to setting an all-time 
single-season rebounding record. 
The big Akron native averaged 16.2 
caroms a game while scoring at an 
8.8-point clip. 

Denny Odle, a 6-6 transfer 
student from Clemson, took over 
at forward and was a leader among 
the Flashes. He scored 12.6 points 

a game in spite of seeing limited 
action part of the season. In the 
last six games Odle scored 127 
points, averaging 21 points per game. 

Forward Fred Walker was a 
consistent contributor in both 
scoring and rebounding. The 6-7 
sophomore averaged 10.9 points 
and 8.4 rebounds for the season. 

The guards were the reliable 
Rich Gates and hot-shooting 
sophomore Tom Brabson. 

Gates, although bothered by a 

sore lower back for several games, 
managed to score 13.2 points a 
game, tops on the Flash squad. 

Brabson came on strongly after 
spending considerable time on the 
bench early in the season. The 6-5 
sharp-shooter was one of the top 
scorers in the late games and 
finished with a nine-point norm. 

Junior Doug Shell, a starter in 
the backcourt at the outset, lost his 
assignment to Brabson, but added 
defensive strength and superior 
ball-handling when the situation 
called for it. 

The only senior on the young 
squad. Randy Caipen, found 
himself relegated to a substitute 
role much of the season, but 
provided depth at forward. 

And the "Big Z"~Jim Zoet-the 
seven-foot freshman from Port 
Perry, Canada, turned in some 
encouraging performances at 

So the young Flashes can add a 
year's experience to their resumes 
and wait until next season. The 
familiar "wait 'til next season", 
however, has special meaning for 
Kent State this year. Stan Albeck, 
an innovative, experienced coach 
with a record of turning losers into 
champions, has accepted the 
challenge to coach at a university 
known for its mediocre basketball 
program. He'll head the cage 
program next season. 


KSU Clippers 

Hockey: world's fastest, 

■'■ •^;^i#«v?xi':aad»Jiia»!saz*j 


most grueling team sport 


» IP- 


Upper left, Captain Bill Whalen and 

a teammate watch the action from 

the bench. 

Lower left, Clipper defenseman 

Mike Miller break a Brockport 

State drive. 

Left, goalie Rae Metz stands guard 

against Brockport's onslaught. 




Even though it's 
against the ruies 

Ice hockey--the world's fastest 
team sport, a grueling, violent, 
vigorous expression of man's 
physical capabilities. And so it is to 
Coach Don Lumley and his Kent 
State Clippers. 

Conditioning is the key to a 
successful hockey team, and 
Lumley stresses endurance in his 
tiring 90-minute practices held 
three times a week. 

"The game is so fast," maintains 
the handsone young native of 
HaiTiilton, Ontario, "even in the 
best possible physical condition, a 
player will only last 90 seconds 
going all out." 

Rotating different squads of 
players to provide time for 
recuperation, Lumley generally 
utilizes three offensive lines 
(comprised of a center and two 
wings) and two pairs of defense 
men. Practice drills are interrelated, 
because on the ice, the five players 
must function as a coordinated 

Lumley describes his workouts 
as "demanding" but justifies his 
actions, citing that the game is 
made up of three twenty-minute 
periods. Therefore, "if a player 
doesn't work hard and 'overskate' 
in practice, making it to the third 
period in the same condition as the 
first is difficult." 

He added, "Mistakes are made 
when people get tired." 

No scholarship offers lure 
hockey players to Kent; money is 
not available. Lumley, a graduate 

of Boston University on a hockey 
scholarship, coaches the team on 
his own time-without pay. All 
other team-related personnel, such 
as the trainer and physician, are 
also volunteers. 

Functioning as a club-not a 
varsity sport, the Clipper team is 
self-supporting; ice time is rented 
for all games and practices, and 
team income is derived primarily 
from home gate receipts 

Efforts have been made to 
recognize hockey as a varsity-status 

sport, but that possibility is not 
forseen by Lumley in the next five 

The Kent hockey crowd is 
dedicated, enthusiastic, and vocal. 
Since a hockey score can change 
radically in seconds, the fans 
loyally remain until the game's 

The only disappointment 
Lumley expressed about the 
audience is the low turnout of 
students at the games. 


Figh tm 

The Clippers, Lumley 
maintains, concentrate on avoiding 
penalties-although some players 
desire more action. "We don't play 
a hitting type of game; we like to 

Protective helmets are worn by 
all players during games, in 
compliance with NCAA rules. The 
body contact in hockey is 
sometimes more personal and often 
just as dangerous as that in 
football. This year the Clippers 
were plagued by the loss of several 
leading scorers due to injuries. 

Lumley tries to play all the team 
members in the games so that win 
or lose, the team spirit is "super". 
He sees his players as a tightly-knit 
group that likes to party. One 
exponent of the team solidarity is 
graduate student, starting 
goaltender Rae Metz. Metz, from 
Stratford, Ontario, wears the No 1 
jersey on the Clipper squad, and 
represents the "last line of 
defense"for the team. 

The aspect of violence is the 
game's most apparent feature-the 
crowd loves it. Swinging sticks and 
knock-down body-checking are 
readily visible and add to the flash 
and excitement of the sport. 

"Because of the speed and 
non-stop action of the 
game, "Lumley relates, "it looks 
more violent in the stands than it 
does on the ice. Fans know that 
the ice and boards are hard, but the 
players are prepared to take a few 

Goalie-last line of defense 

Rae Metz's specially designed 
blue and gold face mask is part of 
the 35 pounds of equipment worn 
during a game. This uniform, 
coupled with his skill as a goalie, 
protects him from the speeding 
shots directed his way. 

As goalie, he is the target of the 
opposition— the man who is 
constantly on the firing line. 

"You play as hard as you can to 
stop every shot, "said Metz. 
"Sometimes the breaks go your 
way and sometimes they don't. 

"If a goal goes in, I shoot the 
puck back down the ice and chalk 
it up to experience. You can't 
concentrate on mistakes." 

Metz, who has been playing 
hockey for 19 years, came to Kent 
before the Ice Arena was built and 
has played four years with the 

As a more experienced member 
of the team, he feels a 
responsibility to help the younger 

"When I can help-I help. I've 
been here a long time, and I know 
what's expected," Metz said. 

He described his teammates as 
"a bunch of fun-loving guys." 


Above, Clipper goalie Rae Metz gets set 
up for a save. 

Lower left, Tom Duff, another Clipper 
goalie, shows off his 30 pounds of 

Below, veteran goalie Metz is backed into 
the cage by opposing offense. 

Wrestling team 

Straining to breal^ ttie tioid 

Despite injuries, inexperience at the lower weights 
and one of the toughest schedule's in the school's 
history, the 1973-74 KSU wrestling team returned to 
respectability and gave notice that they will be a force 
to be reckoned with in the years to come. 

After finishing with a 3-1 1-1 dual meet record and a 
distant sixth to Ohio University in the Mid-American 
Conference championships last year, the Golden Flash 
matmen bounced back to a 9-5 slate and a fourth place 
finish in the MAC tournament. 

"The kids did one helluva good job this year," said 
coach Ron Gray. 

The KSU grapplers went from an "also ran" in 1973 
to legitimate contenders in 1974. And with a couple of 
breaks they could have walked away with the MAC 

Other achievements of the 1974 wrestlers were: they 
had two individual champions in the MAC tournament, 

their fourth place finish in the MAC was the best since 
1970, and they qualified five men for the NCAA 
national tournament. 

However, Gray will not let his team rest on their 

"I expect to see a great deal of improvement next 
season," said the third year coach. "This is a young 
team with a lot of potential that is capable of winning 
an MAC title for Kent." 

The youth Gray referred to was the trademark of this 
year's team. 

"Inexperience hurt in certain places," Gray said. "At 
times we had four or five freshmen in the starting 

With only one senior (MAC heavyweight king Bob 
Poweski) in the starting Hneup, patience on Gray's part 
could be a virtue. 


Mat men 

When practice begins next 
October, Gray will welcome back 
experienced men at nine of the ten 
weight classes. And in some places, 
two men will be fighting it out for 
a startuig berth. 

"If we can fill some holes in the 
lower weight classes we will be a 
serious threat to take the MAC 
next year," Gray said. 

The biggest hole Gray has to fill 
is at 118 pounds. Due to injuries, 
scholastic ineligibility and lack of 
manpower, the Flashes had to 
forfeit this class in 12 of their 14 

Although there was no one to 
wrestle in the MAC tournament at 
118 pounds, the Flashes made a 
serious run at the title until Mark 
Osgood injured a knee in the 
semi-final match of the 1 50 pound 
class and could not continue. 

The Flashes' charge at the MAC 
tournament was led by Denny 
Feleppelle (17-0 at 142 pounds) 
and Poweski (10-1-2 at 
heavyweight), both of whom won 
conference championships. 

Also bolstering Flash hopes for 
next year are Joe DiFeo (12-6 and 
third in the MAC at 167 pounds), 
Bob Shamakian (11-3-2 and third 
in the MAC at 177 pounds). Rick 

grapple for their glory 

Schultz (10-2 and third in the MAC 
at 190 pounds), and Charlie 
Latham (7-9-1 at 126 pounds and a 
fourth place finish in the MAC). 

Taking over for Poweski will be 
Dave Rodhe. As a freshman, the 
tvi^o-time Ohio scholastic champion 
was 4-0-0 while filling in for 

A great deal of the credit for the 
rebirth of wrestling at Kent must 
go to Gray. 

Hard work, smart recruiting and 
patience on Gray's part gave Kent 
its first winning season since 1970. 
And by using the same formula, 
winning wrestling teams at Kent 
can be the rule rather than the 

Campus Speakers 

Championing many causes 

Norman Cousins 

Norman Cousins, editor of 
Saturday Review of the World, was 
the principal speaker for the May 4 

"The principle challenge of our 
time is to make it possible for men 
neither to kill nor be killed. 

"Nothing the human race makes 
today is in so great abundance as 
destructive forces. " 


Rev. Ralph Abernathy 

The Reverend Ralph Abernathy, 
president of Southern Christian 
Leadership Conference, was 
sponsored by the Center for 
Human Understanding. 

"Whether America lives or dies is 
in your hands. 

"I come to Kent State 
University tonight only because I 
am cognizant of the innocent 
bloodshed here so that students 
throughout the length of America 
might be free. " 



Senator Howard Metzenbaum 
was sponsored by Colloquia. 

"Somehow, we lost the power of 
the people in the nation to the 
White House. The present 
administration has tried to take 

over the country in the name of 
national security. 

"You look at Nixon and his 
team and what does he stand for? 
A new deal, a fair deal, or a shoddy 


Dr. Benjamin Spock, Peoples' 
Party presidential candidate for 
'72, was sponsored by Student 
Union and Artist-Lecture Series. 

"President Nixon has brought 
discredit to the U.S. government 
and the presidency. 

"Nixon is a two-faced president 
who calls for equality for Blacks, 
then kills busing, and who says we 
must no longer have hunger but 
cuts food stamp programs. " 

Dr. Benjamin 

Walter Hickel 

Walter Hickel, fired by Nixon 
after 22 months in office as 
Secretary of Interior, spoke at KSU 
and was uivited by President Olds. 

"// government learns to 
listen-not necessarily agree-but 
listen, I am convinced that the 
tragedy at Kent State would never 
be repeated. 

"It was the young who only 
expressed what millions of 
Americans of all ages were feeling 
in their hearts. Maybe the noisy 
ones have been part of a solution. 
And maybe, just maybe, we have 
been part of a problem. The key 
both at home and abroad is our 
approach to people. " 




People helping people 

"When I'm tense, it's harder to 
help. I try to relax when the phone 

"Between phone calls, I feel 
anticipation and a kind of quiet 
clam-with my heart beating fast." 

Every time the phone rings. Help 
Line volunteers have to refer to 
their 50 hours of specialized 
training that includes strenuous 
role-playing in situations such as 
drug overdose, possible suicide 
attempts, and "just getting people 
to think." 

Town Hall H-Help Line is a 
community- wide service which 
receives three-quarters of its 
funding from state drug abuse 
money and the rest from the local 
mental health budget. 

Volunteers are trained to offer 
crisis help in a variety of emotional 
emergencies and to give reliable 
drug information. 

"When thinking of a name for 
Town Hall H," said Rich Fennig, 
director in charge of operations, 
"we wanted to model our house 


People train to 

after colonial town halls as a place 
to meet, communicate, and make 

Fennig has been with Town Hall 
II since its opening September 30, 
1971. He attributes the success of 
the program to its flexibility, 
innovation and excitement. 

Volunteers are screened for their 
"willingness to commit time to the 
project, their abiUty to keep their 
heads in emergencies, and their 
flexibility," according to Fennig. 

A volunteer must have a true 
desire to help people ."There's a lot 
of love around here--and caring for 
the other person," said Laura 
Mazur, a volunteer. 

Other volunteers work at Town 
Hall II because they get experience 
relating to people, they learn more 
about themselves, and they have a 
feeling of personal satisfaction. 

Although Fennig admits the 
program has given him headaches 
in the three years of its operation. 

Student volunteers for Town Hall II 
devote time to deep thought to learn 
about themselves and their abilities to 
interact with their peers. Volunteers 
undergo strenuous role-playing situations 
before they are able to counsel other 

identify and interact 

he said he has found personal 
satisfaction in watching it grow. 

Giving drug and venereal disease 
information was the original 
objective of Town Hall II. 

Since its beginning, the program 
has expanded to include crisis 
intervention with Help Line, 
psychological services for 
individual and group counseling, 
and a free clinic for general health 
problems, venereal disease, and 
birth control. 

Educational programs covering 
social concerns such as drug abuse 
and illegitimate births are available 
to interested groups. 

The newest program is a 
smoker's clinic-for those who want 
to kick the habit. 

In the past year. Town Hall II 
served Portage County as a 
comprehensive agency in the areas 
of crisis intervention and drug 

In 1973, the crisis intervention 

center had 6,657 contacts for 
psychological concerns, drug 
information, and drug overdose. 

Town Hall II has helped many 
people since its founding. It has 
also given many of the volunteers 
"insight, interest, and tools for a 
hfestyle of helping people." 

"Town Hall II helped me listen 
to people better," said one 
volunteer. This illustrates the 
overall theme of Town Hall 
II--"People helpijig people." 

'We modeled our house after the old 
townhalls in colonial times as a place 
to meet, communicate and make friends/ 


Above, Town Hall 11 operations are 
housed at 235 E. College Street. 

Left, a volunteer doctor consults with a 
walk-in client at the free medical clinic. 

Below, students learn sensitivity training 
as part of their counseling studies. 

Opposite, Doug Darnell, psych services 
director, discusses his sexual awareness 

Opposite right. Rich Fennig, director of 
Town Hall II, is surrounded by current 
information on psychological counseling. 

Opposite left, volunteers go over 
technical information on various drugs. 

A home for facts and friends 



Simunek forecasts economy 

Kent is the home of the "world's 
largest" financial forecasting 
operation and according to its 
originator. Dr. Vladimir Simunek, 
this model has made Kent the 
world center of econometric 
research in that area. 

This econometric model is a 
system used to forecast 
developments in the U.S. economy 
and the relationship of American 
finances to the rest of the world. 

For the past three years, 
Simunek and other Kent State 
University economists have created 
the model and incorporated it as 
the "Kent Econometric Associates, 
Inc." (KEA). 

Formal but friendly, the 
Czechoslovakian-born Simunek 
prefaces and ends his sentences 
with a self-conscious smile. 
Simunek explains that while Kent's 
econometric model is not the only 
one of its kind, "it is the largest 
and the most accurate and 
comprehensive," he says more 
matter-of-factly than proudly. 

Attracting a great deal of 
attention from universities, 
research centers and financial 
organizations here and abroad, the 
KEA has also been acclaimed for 
its uniqueness and completeness at 
international conventions. 






Simunek . . . 

Simunek explained that "banks, 
insurance companies, multinational 
firms and others contact the KEA 
for probable economic 
developments and they then adjust 
financial plans accordingly. 

"We manage the model on a 
commercial basis--we sell 
forecasts," said Simunek, also 
president of KEA. Organizations 
can pay up to S4,000 for a year's 
worth of financial predictions. 

Although the KEA is a private 
enterprise, Simunek said that the 
university shares in the profits in 
two ways. First, money from KEA 
is put into fellowships, research, 
and back the publishing of books 
and periodicals. 

And second, by generating 
employment the KEA benefits the 
university, according to Simunek. 
He cited the services of the 
computer center and office rentals 
as examples of KEA money put 
into the university. 

However, the most important 
effect the KEA has upon the 
university is not a financial one, 
Simunek said. "Most importantly, 
we are the largest econometric 
system in the world-this raises 
Kent's prestige and name." 

Simunek keeps a very busy 
schedule teaching classes, working 
on forecasts, and lecturing about 
the model. Speaking eight 
languages, Simunek communicates 
his business acumen not only in his 
classrooms at Kent but in Japan, 
Korea, France, Switzerland, 
Germany and elsewhere. 

Even though Simunek has many 
lecturing obligations and research 
to do away from his classroom, he 
said that there are no conflicts 
between his work and his teaching. 

"My research is closely tied 
in with my teaching," Simunek 
said. "What I find out in my 
research is then revealed to my 
students. My work complements 
my classes and I get many student 

Above and below, Vladimir Simunek 
explains some details about economics to 
a student after class. As part of his work. 

Simunek teaches several classes and has 
many lecturing responsibilities. 



Resigns as VP 

Hall returns to academics 

"I've been an administrator for 
16 years-that's a long time," said 
Dr. Bernard Hall, who resigned this 
winter as executive vice president 
and provost. "I never really 
intended to become an 
administrator. It's just one of those 
things," said Hall. 

Hall will return to the 
Economics department and begin 
teaching full time in the fall. 
"Originally, I wanted to teach and 
I have decided that now is the time 
to return to that goal." 

Hall, born in Brooklyn, N.Y., 
has been a member of the KSU 
faculty and staff since 1957. He 
received his BA degree from 
Brooklyn College and his Ph.D. 
degree from University of 
California, Berkeley. 

Previous to his appointment as 
executive vice president in Sept. 
1972, Hall served as vice president 
and provost for a year. Before that, 
he acted as associate vice president, 
dean of the College of Business 
Administration and as chairman of 
the Economics department. 

"It is often hard to distinguish 
the job from the non-job," said 
Hall in reference to the amount of 
time required in the executive vice 
president and provost position. 

As provost, he was the chief 
academic officer, to whom all 
deans reported. The provost is also 
responsible for resource allocation 
through the budget. The provost 
generally chairs several committees 
like the Educational Policies 
Committee, he initates new 
programs, and he attends faculty 
senate meetings. 

The position was broadened to 
include the duties of the executive 
vice president. When the president 
is gone he serves in his place. Also, 
when decisions transcend all other 
vice presidents, he takes care of 

"I have enjoyed being an 
administrator," said Hall. However, 
he said it was easier to be an 
administrator in the 60's because 
there were more resources. 

During the 72-73 year the 
executive vice president's 
contingency budget was $360,000, 
according to Hall. The 73-74 
budget was about $170,000. "My 
successor will probably have only 
$70,000 to work with," said HaU. 

"Resources in relation to needs 
have shrunk," said Hall, 
"Administrators have to be more 
financially oriented today. We 

cannot afford any more sloppy 

"Next year when I'm out of 
office, I'll be concerned in a 
curiosity sense," commented Hall. 
"I imagine I will wonder what is 
going on when the president is 
meeting with the vice presidents 
and I know I'U miss the faculty 
senate meetings because I really 
enjoyed them." 




Van Dyke stresses 

challenge of survival 

"Physical and financial survival" 
pose the greatest threat to 
beginning writers, novelist Henry 
Van Dyke said while on campus 
last fall. 

Van Dyke is Kent State's 
writer-in-residence, who has taught 
creative writing courses every fall 
quarter since '69 in the English 

Hailed as a talented writer and a 
"brave one" by the New York 
Times, Van Dyke is a Black artist 
dealing with racial differences, 
cultural hostilities, blind 
conformity and other social 
commentaries relevant to the 

Punctuating his words for 
dramatic effect. Van Dyke explains 
that "an artist should be applauded 
not only for his skill, but for his 
ability to survive." 

Advising young, would-be 
authors to practice their craft 
continually. Van Dyke warns about 
expecting recognition before 
reaching "a point of emotional 
maturity where one can make 
something significant out of life." 

With all the obstacles a writer 
must combat, Van Dyke asserts, 
"If someone wants to be a 
writer~and he is going to be a 
writer-then he will find a way. 

"It all comes down to how badly 
a person wants to write," he 
explained. "Writing is kind of a 
disease, a chronic need-to get 
published is a partial cure. 

"Maybe the will to write is just 
some deep-seated insecurity," said 
Van Dyke with a shrug. And if so, 
Van Dyke has helped a few 
burgeoning writers at Kent to get 
their creativity together. 

Adolescent sexual problems and 
searching for their own identity 
were popular writing topics for 
students in '69, said Van Dyke 
about his first fall quarter teaching. 

Returning the fall quarter after 
the May 4 tragedy. Van Dyke 
found student writers concerned 
with political havoc and "dirty 
Nixon stuff." 

However a year later, he found 
student writing interests had 
changed again-students were no 
longer political. 

According to Van Dyke, his 
students were thinking: "We tried 
to change the system and we got 
shot-so screw it." 

Van Dyke explained this 
attitude made "students wash 
themselves clean and withdraw into 
themselves-it was the drug culture 

This past fall Van Dyke said his 
students were "reverting back to 
finding themselves- the first 
orgasm type stuff." 

Ladies of the Rachmaninoff 
Eyes, Blood of Strawberries and 
Dead Piano are three novels to Van 
Dyke's credit. The last novel 
mentioned was slated for filming 
earlier this year. 

Speaking with well-earned 
authority. Van Dyke says, "A 
writer must make sure he doesn't 
become too cynical or too caught 
up in making ends meet-he must 
not become demoralized." 


Skills of past days 

come alive at Kent 

There has been a renaissance in crafts in general. At 
the same time, there has been an awakening of youth to 
what is important in life, according to Henry Halem, 
teacher of glass blowing at KSU. 

Many students are spending their time learning 
some ancient applied crafts Uke forging, glass blowing, 
and jewelry making. 

"I am impressed with what craftsmen have done in 
the past. I feel I am carrying on a great tradition," 
commented Steve Marshall, student glass blower. 

Anders Anderson, student blacksmith, explained 
the renewed interest in crafts as a reaction to excessive 
mass-production. He said, "When you make something 
by hand, you get to nurse the whole thing from start to 

Marshall regards his art in essentially the same way, 
"You are the total picture-- you conceive the idea and 
then execute it." 

Jewelers Todd Krepley and Leslie Wilcox Krepley 
agree that something handmade has a certain aura to it. 
Craftsmen agree that the feeling of elation found in 
making something by hand cannot be equalled. 

According to Anderson, the greatest challenge 
involved in any applied craft is making an idea into a 
working, physical reality. 

Above left, Anders Anderson, student blacksmith, begins forging 
a decorative fork in the basement of Van Deusen Hall. 



More than just horseshoes 

Above, a decorative fork just forged by Anderson sits in front of 
the fire. 

Right, Anderson begins to form the prongs of the iork by 
pounding hot steel on the anvil. 

Far right, Anderson uses a large vice to help form his steel work. 

Opposite right, Anderson pounds and forms an intricate piece of 
metal to decorate the fork. 

Opposite right center, Anderson wires pieces of decorative steel 
to the base of the fork before heating and welding it. 


Forging combines interests in 
industrial design, metal working 
and sculpture, according to Anders 
Anderson, a modern blacksmith in 
the KSU school of Art. 

Anderson came to KSU in the 
fall of '72 after hearing that there 
was a forge being started under the 
direction of Mary Ann Scherr in 
the jewelry division. 

In a small room in the 
basement of Van Deusen, 
Anderson teaches an informal class 
on the basic techniques of forging. 
"I think they set up the forge with 
about S50-all you really need to 
start are a hammer and anvil; after 
that you can make all your 

A wide range of products has 
been turned out by students 
working as blacksmiths. The 
crudest are tools, which are the 
most useful, according to 
Anderson. Also made in great 
quantities are functional things like 
fireplace equipment and lanterns. 
Many students are moving from 
these traditional products to pure 
sculptural forging. "I want to keep 
both traditional forging and 
sculpture alive in me," said 

Anderson starts a piece with a 
rough sketch for direction and to 
determine the complexity. "From 
there I work it out 
three-dime nsionally while working 
on it. You lose the element of 
surprise if you work it out in detail 


New expressions in old art 

The process of glass blowing 
has remained unchanged since the 
time of the Romans, according to 
Henry Halem, assistant professor 
teaching glass blowing in the 
school of Art 

Steve Marshall, a senior in the 
school of Art, is one of 15 

students now carrying on the 
tradition of glass blowing under 
Halem's direction. Marshall has 
been working with glass since the 
fall of 1972 and will receive a 
Bachelor of Fine Arts degree in 
glass blowing. KSU is the only 
school in the U S that also offers a 
Master of Fine Arts degree in glass 
blowing, according to Halem. 

Marshall became interested in 
glass blowing after watching the 
actual process. "I was fascinated by 
the plasticity of the material," said 

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Glass blowers work with glass 
in a molten state at 2200 degrees. 
"The material forces you to make 
spontaneous decisions that are 
relevant to the design," said 

He always makes a sketch of 
the basic design in detail before 
beginning a piece. "However, the 
actual piece is conceived right there 
while I'm working on it," 
explained Marshall. A piece is 
usually finished within 15 to 30 

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"We are recycling factory 
waste glass," said Halem, "and 
forging students make some of our 
tools." The glass blowing class has 
been set up in Lincoln Center in 
downtown Kent for five years, 
since Halem began working with 
glass.The original outlay for the 
glass blowing facilities was $2,000, 
according to Halem. 

Said Halem, "We just can't fit 
everyone in that wants to learn, 
but we would eventually like to 
expand the program." 

Far left, Steve Marshall begins a 
glass piece by blowing through a 
long stainless steel rod. 
Center, Henry Halem assists 
Marshall in threading-a process to 
add another color of glass to the 
original piece of molten glass. 
Above right, Halem drops a pad of 
molten glass. 

Above center, Marshall applies the pad to 
form a foot for his piece. 

Above left, Marshall applies a decorative 
wing to his glass piece. 

•S ...<, '^y^- ; 

I ii<^ 

Above, Marshall takes more glass out of the furnace to begin a 
new piece before putting the finished piece in an oven for the 
nine-hour cooling process. 

Right, Marshall's finished piece glows from the furnace light. 


Jewelry making 

Variety sparked by medium 

Jewelry making takes longer 
than either forging or glass 
blowing, but there is much more 
variety in the process, according to 
jewelers at KSU. 

Todd Krepley and Leslie 
Wilcox Krepley have been making 
jewelry in the Akron-Kent area for 
three years. Todd, a student under 
Mary Ann Scherr in the jewelry 
division of the school of Art , 
teaches classes in jewelry making at 
KSU and at Akron University. 

Leslie is a graduate from KSU 
and works in Scherr's studio a 
couple of days a week, "to make a 

The Krepley's do most of 
their jewelry work by commission 
out of their studio in Akron. They 
said, "By doing commissions we 
have more freedom to do what 
designs we want and get paid quite 
well for it." 

"We also do a couple of shows 
each year because they are good 
for quick money," said Leslie. 
However, they call themselves 
"untraditional, contemporary" 
jewelers and lean more and more 
toward pure sculptural designs. 

Both Todd and Leslie Krepley 
have been experimenting in 
unconventional forms and media . 
They have a large supply of plastic 
novelties, like the ones in gum 
machines, that they cast into gold 
or silver mo Ids to decorate pieces of 

Precious metals like gold and 
silver are used most often by the 
Krepley's. However, they are using 
many other less expensive metals 
and materials including brass, 
copper, and Plexiglas because of 
the cost and because they offer 
more variety. 

Above, Todd Krepley, KSU jeweler, 
solders a brass back to a belt buckle. 

Below, Krepley pounds out, then 
attaches a part of the belt buckle. 


Above, Krepley rivets a piece of Plexiglas to the brass part of a 
belt buci<le. Above right and right, he cuts a piece of copper with 
a fine saw, then solders on a belt prong. Below, the finished 
product is a belt buckle made of brass, copper, and black and 
white Plexiglas pieces that he would sell for about $50. 

Jewelry making requires more 
than talent and desire. It requires 
many types of tools to cut, polish, 
and fasten various materials. 

The Krepley's work with a 
number of fine-toothed saws when 
cutting metals and plastics. A torch 
is used to solder pieces of metal 
together. After soldering, the piece 
is dropped into a hot acid solution 
to clean off the residue. 

"When a piece is finally put 
together," said Todd, "it must be 
polished and buffed to the 
particular sheen I want. That takes 
from 20 minutes to a couple of 

The Krepley's may spend up to 
several weeks on one creation. 
They make wedding rings, 
necklaces bracelets, chalices, belt 
buckles, body jewelry, and some 
very modernistic jewelry-sculpture. 



i ..^. >v. •" ,. 

.'4 '. '• 

Black community 

advances at KSU 


In an effort to respond to the 
eductional needs of Black students 
and to provide insight into Black 
experience for the university 
community--the Institute for 
African American Affairs(IAAA) 
was created five years ago. 

Since that time, the lAAA has 
developed many profitable 
programs to aid the Black 
community. Some of these 
contributions include the sickle cell 
testing program, community 
development work-and-learn 
practical, the Black Cultural Center 
and the Model Cities higher 
education service. Last November 
lAAA received two grants totaUng 
more than S2 1,000 for the 
continuation of the Model Cities 
service and the sickle cell testing. 

Student recruiting will continue 
in the Akron Model Cities area and 
expand into the Cleveland Model 
Cities because of a $10,000 grant 
from the State Department of 
Economics and Community 

The Institute also received 
$1 1,643 for sickle cell testing from 
the Ohio Department of Health. 

Opposite, part of the old Student Union 
bookstore has been converted into 
classrooms for the lAAA. 

Above, instructor Anne Graves 
concentrates on feedback from her 

Top and center right, students are 
expected to listen and react in lAAA 

Top left, when not teaching class, 
instructor Willie Robinson coordinates 
the African Liberation Support 

Right, for a course in inter-disciplinary 
education, instructor Nathan Oliver 
strives to cover a universe of human 

Far left, students often gain a new sense 
of identity and unity through racially 
oriented courses. 






Left, Ernie Pryor stands in front of one of his creations. 

Above and right, Vernon Richardson teaches an lAAA African 

dance class. 

Below, Richardson demonstrates limbering exercises before class. 

Black drama 

Since spring quarter, the Black drama course of 
lAAA has presented a trilogy of plays under the 
direction of veteran Karamu House actress Sandy 

In these humorous emotional plays, Black students 
have portrayed the agonies and ecstasies of the Black 
experience. Students cover the floor in calisthenics for 
the theatre--deep-breathing exercises to increase 
awareness of the senses, and limbering exercises for 
better muscle response. 

Only in the dress rehearsal does it all add up. The 
resources of experience and talent, necessary for 
meaningful drama, are evidently used by opening night 
at the end of every quarter. 




Amidst the turbulent sixties of 
urban riots, student rebellions and 
the tinge of revolution. Black 
United Students (BUS) exploded 
into being. 

Before BUS was two years old, it 
achieved national recognition when 
Black students walked off campus 

in protest of Oakland police 
recruiters at KSU. The result of 
this highly publicized and 
controversial walk off challenged 
the KSU administration to 
seriously address itself to the long 
neglected problems of Black 

In time, through constant 
political confrontations with the 
administration BUS sparked the 
creation of the Institution for 
African-American Affairs(IAAA). 

Working for a mutual bond of 
Black concerns, BUS and lAAA 
sought to solve the problems Black 
students faced academically, 
socially and politically at KSU. 

Although BUS is less militant in 
style today, members say they are 
continuing the challenge they 
began six years ago. 

Under the leadership of 
President Silas Ashley this year, 
BUS accomphshed many "firsts"- 
all of which attempted to tighten 
the unification of Black students 
and gain a more viable image in the 
eyes of the administration, as 
Ashley put it. 

Among these "firsts" is the 
Black Institutional Planning 
Committee report. This 43-page 
document exposed familiar 
problems bothering the university 
as well as Black students and 
suggested solutions to the 

Another notable achievement 
was the working relationship 
between the BUS Ministry of 
Greivance and Campus Security. 

The benefits from this 
partnership in crime prevention is 
twofold. First, students who have 
been victimized may seek aid by 

calling the Grievance office or 
Campus Security; help would then 
be immediately dispatched. And 
second, students seeking legal 
advice could call at any hour. 

One unexpected achievement of 
the year was the bi-weekly 
publication of BUS's news organ, 
the Black Watch. It was published 
without support of student fees. 
Prior to this year the Black Watch 
received a yearly allocation of 

Perhaps the brightest 
accomplishment of Silas Ashley's 
administration was the political 
unification of Black Greeks, Black 
athletes and GDI's (God damn 
Independents )-a goal which has 
been talked about-but nevei 

Frank Truitt's resignation from 
head basketball coach was viewed 
as a victory by BUS, despite the 
fact that other groups expressed 
similar doubts about Truitt's ability. 

BUS had a four year history of 
charging Frank Truitt with racial 
discrimination in recruitment and 
poor coaching, Ashley said. Upon 
reading his announcement of 
retirement in the Daily Kent 
Stater, one of the Ministers in 
BUS'S Executive Board was heard 
to exclaim, "A victory for the 

Above left, Blacks organize and put their 

complaints in the public eye during the 

'73-74 basketball season. 

Left, Silas Ashley was the outspoken 

president of BUS through 1973. 

Above, Marvin Tucker, former Minister 

of Grievance, worked for the betterment 

of the entire university community by 

initiating the crime prevention 

partnership between BUS and Campus 



Why Black Homecoming? 

Shades of the Black Experience 
are usually omitted from 
traditional Homecoming activities 
at KSU mainly because the 
planners of Homecoming fail to 
recruit Black talent. 

Six years ago, BUS, realizing 
that if a Homecoming reflective of 
the Black Experience was to be, 
they would have to organize the 
affair themselves. 

To the casual observer, it may 
appear that there is no difference 
between the traditional KSU 
Homecomings and BUS's-but one 
must consider the style and intent 
of a Homecoming and the audience 

This fall, BUS soul-fully 
presented concerts, speeches and 
plays for Black Homecoming. 
These programs were designed to 
heighten political consciousness 
and satisfy the entertainment 
desires of Black students-they 
were heavily attended. 

Black students experiences their 
Blackness with Stokely Carmichael; 
Earth, Wind and Fire; Camille 
Yarborough, and the Isley 

Carmichael told a Black 
Homecoming audience that "We 
are Africans-African and Black are 
one and the same. The reason 
Africans are scattered all over the 
world is because they were forced 
to chop cotton and sugar cane by 
malicious Europeans." 

Yarborough advised Blacks to 
"do it their way. They will respect 
you for it-but quite often not Uke 
you. You have to decide what is 
more important." 

"Black people like each 
other-but not nearly enough," she 

Why a Black Homecoming? 
Black students need to hear the 
words of people like Carmichael 
and Yarborough. A Black 
Homecoming is needed to give a 
true representation of the Black 

Above right, Stokely Carmichael 
addressed over 1,000 students in the 
university ballroom during BUS 
Homecoming week and stressed the need 
for Blacks to push for the positive. 

Opposite right, poet Clinton Nelson 
advised the crowd, "You have to know it 
to tear it down." 


Black Homecoming 

Above, CamUle Yarborough Griot begins BUS Homecoming 
festivities and enthralls the audience by depicting the Black 
experience through poems and stories. 

Above right, Rudolph Isley, of the Isley Brothers, sings That 
Lady at BUS Homecoming. 

Right, Rhonda White, Education Minister, accepts the senior 
homecoming queen honors . 

Opposite above, Evelyn Jackson, producer of Family Tree, 
interviews music and speech professor John Harper. 

Opposite center, Silas Ashley offers humorous observations 
about KSU to Family Tree hostess Regina Massey. 

Opposite below. Dr. Edward Crosby, director of lAAA, appears 
with hostess Sheila Evans on Family Tree. 

Opposite right, Marilyn Mabins plays the piano on Family Tree, 
to the delight of many viewers. 


Family Tree 

Family Tree is WKSU TV-2's 
only weekly Black-oriented show. 
Written and produced by Black 
telecommunications majors, the 
program is designed to expose the 
wealth of Black talent on campus 
and in the community. 

"The name of the show. Family 

Tree, is indicative of what we are 

trying to show our audience," said 

Evelyn Jackson, executive 


"At the same time we want to 
give Black telecom majors 
firsthand experience in dealing 
with relevant broadcast material," 
she said. 

"We touch on many aspects of 
Blackness in the show," said the 
senior telecom major. 

Broadcasting fashion shows, 
readings on Black art and poetry, 
and discussions by well-known 
Black leaders, Family Tree is on 
every Thursday. 

Under the guidance of director 
Jon Harper, the Family Tree staff 
say they strive for perfection in 
every show-it holds the rating as 
number one show on TV-2. 

Nguzo Saba 

Seven principles of nation building 

Principles) is a Black value system 
created by Maulana Ron Karenga, 
chairman of US, a Black cultural 
organization in Los Angeles, 

Each principle of NGUZO SABA 
is a Black commandment 
incorporated into our minds for 
the purpose of Black consciousness 
and nation building. 

UMOJA (Unity)--the first 
principle: "To strive for and 
maintain unity in the family, 
community, nation and race." 

A number of Black students on 
Kent's campus are members of 
Black-Greek families, while other 
Blacks identify with political 
consciousness organizations. A 
smaller group of African students is 
involved in African associations. 

Regardless of the number of 
different Black groups on this 
campus, there should be few 
divisions between them. As Imamu 
Amiri Baraka said, "Each one of 
these organizations is an 'organ'." 
These organs must unite to form a 
whole body-a body of Blackness. 


(self-determination)-the second 
principle: "To define ourselves, 
name ourselves, create for ourselves 
and speak for ourselves-instead of 
being defined and spoken for by 

We are not from the same 
culture, therefore, we do not have 
the same wants and needs as the 

We tave come to the realization 
that we can create and control our 
own destiny. 

by Linda Jones 

When we ask for the recruitment 
of more Black students, the hiring 
of more Black faculty, and a Black 
cultural center, we are expressing 

UJIMA (Collective Work and 
Responsivility)-the third principle: 
"Individualism means being 
yourself at the expense of others. 
There is no such thing as 
individualism-we're all Black." 

When a Black person is 
incarcerated for unjust reasons, it is 
not only his problem-it is our 
problem. It would be our duty to 
see that our brother is judged 
fairly. If he is innocent of any 
crime, we should not be considered 
free until he is free. 

When our brothers and sisters 
are at war in Africa, it is our duty 
to help them in their struggle for 
liberation. Our marches, benefit 
programs, and rallies are a 
collective effort to free our people 
from the hands of the oppressor. 

bus's Liberation School has 
over 50 school-aged children who 
need the help of tutors. Black 
students of the Kent community 
have accepted the responsibility of 
tutoring these children and 
enlightening them of their African 
heritage. UJIMA in action. 

U J A M A A (Cooperative 
Economics)~the fourth principle: 
"To build and maintain our own 
stores, shops and other businesses 
and to profit together." 

Black students majoring in 
business administration should 
realize that they play a very 
important part in our present and 

A part of Black Power is 
economic power, and a sound 
economy is what we need in order 
to survive. 

NIA (Purpose)-the fifth 
principle: "We are not here to 
protest and contradict reality ;we 
are here to change it. We say there 
are three purposes now: to win the 
minds of our people, to restore our 
people to their traditional 
greatness, and to leave a legacy for 
our children." 

Our minds must be converted 
back to the African way of 
thinking, in order for us to have 
pride in our being. Our purpose in 
this institution is to prepare a 
better future for our children. 

KUUMBA (Creativity )-the sixth 
principle: "To do always as much 
as we can, any way we can, in 
order to leave our community 
more beautiful and beneficial than 
we inherited it." 

Black students should be 
creative in their talents;be it art, 
dance, music, or other endeavors. 

We must do away with the 
"banking concept" of education 
and exercise our minds for 
Black -improvemen t . 

I MAN I (Faith)-- -the seventh 
principle: "To believe with all our 
hearts in our parents, our leaders, 
our people and the righteousness 
and final victory of our struggle." 

I believe in Malcolm X, George 
Jackson and Martin Luther King, 
but I did not listen to them until 
they died. 

Black people should realize that 
it is time to have IMANI, and take 
heed to what our living leaders are 

"The seven principles are the 
key to new Nationalism. ..a path to 
Blackness and Nationhood." 



Community center funds frozen 

still hope for Skeels-McElrath 

"Every bit of water I get I have to carry," a resident 
of Skeels said as she gestured to the pump across the 
street from her house. 

To the other residents of McEh-ath and Skeels, two 
rural neighborhoods north of Ravenna, the absence of 
plumbing and sewage is nothing unusual. 

The lack of these facilities has prolonged a S200,000 
Housing and Urban Development (HUD) grant needed 
for the proposed King-Kennedy Center, a community 
service project. 

Before federal monies can be used to finance the 
construction of the center, government regulations 
mandate that McElrath must have access to plumbing 
and sewage, according to Dr. Paul Sites, a member of 
the Community Action Council. 

Sites, a professor of sociology and anthropology at 
KSU, predicts, "Sewage and water in McElrath should 
be completed by the end of this year and in Skeels a 
year from this June." 



Soon residents of Skeels-McElrath will 
have running water and sewage disposal. 

Opposite below, McElrath resident works 
for the betterment of her community on 
the McElrath Improvement committee. 

However, plumbing and sewage is not the only thing 
blocking the construction of the center. "Nixon, 
meanwhile, has frozen all federal monies in the HUD 
fund," explained Sites. "We are going ahead with our 
plans anyway and hope that we can get the money that 
was allocated to us." 

In order for the center to be eligible for HUD funds, 
$100,000 had to be pledged from local sources, said 
Sites. Kent students assumed the brunt of this 
sum-promising S80,000 in student donations. 

Students have the option to pay an additional one 
dollar with their tuition fees each quarter. As of winter 
quarter, student contributions reached $33,000. 

The remainder of local contributions includes 
"in-kind services," Sites explained. "When an architect 
volunteers his service or when someone gives free labor 
for the project-their monetary worth is considered." 

Skeels-McEbath residents patiently wait for the 
center which will house day care, dental and food co-op 
services, welfare guidance, a credit union, home 
management tutoring, and counseling. 

Even though the completion of the center is lagging, 
the people of these poverty pockets can look forward 
to the completion of water and sewage lines. 

"I won't know how to 
act -- it might take a 
while to get used to 
city water." 

"It will be wonderful to have water inside your 
house," remarked one resident. "I won't know how to 
act--it might take a while to get used to city water." 

Even this advancement might be a mixed blessing, 
however. Money to connect the water system to the 
houses will up property assessments-creating another 
problem for the people. 

Money is as much an obstacle for the residents of 
Skeels and McElrath as it is for those outsiders trying to 
help them. 




Men who use these chairs 
are running the university 

"To us, KSU is more like a medium-sized city tlian a 
university," said Jack Speaker, head of Kent State's 
maintenance department. 

"We are the utilities and repair crews, gardeners, 
earth-movers, builders, and odd-jobbers combined." 

The maintenance department is probably the least 
known, but one of the busiest operations on campus. It 
distributes electricity, steam, water, heat and 
air-conditioning to the entire university. 

"The maintenance crews are like a standing army," 
said a student worker. "When there is a bad snow or a 
heating or water Ime breaks, they all rush in and work 
until it is completely done." 


Maintenance crews build, 

A maintenance worker's day 
beings at 6:45 a.m. and ends at 
about 3:30 p.m. A grounds worker 
said he doesn't like daylight savings 
time because he has to work in the 

Workers have two breaks and a 
lunch break during the day. Most 
think this is a great time of the day 
to get together and talk and maybe 
play cards. 

There are many student workers 
on maintenance crews. Some of the 
professional workers are afraid 
students will provide cheap labor 
and may take over more jobs. 

However, most maintenance jobs 
require training and skills. All are 
state workers and must pass civil 
service exams. 

The maintenance department is 
interested in ecology. The heating 
plant uses natural gas instead of 
coal because it is cleaner. 

Also, a woman has been hired to 
turn off lights at the end of the day 
in school buildings to conserve 

Men running the heating plant, 
who must be state-licensed 
engineers, discovered that noise in 
the plant was at a dangerous level. 
So they built sound proofing for 
workers who must monitor systems 
24 hours a day, 364 days a year. 

Although the maintenance 
department is a behind-the-scenes 
operation, the workers are aware of 

One painter said, "We've noticed 
a change in students since 1970. 

"Then, if we left paint out while 
we were on break, students were 
sure to throw it on the walls. Also 
there were a lot of damages. 

"Now, students aren't as bitter 
about war and school and we don't 
have as much vandalism." 

Right, a heating plant worker checks 
underground pipelines in the massive 
system of tunnels throughout the 

Far right, Maintenance crews spend 
many hours every week fixing roads 
around campus. 


repair, garden on campus 





Controlling power, water, heat 

Above, workers come in to the 
warmth of the heating plant after 
repairs or snow shoveling to eat 

Right, every morning there is a 
long Ust of repairs to be done by 
men in the electrical shop. 

Opposite right, halls of KSU few 
students see are the 30 miles of 
heating lines and tunnels that run 
underground from the heating 
plant throughout campus. 

Opposite left, a heating tunnel 
repairman needs a flashlight to 
check lines in the dark halls. 
Ladders lead to sidewalk grates, 
which are well locked. 

Opposite bottom, grounds workers 
strain asphalt to repair roads. 
Workers say, "We can't afford to 
repair all roads, so we try to keep 
up with the worst." 




Different streaks 
for different 



t: Jiffrli-Bftntf'^ir-ii 



- — — - — 




No, Kent State didn't have 
streakers in the thousands like 
other univeristies--but Kent 
students did make an immodest 
attempt to increase the school's 
public exposure. 

It was a warm evening on March 
5 when about 25 students, all male, 
embarked upon a streaking 
campaign on front campus. The 
event drew hundreds of on-lookers 
and the uncovering was covered in 
all the local media. 

"I didn't think streaking would 
win us friends in northeast Ohio, 
but every generation finds their 
own way to usher in the rites of 

spring," said Glenn Olds, KSU 

The days following the first rash 
of streakers brought smaller 
outbreaks throughout the campus. 

Although most women resisted 
the urge to disrobe completely, 
many of the male streakers were 
greeted with bared legs and pantied 
behinds from dorm windows. 

About four women joined the 
streaker's ranks four days after the 
first streak-in. However, three of 
these women regretted their 
actions later because of the crowd's 



Q: 'Why do people streak?' 

A: 'Because we're college students 

and college students are supposed 

to have fun.' 



"I just wanted to streak because 
the guys were having so much 
fun-I wanted to have some too," 
said one girl. "But when we 
streaked, the men just started 
pawing all over us-girls didn't do 
that to the guy streakers." 

"Those guys acted like male 
dogs after a female dog in heat," 
said another disgusted female 
streaker. "I won't blame other girls 
for not wanting to streak now." 

Streaking went world-wide. 
Members of this exhibitionist cult 
showed no discrimination as to 
where, when and how they did it. 

Yes-even the Eiffel Tower, long 
a camera-clicking tourist attraction, 
was affronted by 13 nude runners. 

The University of Georgia had 
parachuting streakers, the guys at 
Purdue ran in 20 below zero 
weather, others streaked for 
impeachment. West Point cadets 
dashed past outraged officers~and 
Kent came througli with Howdy 
Doody masks and nude 

And there was the mysterious 
"Bagman". Reputedly he lives in 
the Sigma Alpha Epsilon frat 
house, but his modesty forced him 
to streak with a brown bag over his 

"Streaking was good," said one 
Kent student. "With all the stuff 
going wrong in the world-the 
nation needed a laugh." 


'591. % 



Save energy today, 

ride campus buses 

"I don't know whether it's due to the fuel shortage or 
not, but our daily ridership has increased by 25 per cent 
over last year," said Joe Fiala, general manager of 
Campus Bus Service (CBS). 

"We accomodate 25,000 riders each day," continued 
Fiala. "This puts us in the top five transit systems in the 

With today's fuel crisis, Fiala said there is a definite 
need for expanding the bus service. 

"We now offer service to Cleveland every Friday 
afternoon," said Fiala. "We're looking into expanding 
next year to connect with the Akron transit system. 

"A bus also makes two trips to the Greyhound 
station every Friday, where a rider can catch a bus going 
east to Youngstown and Pittsburgh, and west to 
Akron," Fiala continued. 

"Like everything else, our costs are rising too. For 
example, our fuel costs have risen 100 per cent over last 
year. That's why we asked for an increase in fees." 

"We haven't heard too many complaints about the 
fee increase," continued Fiala. "A few people have said 
that because they don't ride the bus, they shouldn't 
have to pay. What they don't understand is that the 
Bus service is almost like an insurance poUcy-if their 
car breaks down, they can always depend on the bus. 

"I am proud of what CBS has done without federal 
funding, " said Fiala. "The only way we can get 
subsidized from the government is to become a transit 

Under the PARTA (Portage Area Regional Transit 
Authority) program, it has been recommended that the 
community develop a transit authority. 

Fiala explained, "A contract would be submitted to 
the University for the service to continue for the 
campus and be opened up to the townspeople. 

"Right now we are investigating the transit authority 
for the Portage area. But the transit development study 
will continue. Nothing has been finalized," said Fiala. 

Many students are not aware of the many services 
that CBS provides. Besides transporting handicapped 
students, CBS also takes nurses to and from Cleveland 
daily and takes athletic teams to and from away games. 
CBS even provides services for departments throughout 
the University. 

"We only have two vans to transport handicapped 
students," said one van driver. "We make about 160 
trips in them a day." Fiala pointed out that CBS has 
applied for a third van. 

With 24 buses running on campus, bus driving is a 
pretty popular job. 

A senior driver said, "Bus driving sells itself; the pay 
is good, time goes fast, and you meet alot of people." 

"There are certain requirements that must be met to 
be a bus driver," explained one woman driver. "You 
must be a student at KSU, be 19 years old and 5'6" tall. 
You also have to pass some tests and get a chauffer's 

CBS serves community needs 






Help—just minutes away 

Student ambulance 

"As far as we know, we are the 
only student-run volunteer 
ambulance service in the country," 
said Craig Ward, public relations 
consultant for Kent's Student 
Volunteer Ambluance Service. 

With an executive board of seven 
elected student volunteers, the 
program entered its second year of 
operation this spring. 

"We've come a long way since 
the first group who were playing 
rookie ambulance drivers," Ward 
said. "Now, we could match any 
professional team." 

The number of students working 
on one of the four shifts hovers 
between 40 and 60 students each 
quarter. Only after an intensive 
60-hour non-credit training period 
in first-aid procedures can a 
student participate in the service. 

Students receive no credit or pay 
for their time said Ward. "They 
have to be dedicated. They feel 
they're really helping and can see 
the benefits immediately." 

On the average the team receives 
three calls a day, with OD's and 
broken bones heading the list. 

A joke in the unit is the 13M 
call-it is a menstrual run. Many 
girls experiencing extreme 
menstrual cramps call wanting to 
be taken to the Health Center. 

The service received a new 
ambulance fall quarter, a Horton 
conversion Dodge maxi-van. The 
old ambulance is being renovated 
to replace a station wagon used to 
transport students too sick to walk 
to the Health Center. 

Each ambulance run consists of 
a three-man crew. One volunteer 

acts as a surveillance man, 
observing the victim before 
moving, while the other two handle 
the stretcher. 

According to Ward, the crew is 
the best-trained and best-equipped 
student volunteer ambulance 
service in northern Ohio . 

It can reach any place on 
campus in three minutes, anywhere 
in the city in four, Silver Meadows 
in six and Robinson Memorial 
Hospital in eight or nine, according 
to Ward. 

The service, operated from the 
basement of the Health Center, was 
born in the spring of 1972 by 
James Levine, a student majoring 
in criminal justice. The volunteer 
program falls under the authority 
of the director of security and the 
director of the Health Center. 


The ambulance can reach 
anywhere on campus in three 
minutes, anywhere in the city 
in four, Silver Meadows in six 
and Robinson Memorial Hospital 
in eight or nine/ 


^^:^* V 


Off campus housing 

There may be ants on the 
kitchen counter and mildew in the 
shower, but students agree that 
off-campus houses are homier. 

"When I get across from 
McGilvrey, I turn my back on 
campus," said one 424 E. College 
resident. "It's not my ideal, but it's 
homier than Tri-Towers." 

Her house is typical of 
approximately 107 student houses 
conveniently edging campus. 
Eleven girls, two kitchens, three 
bathrooms, a living room too small 
to use, and frequent requests to the 
landlord are nothing unusual to 
find under one leaky roof. But 
students are obviously willing to 
tolerate the bad where there is 
some good, as proven by an 
estimated thirty-three per cent who 
hve in these houses. 

"I can study more easily 
here-you're not as Ukely to have 
visitors bopping into your room as 
in a big dorm where you knew 60 
people," said a student living in the 
424 boarding house. "It's 
convenient and I'm closer to my 
waitressing job and classes." 


-personalized living 


"I can study more easily 
here-you're not likely 
to have visitors bopping 
into your room as in a 
big dorm where you knew 
60 people." 

-off campus resident 

Cost is another advantageous 
factor. "I couldn't afford school 
otherwise," said another student. 

Rather displeasing but 
understood are the kitchen and 
bathroom faciUties and the way 
people use them. "It's a mess when 
nine girls eat at the same time and 
dishes are still in the sink from 
meals before," explained one 
girl. Only two girls use the 
basement kitchen. "It looks and 
feels like a basement. I carry my 
meals up to my room on the 
second floor," complained a rather 
thin resident. 

"When I first moved in last 
quarter, the landlord told me he'd 
get me curtains; he told me the 
same thing today," said another 
student. "For the first five 
weeks there was no cold water 
faucet-I had to use hot water to 
brush my teeth," she added. 

Are off campus house students 
tolerant or ignorant? 

Off Campus Student Affairs 
(OCSA) and Commuter and 
Off -Campus Student Organization 
(CO SO) are both anxious to 
educate students on health and 
housing codes. 

"Awareness of our service is 
not as thorough as we'd like," said 
Willian Fahrenback, OCSA 
administrative director. "Students 
identify us with residence halls and 
they are afraid of being put back in 
the dorm." 

Only those students with less 
than six quarters of school, who 
aren't veterans or living with family 
need worry about being put in a 
dorm. Age restrictions were lifted 
in fall '73. 

Landlord-tenant problems 
account for 90 per cent of 

complaints received, according to 
Fahrenback. He pointed out that 
many landlord practices are legal 
but unfair since Ohio law favors 

Most common is the security 
deposit rip-off, according to COSO 
vice - chairperson Dave Canan. 
COSO provides lists of complaints 
on all landlords and checklists to 
record damages before leases are 

According to city ordinances, 
landlords are responsible for 
upkeep of boarding houses, while 
tenants must assume these chores if 
the entire house is rented~not 
many students are aware of this. 

"Helping students choose 
different lifestyles," is another 
concern of OCSA, says 
Fahrenback. "The further away 
from campus a student lives, the 
less college plays a part in his life." 


Man's home is his castle no 

matter what shape it's in 

Ludicrous, lustful 


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Media survey shows— 

Stater most used media 

The importance of media in 
American society has recently 
grown. Here at Kent State the 
function of the media was studied 
in a Chestnut Burr survey. 

The Burr randomly picked 
students at all class levels, 
representing 1 1 per cent of the 
student body, in an attempt to find 
out what media is most commonly 
used for information. 

The survey dealt with The Daily 
Kent Stater, WKSU-AM and FM, 
and WKSU TV-2, all of which are 
operated by students. 

The Stater is by far the most 
used media. At least 85 per cent of 
the students polled said they read 
the Stater daily. In terms of 
evaluation, the student's responses 
varied between good and average, 
with less than 5 per cent saying 
the coverage of news was poor. 

Yet this may not be a true 
reflection because as one senior 
said, he reads it because "it gives 
you something to do during boring 

However, a freshman may have 
been more accurate when he said, 
"I like it. It interests everyone on 
campus and there is something in it 
for everyone." 

Most respondents felt the DKS 
should cover more national news, 
while a majority indicated that 
they rely solely on the Stater for 
campus news. 

Concerning whether or not the 
DKS gives fair and accurate 
coverage of campus news, at least 
65 per cent said it does, with the 
notable exception of sophomores 
who disagreed by a three to one 

During the year the Stater was 
charged with racism by minority 
groups. One senior said, "The DKS 
to me is a racist newspaper. They 
bring white news and not Black." 

Left, a production of Main Street is seen 
from a TV-2 cameramen's point of view. 

Right, students working on the DKS 
must be able to lay out page one in a 
minimum amount of time to make the 
deadline each night. 

Another said, "There is too 
much bull. They need to forget 
the propaganda and get to the 

But many students pointed to 
the fact that the editors and 
reporters are not professionals and 
as one student said, "I think the 
Stater is a fair and honest attempt 
at journalism on this campus and I 
applaud their efforts and praise 
their product." 

Few students indicated that they 
enjoyed the advertisements, with 
the exception of freshmen, 
80 per cent of whom said the 
ads were enjoyable. 

For obtaining off-campus news 

events, students read more 
newspapers than magazines. Local 
newspapers were preferred to 
non-local ones and most magazine 
readers read Playboy, Newsweek 
and Time. 

Stater entertainment reviews by 
Davis Bradley have been the cause 
of considerable comment this year. 
In the Burr's survey, over 50 per 
cent of the students said they 
enjoyed the reviews. 

A non-theatre person in the poll 
said, "The theatre reviews are 
unfair. KSU theatre is not 
professional, but educational." 

Another said, ''The 
entertainment reviews are 


ridiculously too critical." 

On the other hand, one student 
said, "I don't agree with how he 
says it but theatre students have 
to be treated as professionals, even 
while they are learning. 

A majority of students said they 
enjoy sports news, although most 
answers on the fill-in question did 
not bear this out. A typical 
comment was, "Sports is dead for 
all but a few." 

Although some students said the 

campus news coverage was too 
narrow, upwards of 65 per cent 
said they felt the DKS covers most 
campus news. 

The students indicated by a 
four-to-one margin that they 
enjoyed the paper's pictures. Much 
of the criticism was centered 
around the subject of pictures. As 
one senior said, "They should have 
better cutlines for photos and stop 
taking pictures of manhole 

Concerning student input into 
the paper, only 1 1 per cent of the 
respondents said they had written 
letters to the editor. Of these 
people, however, more than 80 per 
cent had their letters published. 

The second most utilized media 
on campus is the radio, according 
to the survey. All respondents had 
access to a radio and very few had 
only an AM radio. Less than 30 per 
cent of those surveyed said they 
listened to WKSU-AM. 

Above, Chuck Devestco works at the 
master control during the broadcasting of 
a WKSU-FM show. 

Above right, winter quarter DKS Editor 
Frank Beeson and Copy Editor Nancy 
Lee discuss the next day's editorial. 

Right, Bob von Sternberg and other DA:^ 
writers must use broadcast media to keep 
up with daily news. 

Far right, a WKSU-AM disc jockey cues a 
record on an evening program. 

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One student classified the AM 
station as being "dumb talk". A 
freshman said, "I don't Usten to 
AM because I don't like Top 40." 

On the average, less than 20 per 
cent said they enjoyed the Am 

WKSU-FM fared slightly better 
with about 3 1 per cent saying they 
listen to the station. Fresh Air, a 
program offered by WKSU-FM, 
was cited by many students as their 
reason for listening. 

Another student said WKSU-FM 
was preferred because "it has the 
local information." 

The greatest majority of 
students said they preferred 
WMMS-FM (in Cleveland) to any 
local station. Many students said 
the type of music played was more 
to their hking. A freshman said, "I 
like WMMS and I'm set in my 

The students said that 9 p.m. to 
1 1 p.m. is the most popular time to 

listen to the radio. The most 
popular days to tune in are Friday 
and Saturday. 

Rock 'n roll is by far the most 
enjoyed type of music according to 
the survey. Jazz and classical were 
second choices. 

In relation to listening to the 
campus stations for news, very 
few people said they relied on 
either station. 

The programming for each 
station is enjoyed by the 
responding students at less than 20 
per cent. In fact, not one junior 
said he enjoyed any WKSU-FM 

Kent State's television station, 
WKSU TV-2, is the least used 
media, according to the survey. 
This is due in part to its 
transmission which can be received 
only in dornitories or by cable 
TV. Less than 3 per cent watch 
TV-2. Also, a majority of the 
students responded that they do 
not watch television at all. 

Here again, Cleveland stations 
out-polled the local stations by 
almost five-to-one. Evenings and 
weekends are when most of the 
respondents watch television. 

Movies were the first choice of 
programs among all polled, except 
for juniors, who chose news. 
Documentaries was also a frequent 

Of those surveyed who watch 
TV-2, approximately 25 per cent 
indicated that they enjoy the 

The limited availability of TV-2 
dictated that those surveyed would 
have Uttle in the way of opinions. 
However, of those who did respond 
a freshman said, "I have never 
watched TV-2 except for a biology 

Another said, "The only 
time that I watched it was for the 
filming of a play and the cameras 
kept blockmg out the characters." 

And a third said, "It has many 
possibilities that have not yet been 

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Photography by Eric Muehling 



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"I wanted to make a camera that 
would photograph everything you 
could see from one point. So-I did. 

"As the camera rotates, the film 
is being advanced inside the camera 
in synchronization with the 
focused image." 

Eric Muehling 

"What the Butler Saw" 

Slapstick, witty, 

Above, Bob Keefe as the eccentric Dr. Ranee says, "I'll have you 
in a jacket vvfithin the hour," as he points his gun at John Matsis 
(Dr. Prentice). 

Right, Bill Whitman (Match the policeman) discovers in a 
cardboard box the "missing parts" of a Sir Winston Churchill 
statue. He says, "The Great Man can once more take up his place 
in the High Street." 

Opposite left, John Matsis (Dr. Prentice) and Charles Michel 
(Nick) plot the disguising of Nick as a female secretary. 

Opposite right, Charles Michel (Nick), trying to justify his 
existence to Bob Keefe (Dr. Ranee), points to his bleeding gun 
wound and says, "If the pain is real I must be real." 


"farce of a play 


"We cut corners a lot-you are 
more creative" when only $125 is 
allocated by University Theatre to 
do a play, said Jac Cole, the 
director of "What the Butler Saw. " 

Despite the low budget of this 
Rockwell Hall production, it was a 
box office smash, hailed as a great 
"farce of a play." 

It is a slapstick, witty, rolUcking, 
complex, tongue-in-cheek, VERY 
British comedy of manners play. 
Sex and its various perversions are 
the motivating forces behind the 

The action is set in an insane 

asylum where everyone, including 
the psychiatrists are quite, quite 

Working closely with set 
designer Chris Gargoline, Cole 
explained that "the set and 
costumes were just as insane as the 
characters. Everything was planned 
to be a little bit off." 

Aware of the play's oddness. 
Cole said, "I knew young people 
would be attracted to this show 
because it was filled with 
semi-nudity, sex, 
satisfied everything that needs to 
be satisfied." 

Fittingly, Butler had strange 
beginnings. "Tryouts were quite 
different- we didn't use a script at 
all," said John Matsis (Dr. 
Prentice). Actors read 20 tongue 
twisters in both American and 
British accents to get their parts. 

"So many little verbal jokes 
going on all the time in the show," 
Cole explained. "I could eliminate 
people with tongue twisters 
because I was looking for actors 
able to manipulate their voices." 

Once the director has chosen his 
cast, Cole said it was then up to 
him to "make sure the play works 
for the audience." 


Above, Jac Cole, the director, eliminates 
people at tryouts with the use of tongue 
twisters. "Jac ended up casting a bunch 
of hams," said Chris Gargoline, set 

Right, Chris Gargoline, set designer, 
adjusts the walls to slant slightly, so that 
the insanity of the show's characters is 
reflected on the set. 

Opposite, upper right. Sue Brown, 
costume designer, suggests costume ideas 
to the director. 

Opposite, below right, Jac Cole 
coordinates the cast's movements on 
stage, called blocking . From left to right 
stand Charles Michel, John Matsis, 
Bonnie Cashmore, Bob Keefe and Pat 

Tryouts were quite 
different--we didn't 
use a script at all' 

Offering students a chance to direct, Rockwell 
threatre productions are usually experimental dramas 
that are rarely done. 

"I never could have shown"What the Butler Saw" 
in Alabama'" Jac Cole, the director, said. "Only a very 
small, cosmopolitan, and sophisticiated audience could 
enjoy this show--the silent majority would walk out." 

Wearing a black beret, the tall and slender Cole has 
a theatrical air about him. Perhaps it is his 
pronounced speaking tone or his nervous, excited 
gestures that give one the feeling that here is a man who 
spells Theatre with an "re" instead of an "er." 

Cole admits that a director must at times become 
an "amateur psychiatrist" in order to "minimize 
personal problems of the actors that interfere with the 

"I like to see the actors contribute something of 
themselves," Cole said. "An artist will work harder for 
something he has partly created." 

"I saw myself as an excitable British eccentric--Jac 
Cole saw my part differently," said Bruce Keefe (Dr. 
Vance.) "I went along with Jac," Keefe admitted, 
"because it was his responsibility to keep the show 

Most of the members of "What the Butler Saw" 
agreed that Jac Cole was the "unifying force" behind its 


Rockwell play— 

comedy of manners 

Above, Bill Whitman (Match) 
looks in a cardboard box and finds 
the "missing parts" of Sir Winston 
Churchill. From left to right, Bob 
Keefe (Dr. Vance), Bonnie 
Cashmore (Geraldine), John Matsis 
(Dr. Prentice), Pat Quintin (Mrs. 
Prentice) and Charles Michel (Nick) 
watch the great moment. 

Top, Pat Quintin, John 
Matsis, Bob Keefe take a rest from 
the harried pace of rehearsal. 

Far right, Charles Michel 
(Nick) rehearsing an impersonation 
of a female secretary, is saying, "I 
was a cigarrette girl at the One Two 
Three Club." 




the final touch 

No matter how well a show's 
makeup, costumes and set are 
done, the success of a comedy 
depends upon "timing and pacing," 
said John Matsis (Dr. Prentice). 

"Comedy is hard to do." He 
explained that "the actor must 
believe in his role, but still 
exaggerate the part." 

The death of Joe Orton, the 
author of 'What the Butler Saw' 
reflects the comedy's insanity. 
While sleeping, Orton was beaten 
to death with a hammer by his 
lover. His lover hanged himself 
before coming to trial. 


stump Theater 




t* 0^ . 

Dwarf from Volpone. 

Photography by Diana McNees 

Set design-Volpone. 

Play practice-TTze Serpent. 

Play practice--7"//e Serpent. 

Waiting for cue in green room-Volpone. 

Make-up-- Ko/pone , 

I am totally fascinated by 
theatre. It is nice to see someone 
grab hold of a part and make that 
character believable. When an actor 
is handling a part well, the artists' 
attitude toward his role is a 
challenge to capture with my 

I have been shooting theatre for 
four years. In that time I have 
become aware of lighting and the 
positioning of actors. If the 
blocking is bad then the play can't 
be photographed well. A bad play 
shows up poorly in my pictures, 
while a good play is easily reflected 
in my photographs. 

In attempting to show the art in 
theatre my photography becomes 
an art form of another art form. 
Theatre people and photographers 
are both keenly aware of visual 

Diana McNees 


Davis Bradley 

Slams college shows 


(Ed. Note: One of the single-most 
controversial happenings on 
campus this past year was the 
reviewing of Davis Bradley, who is 
theatre critic and Entertainment 
Editor of the Daily Kent Stater. 
The following is Mr. Bradley's 
estimation of University Theatre 
during fall and winter quarters of 

As Entertainment Editor of the 
Daily Kent Stater, I have had to sit 
through two quarters of 
thoroughly boring, insipid, tedious 
and in general, lousy productions 
of University Theatre. 

Since I feel my job as theatre 
critic is one that requires total 
honesty with no exceptions, I have 
had no alternative but to pan the 
barrage of the poor excuses for 
legitimate theatre on campus. 

My reviews are constantly 
under attack, mostly by those 
people who are closely connected 
with the theatre department at 
Kent State. 

After every unfavorable review 
of a University Theatre production 
in the Stater, I never fail to receive 
no fewer than a dozen nasty and 
inflammatory letters calling me 
everything from an imbecile to a 
child with a leaky pen and the list 
goes on and on and on. 

I don't find that the majority of 
the Stater's readership regards me 
as either the most hated person on 
campus or an imbecile. If this were 
the case, then people would not 
respect my judgment and attend 
University Theatre shows, 
anyway-but they don't. 

As for University Theatre itself, 
they have charged me with such 
noteworthy deeds as 
single-handedly destroying their 
box-office sales and emotionally 
upsetting their actors to an extent 
where some have declared they will 
never perform again. 

First, if such charges were true 
and I had the power to create the 
situations they give me this 
infamous credit for, then I would 
be God. 

Second, perhaps we 
theatre-goers would be a little bit 
better off if some of the campus 
performers did make a theatrical 
exit from the stage-for good. 

Third, as for their slandering me 
in class, it only shows how childish 
and unprofessional they are 
off-stage as well as on. 

I have found University 
Theatre's main problem with 
staging shows to be one of 
defective priorities. The director's 
of the shows have a rather 
eccentric way of spending 95 per 
cent of their time and effort on the 
technical part of the production . 

Top, Don Michael Jones sings Get Me to 

the Church On Time in My Fair Lady. 

Above, David Prittie, as Valentine Brose 
explains the workings of the boiler in the 
farcical production of Eh? to his fiancee 
(Libby Karas) while she contemplates his 

Right, Eliza Dolittle (Gaylen Corbett) 
expresses her vindictiveness toward her 
linguistics teacher, Henry Higgins (Keith 
Rosenblum), by vocalizing Without You 
in the production oi My Fair Lady. 


"The directors spend 95 per 
cent of their time and effort 
on the technical part of the 
production. " 

Consequently, the majority of 
the shows are quite good from a 
technical standpoint, but are 
severly lacking in dramatic content. 
So one might conclude from this 
that the utmost misgiving is on the 
directorial side of the fence. 

And for University Theatre to 
say they have no talent to work 
with is a cop-out. Jim Thorton 
took campus talent and, being the 
strong director that he is, produced 
hit after hit at the Cabaret at Friar 

Thorton also had the good sense 
to choose good scripts like The 
Apple Tree, The Fantasticks, and 
Jacques Brel Is Alive and Well and 
Living In Paris. 

University Theatre has a definite 
knack for choosing to do such tired 
old plays as My Fair Lady, The 
Place, and After the Rain, etc. 

Any good performer will tell 
you that an actor can go just so far 
on his own when it comes to 
creating a part, but then he needs 
good, strong, intelligent direction. 

If all persons in theatre were 
capable of carrying out their part 
to the fullest extent, then there 
would be no need for a director, 
but that's not the case. We all 
need some type of outside 
objectivity to help us better 

University Theatre has dumped 
upon the campus constituency 
farce after farce (that's no farce as 
in theatre-of-the-absurd, that's 
farce as in worthless) of a 
production. It has been my job to 
inform the Stater readership of 
such mediocrity. 

Some people have called me and 
my writing a happening or an 
occurance; I prefer to call it 
sincerity, in hope that my integrity 
as a theatre critic will persuade 
University Theatre to do a Uttle 
house-cleaning in the directorial 
department and teach themselves 
and their students the "how-to" 
and benefits of providing 
professional, worthwhile, 
entertaining theatre to an eagerly 
awaiting public. 

Left, David Panella, as the Reverend 
Mort in University Theatre's production 
of the Obie Award winning farce Eh? 
descends from his pseudo-heaven after 
proseletyzing to the cast below. 



Artist-Lecture series 

Encounter with artists 

"Encounter with artists" is an 
important part of the college 
experience, said Joanna Harley, 
director of the Artist-Lecture 


The Artist-Lecture series 
provides programs of performing 
artists and lecturers each quarter. 

"Our goal is to enhance 
University programming," 
explained Harley. "And our first 
and foremost responsibility is to 
appeal to the students." 

A committee of six students and 
six faculty members select 
programs representative of many 
campus interests. 

"We have to deal with what 
artists and speakers are available," 
said Harley. "But we try to give a 
balance of activities." 

"Both the faculty and students 
benefit from our programming," 
said George Schafer, student 

"The Artist-Lecture series is one 
of the ways for students and 
faculty to stay on top of things," 
he said. 

Student activity fees fund the 
lecture budget of $12,000, while 
university monies, totalling 
$30,000, and ticket sales support 
the performing arts. 

The Artist-Lecture series is also 
responsible for handling a Speakers 
Bureau for all campus 

Receiving $2500 of student fees 
this year, the Speakers Bureau 
contacted and arranged speakers 
for any interested campus 

Above, Julian Bream, contemporary 
guitarist and Renaissance lutist. 

Left, Joanna Harley, director of 
Artist-Lecture series, says "Our first and 
foremost responsibility is to the 
students" in programing. 


Vur goal is to enhance 
university programming. 
Our first and foremost 
responsibiiity is to ap- 
peal to the students/ 

Dr. Benjamin Spock was brought 
to Kent by the Bureau at the 
request of the Student Union. 

Harley explained that the 
Bureau allows for more students to 
benefit from campus speakers 
other than individual student 

It is the perfonning artists and 
disti]iguished speaker programming 
that require the most attention of 
the Artist-Lecture committee. 

One of the committee's greatest 
handicaps is the lack of good 
facilities available for programs. 
Harley explained that University 
Auditorium is "really too small a 

"University Auditorium can seat 
1,000, but really only 800 seats are 
suitable because of bad sight lines 
to the stage," Harley added. 

"Although students find the 
auditorium hot and 
uncomfortable," Harley said, "the 
performers have found the hall to 

be very intimate." 

The problem of inadequate 
facilities means "we can't make 
money," said Schafer. "The 
student concert committee can put 
on a concert in the gym and make 
money-but we can't. They can put 
the Doobie Brothers in Memorial 

Gym-but it would be an insult to 
put Julian Bream there," he 

Performers like JuUan Bream 
"commend Kent State for having a 
receptive audience," said Harley. 
"Kent is not the kind of audience 
that gives standing ovations on 
every occasion, but when they do 
they reaUy mean it. 

"I remember one performer who 
dreaded coming to Kent because 
she thought, 'Oh no, not Ohio,"' 
said Harley. "But after the first 
number she told her crew to give it 

Performing artists for this year 
included Julian Bream, 

contemporary guitarist; Gina 
Bachauer, pianist; the Vienna Boys 
Choir and the Kathakali theatre 
from southern India. 

Distinguished lecturers mcluded 
Robert L. Sinsheimer, biophysicist; 
John Hollander and Stephen 
Spender, poets speaking in memory 
of W.H. Auden; and Ruby Dee, 

Far left, a member of the Merce 
Cunningham dance troupe assists a 
student in an afternoon workshop. 
Center, The National Shakespeare 
Company presents Center, The National 
Shakespeare Company presentation by 
Brutus, Cassius and other . 




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Fred Franchi- cinematography 

Joe Gasper- advertising 


College students today are the 
most visually oriented and visually 
sophisticated generation in the 
evolution of the human race, 
according to an article on college 
photography by Arthur Goldsmith, 
Popular Photography. 

This generation was brought up 
on television at home and in the 
classroom, on picture magazines, 
illustrated books and various audio 
visual presentations. 

This may explain why the 
photography boom has hit many 
colleges across the nation, 
including KSU. Today, more than 
600 colleges and universities offer 
photography courses with a total 
enrollment of over 80,000, 
according to Goldsmith. 

The most popular photo course 

at KSU is Basic Black and White. 
All journalism majors, some art 
majors, and some education majors 
are required to take this course. 

About 90 students enroll in 
Basic Black and White each 
quarter. It is a controlled course, 
which means any student desiring 
the course must have it as a specific 
requirement or have permission to 
take it. 

Many non-majors try to take the 
course to learn a little about 
photography; however, they are 
usually closed out because of 
limited teaching staff and limited 
darkroom facilities. 

The photographs on these three 
pages are representative of what 
students are seeing and 
photographing in Basic Black and 
White Photography. 

Craig Cunniiti^liani- plioio-journalisin 


I ,»«.<sa^^i^>. 

Arts and Sciences 


Abt, John 
Acs, Csilla 
Ahearn, Jane 
Akins, Sandra 
Alderfer, William 
Alen, Sharan 

Allen, Susan 
Allio Thomas J. 
Altomare, John 
Amy, Karen 
Anderson, Michael 
Andrews, Gary 

Aring, Steven 
Arth, Geoffrey 
Ashley, Silas 
Bailey, Merlyn 
Baker, PhilUp 
Balog, Paul 

Balogh, Frederick 
Bankovich, Christine 
Barnes, Barbara 
Barnett, Barry 
Bartels, Deborah 
Bauman, Gary 

Beck, Donald R. 
Begam, Cathy 
Belford, Jennifer 
Beneditti, Anita 
Benes, Paula 
Bergman, Mark 

Berland, Warren 
Biel, Bonnie 
Blair, Bruce 
Bonta, Ann 
Borowski, Bruce 
Botsko, Robert 

Bowman, Michaella 
Boyol, Karen 
Braunhut, Susan 
Brenner, James 
Brinkman, Jack 
Bristo, Alfred 

Brobst, John 
Brown, Raymond 
Brown, William J. 
Bur, Andrea 
Burley, Robert 
Bursa, Ann 

Burton, Phyllis 

Burwell, Janet 

Byrd, Otis 

Caccamo, James 

Call, Robert 

Campanelli, Vic 

Caraway, Adrig 

Carney, Steve 

Cartor, Leonard 

Chamowitz, Lynda 

Chapley, Diane 

Charek, Leonard 

Cheadle, Dan 

Cherniavsky, Mary 

Cherry, Twyla 

Ciccone, Steve 

Cihlar, Paul 

Clapton, Sheila 

Colettis, George 

Combs, Paul 

Costigan, Kenneth 

Cupido, Jaclyn 

Czacherski, Lorre 

Daniel, Melvin 

Davenport, Annette 

David, Linda 

Davison, Gary 

DeChellis, Vincent 

Define, Jeffrey 

Deitz, Karl 

Denning, Susan 

DeSteven, Diane 

DeWitt, Dianne 

Deiterich, John R. 

DiMarco, Providence 

Dispenza, Albert 

Dobosy, Carol 

Doerner, Deborah 

Donahue, Marie 

Drongowski, Stan 

Dudley, Daniel 

Dunkle, Donald 

Eby , Emily 

Eli, Dave 

Eppley, Nicola 

Ernes, David Albert 

Ewers, David 

Ewing, Rosemary 

Fagley, Haze 

Faubee, Roger 

Felton, Janice 

Ferguson, Thomas 

Ferrarini, Deborah 

Fisher, Debbie 

Fixler, Tobie 
Ford, Esther 
Forrester, Catherine 
Fox, Randall 
Frame, Cathryn 
Francis, John 

Francko, David 
Frank, Anthony 
Franz, Chris 
Friedlander, Fred 
Friedt, Bonnie 
Frisman, Roger 

Froehlich, Carol 
Fry, Margaret 
Fuhrer, Richard 
Galambos, Gus 
Galniish, Jerome 
Gang, Rita 

Gardin, Karen 
Garin, Charles 
Garry , Michael 
Gehlbach, Richard 
Genibarosky, Susan 
George, Nancy 

Giannell, Stephanie 
Gilhousen, Marguerite 
Ginn, Karen 
Girafalco, Virginia 
Goddard, Alice 
Goldbert, Beth 

Goldberg, Jay 
Gombert, Eleanor 
Goodman, Dianne 
Gorby, Susan 
Graham, Robert 
Grain, W. 

Grandon, Laura 
Grant, Linda 
Grassnig, William 
Grealy, Thomas 
Greenberg, Andrew 
Greenfield, Mary 

Gregorowicz, Barb 
Gretchko, Andy 
Griffin, Laura 
Griswell, P. 
Groff, Geoffrey 
Groom, Merrill 

Gurlea, Rebecca 
Gutierrez, Dusty 
Haddock, Ruth 
Haley, B.J. 
Hall, Betty 
Hall, William D. 

Hammond, Margaret 

Handwork, Richard 

Harnish, Linda 

Harper, Cindy Harris 

Harris, Janet 

Harris, Victor 

Harrison, Cynthia 

Harry, Jeffrey 

Hart, Jill 

Hawkins, Cynthia 

Heffner Jack Jr. 

Heim, Pat 

Heineman, Corrine 

Heller, Marlyn 

Hemming, N. Gary 

Hering, Thomas 

Herrick, A. Rosemary 

Higgins, Jeffrey 

Hill, Cynthia 

Himler, Audrey 

Hines, W. 

Hoffman, Scott 

HoUoway, Debbie 

Holmes, Suzanne 

Hopkins, Gregory 

Howard, Sharon 

Hreen, Helen 

Hren, Janet 

Hrouda, Frank 

Huffman, Kay 

Illiano, Lou 

Imm, Paul 

Isner, Deborah 

Jackson, Marshall 

James, Diann 

Johansen, Susan 

Johnson, Antoinette 

Johnson, Paul 

Jones, Douglas 

Joyce, Steve 

Jurick, Nina 

Kafton, Richard 

Kallis, Thomas 
Kangas, Patrick 

Kangas, Vicky 
Karla, Daniel 

Kastellic, John 
Katkic, Barbara 

Kazee, Richard 

Keller, Willetta 

Kennedy, Daniel W. 

Kernz, Lynn 

King, Bridget 

Kirk, Marilyn 


Kizis, Joseph 
Kleski, Bruce 
Klotz, Miriam 
Knabe, Robert 
Koski, Elizabeth 
Kramzer, Renee 

Kremm, Teresa 
Krikox, Linda 
Krist, Ted 
Krok, Richard 
Kuprianov, Anatoli 
Kurzynski, Leonard 

Lachly, M. 
Landgraf, William 
Langstaff, Jeffry 
Lasko, Donna 
Laugel, Gary 
Laurie, Richard 

Lazarus, James 
LeFeber, J. 
Leidy, Kenneth 
Leming, Dorothy 
Lengal, Frank 
Lengyel, Janice 

LeNoble, Barbara 
Leppert, Lois 
Leppla, Steve 
Levers, Lisa Lynn 
Lew, Irene 
Lishchuk, Linda 

Litzinger, Lenny 
Lloyd, Nancy 
Lohrey, Jared 
Loker, Bonnie 
Long, Edwin 
Long, Jeffrey 

Luchkowsky, Damian 
Lux, Daniel 
McClure, Lisa 
McGowan, Rick 
McKelvey, K. 
McPhiUips, Patty 

Marshall, Paula 
Masters, Jacquelyn 
Martinkowski, Karen 
Mauger, Karla 
Meighan, Kathy 
Miller, Gayle 

Macce, Barbara 
Magee, Patricia L. 
Mahana, Marilyn 
Malinkey, Daniel 
Malycke, Karin 
Manus, R. 

Miller, Lynne 

Miller, Nancy 

Miracle, William 

Mitsionis, Margareta 

Modarelli, Nicholas J. 

Moon, Carolyn 

Moqappan, Sayed 

Morell, Craig 

Morrow, Richard 

Mulig, Cynthia 

Munoz, Antonio J. 

Murphy, Benjamin 

Murray, Richard 

Myers, Gerald 

Myers, Kathryn 

Myers, Robert 

Napier, Alan 

Naukam, David 

Neary, Mary 
Neff , Garry 
Neff, John 

Niamtu, Joseph 
Nicolet, Joy 

Norman, Robert 

Noussias, Nickolas 

Oakes, Elaine 

Oberholtzer, Lynn 

O'Connel, John 

O'Flaherty, Pat 

Olmstead, Linda 

Ommerod, John 

Owen, Charles 

Pacelli, Randolph 

Pacifico , Michael 

Pagac, Paul 

Perk, Dennis 

Perry , Shela 

Person, Sally 

Pherson, Lucinda 

Phillips, Dale 

Pionticowski, Greg 

Porter, Christopher 

Probst, J. 

Radi, Wayne 

Rehor, Cindy 

Reid, Walter 

Reiman, Susan 

Reis, Susan 

Rescek, Frank 

Richards, Kenneth 

Richmond, Ralph 

Romberger, Carole 

Rose, Harvey 

Rosen, Trudy 
Rosene, Michael 
Rosh, Stephanie 
Rossi, Pamela 
Roth, Dudley 
Ro we, Theodore 

Rudebock, Kathy 
Rudin, Cheryl 
Rudawsky, David Bruce 
Russel, Kent 
Rutledge, Darlene 
Sadler, Edward 

Safos, Robert 
Sanders, Joan 
Saylor, Eric D. 
Scarpone, Olivia 
Shenner, Barbara W. 
Schieber, Curtis 

Schlegel, Rob 
Schneider, June 
Scholz, Phil 
Schulz, Karen 
Schwartz, Edward 
Schwartz, Larry S. 

Scott, William 
Sedaghatfer, Davood 
Shank, LuAnn 
Sheldon, Roy 
Shinko, William 
Shrader, Noralee 

Sickler, Clifford 
Siegel, Jon 
Siemer, Charles H. 
Sigworth, Susan 
Simon, Wendy A. 
Simons, Charles 

Slovak, Marilyn 
Smith, Deborah 
Smith, Robert 
Smith, Sara 
Smolka, James 
Snively, Sue 

Snyder, Elaine 
Snyder, Karen 
Somlitz, Mary 
Spaid, Kathryn 
Squires, Jon 
Srp, Ralph 

Stanek ,Robert 
Steingiser, Saralyn 
Stefan, D. 
Stella, Joseph 
Stephenson, Brian 
Stenleib , Lawrence 

Stevens, Judith 

Stock, Donald 

Stoker, Ellen 

Stritch, Patrick 
Stropki, Steve 
Stryczek, Falk 

Stuck, Richard 

Sulzmann, John 

Suva, James 

Swanson, Robert 

Switek, Stephen 

Tarby, Kathleen 

Tennery, Rebecca 

Terrazzino, Dominic 

Texler, Merrilu 

Theiss, Anne 

Thomas, Hugh 

To bey, Denise 

Tompkins, Lucinda 

Toner, Timothy 

Toye, Judith 

Trachtenberg, Marcia 

Treen, Steven 

Trudeau, Nancy 

Tr us well, Pamela 

Tunkey, Christine 

Turko, Donald 

Uhich, Carol 

Van Loon, Jeffrey 

Van Meter, Keith 

Vatavuk, Bruce 

Venglarcik, John S. 

Verostek, Carole 

Vincent, Theresa 

Volpe, Denise 

Waehner, Shirley 

Wasiewicz, Donna 

Weber, Karen 

Webster, Tim 

Weigel, Patricia 

Weiner, N. 

Weinzimmer, Patti 

Wellock, Diana 

Welshenbaugh Joe Lee 

West, Scott 

White, Gregory P. 

White, Rhonda 

Wightman, Christopher 

Winberry, Lawrence 

Winkler, Charles 

Winkler, Jules 

Wise, Marilyn 

Wojcik, Carol 

Woodgett, Lucinda 

Wright, Theresa 
Wunderle, John 
Wurmbrand, Susan 
Wysocki, Raymond 
Yandek, Lorraine 
Yarrow, Janice 

Zaiser, George 
Zywodny, James 
Ziegler, Randy 
Zy chick, Marvin 

Business Administration 



Altman, Howard 
Ardner, Larry 
Artuso, John 
Bair, Donald 
Ball, JuUan 
Barienbrock, Robert 

Barnes, Margaret 
Bartkus, WiUiam 
Bashaw, Gary 
Benedict, Dennis 
Berardelli, Joseph 
Besselman, Jim 

Black, David W. 
Boerger, Janet 
Boltz, James 
Borgeson, Bruce 
Borgione, Jim 
Bresson, Jeffrey 

Brophy, Patrick 
Brown, Larry 
Burkhardt, Gary 
Calpin, Caroline 
Capone, Anthony F. 
Carlisle, Richard 

Carmany, Dave 
Caspi, Dan 
Chapman, Catherine 
Charvat, Frank S. 
Corwin, Alan 
Coyle, Deborah 

Cresante, James 
Crow, C. Richard 
Damiene, Joseph 
Demarchi, Robert 
Dlugosz, Robert 
Dooling, John 

Edic, Dianne 

Edixon, Douglas 

Evans, J. William 

Fetterman, Barry- 

Finegan, John 

Fisher, J. 

Frabutt, David 

Frano, Paul 

Freer, John 

Fritz, Douglas 

Furey, John 

Gaugen, Michael 

George, George 

Girt, Jesse 

Gliebe, Kathleen 

Globokar, Wayne 

Goldstein, Larry 

Good, John 

Gorjanc, Francine 

Gottesman, Dean 

Gould, Robert 

Greggor, James 

Groff, BiU 

Gross, Terry J. 

Gudowicz, Linda 

Gurgol, Harry 

Hageman, John 

Hajek, James 

Hallett, James 

Halpert, Hugh 

Henderson, Steven 

Hendricks, Wil 1 iam B. 

Herndon, James 

Herrmann, Raymond 

Hines, William 

Holland, John 

Hollenbacher, Darrel 

Holt, Timothy 

Horton, Dorothy 

Horvath, Joseph 

Hrabak, Sherry 

Jackson, Joseph 

Jerina, Norb 

Johnson, Harold 

Kapela, Scott 

Kavanaugh, Daniel 

Kiernan, Edmund 

Knopf, Charles 

Kolodin, Dennis 

Koury, Michael 

Kozimor, Richard 

Kraus, Kran 

Kristof, Robert 

Kubancik, Susan 


mk^ A& 

Landers, Mark 
Lange, John 
Langsett, Gregory 
Laskey, Tim 
Laturell, Edward 
Lemmon, Jim 

Lepa, Mark 
Lerman, Edward 
Lever, Bernie 
Lewis, Michael 
Lipcher, Louis 
List, Daniel 

Lockhart, Richard 
Luce, Wayne 
McAteer, Richard 
McClellan, John 
McGrath, Margaret 
Manchester, Ted 

Martin, William 
Matras, John 
Mazanec, Philip 
Melin, John 
Merritt, Cynthia 
Miller, Gerald 

Minnich, Daniel T. 
Mlekush, Mary 
Montgomery, Dale 
Morrow, Jane 
Mullen, Craig 
Myers, Carolyn 

Mykytuk, Marsha 
Maylor, James 
Neville, Harold 
Newman, Gary F. 
Newman, Marsha 
Nolan, Charles 

Nowak, Jeff 
Oakes, Thomas 
O'Dea, Patrick 
Oseigbu, Patrick 
Overturf, James 
Paddock, Paul 

Patterson, Melissa 
Paul, Charles 
Payne, Richard 
Pfiffner , Timothy 
Placko, James 
Polacek, Robert 

Radcliff, John 
Randazzo, Joseph 
Razzano, Frank 
ReBell, Ron 
Reed, William 
Rendina, Paul 

Renick, Joe 

Reynolds, Graig 

Rickman, Hale 

Rindfleisch, Robert 

Rudebock, Richard 

Russell, Larry 

Russell, William 

Ryan, Christopher 

Sabo, Thomas 

Schmidt, John 

Schulz, WiUiam 

Sellers, Stanley 

Sensel, WilUam 

Shaffer, Delmer 

Shenosky, Theodore 

Sido, Philip 

Sills, Gary 

Sirey, Bill 

Skala, Don 

Slavis, Mark 

Sluzewski, Dale 

Smith, Greg 

Smith, J.T. 

Smith, Maureen 

Smith, Thomas 

So bey, Kathleen 

Solomon, Michael 

Solomon, Richard 

Steely, Dennis 

Stefano, Richard 

Stefano, Thomas 

Stewart, Donald 

Stich, Kenneth 

Storric, Tim 

Stutzman, Edward 

Sudyk , John 

Sulek, Tim 

Szabo, Martin 

Taylor, WilUam 

Thomas, Chuck 

Todd, James 

Traber, Lanny 

Transky, Neal 

Trybala, Stanley 

Uhart, Greg 

Uhl, Doug 

Voyk, Joseph 

Warburton, John M. 

Wareham, Thomas 

Warth, Stephen 

Watson, Michael 

Weaver, Richard K. 

Wentling, Vickie 

Wierzbicki, Walter 



Wilmoth, Alvin D. 
Woodworth, Robert, L. 
Yamamoto, Hide 
Yocom, John 
Zacharias, Dennis 
Zacharias, Haris 

Zeck, James 
Zinn, Thomas 

Addison, Marsha 
Aldrich, Catherine 
Anderson, Sandra 
Andino, Judith 
Ankenbruck, Barbara 
Anspaugh, Helen 

Apking, Cynthia 
Argenzia, Lynda 
Armentrout, Linda 
Armstrong, Deborah 
Ashley, Elizabeth 
Ashton, Ned Jr. 

Astalos, Sally 
Atkinson, Robert 
Augustyn, Anthony 
Babcock, Janet 
Bachman, Margaret 
Baird, Nancy 

Baker, Ernestine 
Baker, Marian 
Baksa, Laura 
Ballantine, Joanne 
Bandurchin, Joan 
Barnicle, Susan 

Barnhart, Joan 
Barrett, Barry C. 
Barsan, Laura 
Baum, Nancy 
Beamish, Sherry 
Beatty, Kathy 

Beaudry, Edmond 
Beier, Rebecca 
Beitzel, Gregory 
Bell, Michele 
Bella, Norene 
Benford, Debbie 

Bennett, Ann 

Berger, Adele 

Berglund, Mary 

Berman, Pamela 

Bickford , Laurel 

Bishop, Mark 

Bixler, Joan 

Black, Pauline 

Blanford, Dennis 

Bluestein, Monice 

Boltz, Robert 

Bonacci, Rosalie 

Bonamico, Roseann 

Bond, Wayne 

Bonfiglio, Gary 

Boron, Judith 

Bowling, Patricia 

Boyle, Kathleen 

Bracken, Shelby 

Brain, Laurie 

Bridges, Carolyn, L. 

Brill, Susan 

Brindza, Joann 

Broadwater, Ellen 

Brockman, Debra 

Brooks, John R. 

Brown, Karen N. 

Brown, Paul R. 

Brown, Sally 

Brown, Susan 

Brownfield, Mari i yn 

Buchanan, Thomas 

Burger, Jane 

Burke, Mary Beth 

Burns, Shirley 

Bussell, Crystal 

Busson, Vickie 

Butuson, Susan 

Byers, Linda 

Byrd, Deborah 

Byrum, Richard 

Callahan, Maureen 

Callendine, Nancy 

Campbell, Melanie 

Campbell, Susan 

Canan, Yvonne 

Cantale, Charles W. 

Canzonetta, David 

Carey, Catherine 

Carico, Darlene 

Carson, Diane 

Casey, Karen 

Caso, Donna 

Castrovinci, Kathy 

Chensoff, Gail 
Chesar, Carol 
Chirumbolo, Susan 
Chormanski, Marilyn 
Churnega. David 
Cibik, Robert 

Cickelli, Jim 
Cirino, Linda 
Clair, Patricia 
Clemente, Annemarie 
Clements, Karen 
Clingaman, Richard 

Coggins, Deborah 
Coit, Lorraine 
Cole, Dwight 
Contini, Marie 
Cooper, Richard 
Cox, Mary 

Cranston, Robert 
Csismatia, Kathy 
Cubic, Mary Beth 
Curtiss, Pamela 
CzetH, Marlene 
Dale, Cheryl 

Dalling, Linda 
Dandelles, Joanna 
Daniel, Karen M. 
Dauria, David 
Davidson, Lynn 
Davies, James 

Davis, Charles D. 
Davis, Diane 
David, Gary 
Davis, Karen 
Davisson, Patricia 
Deacon, Harry 

Decker, Jeannette 
Deimling, Craig 
DelPozzo, Regina 
DeMaria, Denise 
Demko, Deborah 
Denbow, Mar 

Dent, Gerry 
DePiero, Bobbi 
DeVaul, Kath 
DeBault, Patricia 
Dicoskey, Beverly 
DiGiacomo, Patricia 

Dillman, Rodney 
Dillon, Janet 
DiLorenzo, Gaylene 
Dingwall, Marie 
Dlwgosh, Barbara 
Dudek, Frank 

Dunbar, Kristy 

Dyett, Ronald 

Dziak, Mary 

Eakin, Margaret 

Eckstein, Margie 

Eddy, Susan 

Eierman, Marilynn 

Eldridge, Cynthia 

Elliott, Gail 

Ensman, Jan 

Evans, Debbie 

Faller, Kathleen 

Fankhauser, Judy 

Farley, Sharon 

Farmer, Kristy 

Faulhammer, Janet 

Feddersen, Teresa 
Felhier, Cheryl 

Ferree, Susan 

Fichtner, Janice 

Fitch, Mary 

Fites, Sandra 

Flack, Peggy 

Flood, Josephine 

FagUo, Janis 

Foltz, Delores 

Ford, GaU 

Foster, Annette 

Fox, Adelle 

Frampton, Mollie 

Frank, Marian 

FroehUch, Judy 

Fulk, Barbara 

Gaiduk, Linda 

Galandiuk, Oksana 

Garlikov, Roberta 

Gartrell, Gaila 

Geneva, Cynthia 

German, Carol 

Germo , Linda 

Gersdorf, Janet 

Giangola, Donna 

GianneU, Patricia 

Gibson, Linda 

Glowacki, Joyce 

Goldblatt, Jennifer 

Goleb, Stanley 

Gomez, Felix 

Goodman, Debbie 

Goodman, Michael 

Gorog, Kenneth 

Graham, Sherrie 

Graulich, Janet 

Green, Dori 

Greenfield, Diane 
Greig, Shirley 
Grnach, Stanley 
Grob, Claudia 
Groff, Kathleen 
Guarnieri, Alice 

Guire, Anita V. 
Gustafson, Vicki 
Gute, Marlene 

Habermehl, James 
Hach, Edward 

Hahn, Bonnie 
Hall, Connie 
Hall, Vicky 
Hallenbeck, Linda 
Halpin, Marianne 
Hamilton, Colleen 

Hamlet, Hattie 
Haney, Kathi 
Hanna, Ronald 
Hanosky, Deborah 
Hansen, Ernest 
Hanusosky, Elizabeth 

Hartwell, Nancy 
Harvey, Delores 
Hawkins, Charmaine 
Heaton, Becky 
Hegedus, Ronald 
Heinz, Laura 

Henry, Sally 
Hewitt, Nancy 
Higgins, Maurita 
Hill, Jan 
Hitch, Ken 
Holmes, Sherry 

Horvath, Charmaine 
Hoskins, Richard 
Hovorka, Ed 
Howieson, Denise 
Hrovat, Claire 
Hrusch, Janet 

Huguley, Sally 
Humphrey, Douglas W. 
Hunter, Jean 
Hunting, Denise 
Hurd, Marilyn 
Halladay, Denise 

Ilg, Joyce 
Ingram, Arlette 
Jackman, Barbara 
Jackson, Sharon 
Jackson, Wayne 
Janecek, Jan 

Jenner, Sarah 

Jinks, Pamela 

Jirousek, Dale 

Johnson, Arthur L. 

Johnson, Diane 

Johnson, Edgar 

Johnson, Karen 
Johnson, Kayette 
Johnson, Linda 
Johnson, Pattie 
Jones, Deborah 
Jones, Pamela 

Jones, Sheryl 

Jordan, Lynette 

Joy, Michael 

Juliano, Jennae 

Junius, Melanie 

Junk, Thomas 

Jurkiewicz, Louis J. 

Jurovcik, Joseph 

Kagel, JiU 

Kail, Mary 

Kalmanek, Cheryl 

Kalogeras, Jean 

Kaminski, Debra 

Kanuckel, Brenda 

Kapel, Carole 

Karmazyn, Lidia 

Katz, Elizabeth 

Kelemen, Diane 

Kellner, Joel 

Keneaster, William 

Kerr, Sandra 

Kessler, Helene 

Khasat, Manjul 

Kidd, Bragg Shirley 

King, Mary Susan 

Klepchak, Donna 

Kline, Mary 

KUne, Pam 

Kokinda, Cynthia 

Koniecko, Mary Ann 

Kopelos, Elaine 

Korn, Evette 

Kozlowski, Dianne 

Kraft, Thelma 

Krisa, Lesia 

Kriso, Nancy 

Kruianowicz, Joseph 

Laggeris, Cindi 

Lagin, Robin 

Lahman, Pamela 

Lambrou, Claire 

Lang, Susan 


Latessa, Eileen 
Laverty, Marsha 
Lawson, Denise 
Lazerick, Beth 
Leisner, Kimberly 
Lengs, Barbara 

Leschinski, Daniel 
Levine, Nancy 
Levinson, Loy 
Lewis, Donald 
Lewis, Joan 
Linder, Nancy 

Liviola, Rose Mary 
Lonbardi, Jo Ann 
Long, Diane 
Lonsway, Carol 
Lorson, Diane 
Louie, Helen 

Love, Carole 
Lowe, Robert 
Lowe, Sharon 
Loya, Charles 
Lynch, Kathleen A. 
Lynch, Terrance 

Macioch, Susan 
McCartney, Sharon 
McCarthy, Kathi 
McEntee, Marsha 
McFarren, Lillian 
McGuire, Marilyn 

Mclnnes, Cindy 
McMahon, Darla 
Mclntyre, Robert 
McMillen, James 
McRae, Lynn 
McMuUen, Gerald 

Mains, Christine 
Mallernee, Lynne 
Manges, Joseph G. 
Marinchak, Raylene 
Marku, Nova 
Marquand, Margaret 

Mathe, Pat 
Martin, Bonnie 
Martin, Linda 
Martin, Vickie 
Maughan, Susan 
Maynard, Pamela S. 

Meadows, Richard 
Mencl, Joan 
Mentzer, Gene 
Mercadante, Lisa 
Merowitz, Mark 
Mertus, Ellen 

Michener, Ann 
Miller, Colleen 
Miller, Frieda 
Miller, Nancy P. 
Miller, Richard 
Miller, William 

MiUs, Betty 

Milne, Vicky 

Minghetti, Nancy 

Mirman, Keith 

Mishaga, Adele 

Mitchitell, Melody 

Mlynek, Lawrence S. 

MoUahan, Margaret 

Moncrief, Susan 

Mongell, PhiUp 

Moore, Beverly 

Moore, Everett 

Moore, Marilyn 

Morgan, Margaret 

Morris, Lye J. 

Morrison, Susan 

Morton, Gary 

Morse, Becky 

Mossman, Linda 

Moushey, Pamela 

Moyer, Janet 

Muir, Patricia 

MuUarkey, Catherine 

Murphy, Mary E. 

Murray, Mary Ellen 

Murray, Stephen 

Myers, Sandra 

Nalepa, Paul 

Nedostup, Carol 

Neiheisel, Martha 

Nelson, Janice 

Nesterak, Julie 

Neuzil, Lorri 

Nicoloff, Catherine 

Nisberg, Debbie 

Nolletti, Richard 

O'Brien, Joyce 
O'Brien, Judy 
Oliver, Jean E. 
Oliverio, Louis 
Omlor, Michael 
O'Neill, Michelle 

Osborn, Joyce 

Osicka, Pat 

Owens, Marsha 

Pabian, Henry 

Pagiavlas, Stephanie 

Palette, Linda 

Palmer, Randi 
Pannent, Denise 
Panno, Joanne 
Papadopoulos, Mary 
Parish, Judi 
Parker, Kathleen 

Passek, Barbara 
Payak, John 
Peakes, Linda 
Pearson, Marilyn 
Pees, Charleen 
Pelosi, Toni 

Peplowski, Denise 
Peskind, Anita 
Peterman, Susan 
Petersen, Christine 
Petrochuk, Christine 
Pfaff , Carolyn 

Phillips, Kenneth 
Picard, Patricia 
Pildner, James 
Pinter, Laura 
Piper, Sharon 
Pleva, Louise 

Plough, Lola 
Polack, Jean 
Port, Craig 
Powell, Susan 
Pozar, Tina 
Prater, Eunice 

Prebihilo, Jan 
Priefer, Mary 
Pritchard, Susan K. 
Provitt, Leana 
Pugh, Anthonette 
Putka, James 

Rachalis, Christine 
Rantz, Pam 
Ranz, Mary 
RatUff, Judith 
Ranch, Robert 
Rectenwald, Susan 

Reese, Cynthia 
Reiche, Connie 
Reichert, Jame 
Reid, Heather 
Renfro, Shawn 
Richards, Ken 

Riddle, Gail 
Riddle, Thomas 
Rippel, Bradley 
Rittichier, Janet 
Rittiehier, Gary 
Robinson, Elizabeth 

Roby, Beverly 

Rockwell, Sherrill 

Roglin, Gayle 

Rohrs, Sharon 

Rosenberger, Diane 

Rosenfeld, Shirley 

Roskoph, Peggy 

Ross, Martha 

Rowe, Patricia A. 

Rubal, Mary 

Rubin, HoUis Beth 

Ruggiero, Mary 

Rumancik, Pamela 

Ryan, John 

Salick, Mireille 

Sail, Mimi 

Salrin, Anite 

Samsa, Linda 

Sanders, Edith A. 

Saunders, Gail 

Savage, Mary Beth 

Saylor, Darren 

Scala, Cathie 

Schepps, Zahava 

Scheuermann, Karen 

Schneider, Joan I. 

Schneider, Wayne 

Schrenk, Tina M. 

Schultz, Karen 

Schwartz, Judith 

Schweitzer, Betsy 

Schwendeman, Nancy 

Sebastian, Margaret 

Sekela, Michael 

Selders, Joann 

Selikoff, Judith 

Seman, Kathy 

Sever, Vickie 

Shaffer, Deborah K. 

Shaffer, Susan 

Shaffer, Monika 

Shaheen, Regina 

Sharp, Ricki 

Shumsky, Eileen 

Siegfried, Sue 

Siekkinen, Liisa 

Sigworth, James 

Simoff , Gloria 

Simpson, David 

Sipps, Sheila 

Skidmore, JoAnne 

Sledz, Barbara 

Slentz, Sharon 

Slight, Kathryn 

Sloan, Mary Colleen 
Smith, Darlene 
Smith, Nadine 
Smith, Paula 
Smith, Regina 
Sadowski, Gerald 

Smothers, Nancy 
Snell, Gerry 
Snitch, William 
Snowiss, Sharon 
Snyder, Connie 
Soha, Barbara 

Soadek, Renee 
Souders, Carol 
Sporing, Pamela 
Spradling, Patti 
Sprouse, Marsha 
Stackhouse, Robert 

Stacy, F. Alan 
Stanislaw, Carol 
Staton, Rosalie 
Stefan, Debora 
Steffens, R. Mark 
Stegh, Joan 

Stern, Ruth 
Stewart, Karen 
Stoller, Sara 
Stover, Kathy 
Strok, Margaret 
Swaisgood, John 

Tansey, Martha A. 
Taylor, Judy 
Taylor, Kathy 
Taylor, Pamela 
Terry , Janet 
Thieme, Elizabeth 

Thomas, Victoria 
Thomas, William 
Thompson, WilUam 
Tippin, Don 
Tipton, Chuck 
Tornabene, Suzi 

Torok, Cecelia 
Toth, Patricia 
Trocchio, Susan 
Troyer, Marion 
Trubicza, Barbara 
Truelove, Mary 

Tuchman, Marcia 
Turner, EarUne 
Underwood, Barbara 
Urban, Jan 
Valenta, Diane 
VanAuker, Lana 

VanFossan, Nancy 

SanScoy, Karen 

Verch, David 

Veverka, Dale 

Vierheller, Joy 

Vogel, Myra 

Volak, Dianne 

Wadsworth, Marsha 

Wagner, Gary 

Wagner, Greg 

Wahr, Pat 

Walker, Delores 

Walker, Gary 

Wallace, Linda 

Walmsley, Scott 

Warren, Leslie 

Watson, Jack 

Watson, Patricia 

Watt, Diane 

Weaver, Mary Jane 

Weber, Nancy 

Webster, Barbara Kae 

Weigel, Susan 

Weingarten, Susan 

Welch, Sulinda 

Wenning, Kathie 

Wer beach, Al 

Werner, Janet 

Wheeler, Mary 

Wheeler, Robert 

White, Basilla 

White, Susan 

Whitmer, Diana 

Wiechel, Jane 

Wiggins, Janice 

Wilder, Barbara 

WUe, Heidi 

Wilhoite, DonJuan 

Wilhoite, Valita 

Wilkin, Mary Ann 

Williams, Erma 

Williams, Lillian 

Williams, Marjorie 

Williams, Terry 

Williamson, Kathee 

Wilson, Gail 

Wilson, Harold 

Wine, Cynthia 

Winer, Nina 

Winner, Ruth 

Wiseman, Nancy 

Witmer, Lynda 

Wolfe, Maureen 

Wrisley, Ruth 

Young, Connie 
Young, Jo Anne 
Young, John 
Younger, Willette 
Yuhas, Loraine 
Zakowski, Lucy 

Zehe, Paula 
Zilia, Debra 
Zinner, Jeff 
Zivich, Mary 

Fine and Professional Arts 

--1 1.0^ 

Abbott, Jim 
Allen, Cynthia 
Anderson, Frederick 
Arkis, Pete 
Balfour, Lynn 
Bandy, Beth 

Barazone, Michael 
Barnes, Roberta 
Bashaw, Kathy 
Baughman,J. Ross 
Belkin, Helene 
Belknap, Kathleen 

Bender, Milan 
Bendik, Mary 
Bengtson, Lena 
Bentley, Janilyn 
Bernstein, Jane 
Biliczky, Carol 

Birch, Beckie 
Birney, Glenn 
Blocher, Olivia 
Bolitho, Lenore 
Boothe, Robert 
Borden, Jeffrey 

Bourjaily, Fred 
Bowen, Constance 
Bowers, William D. 
Brophy, Karen 
Brown, Nicholas 
Brown, T. Michael 

Bucalo, Joseph 
Buehner, Margaret 
Burchill, Darlene 
Burcl, Dennis 
Calhoun, David J. 
Capecci, Sandra 

Caputo, L. Richard 

Carlson, Anthony 

Carter, Kathleen 

Case, Mark 

Cater, Sudene 

Chiviles, Polly 

Christ, Trudy 

Christman, Mindy 

Christy, Nancy 

Church, Pam 

Clark, Diane 

Clark, Janice 

Cleary, John 

Cobett, Thomas A. 

Cocco, Ronald 

Colledge, James 

Colon, Gordon 

Cothren, Michael 

Cowden, Nancy 

Cox, George 

Crelli, Nancy A. 

Crump, Michael 

Cumer, Jill 

Curtis, Don 

Curtis, Keith 

Detrick, Donna 

Dickinson, David L. 

DiVenanzio, Regis 

Dofner, Lynn 

Donoghue, Thomas J. 

Dorsey, Selmar K. 

Dougherty, Stephen 

Doyle, Tracey 

Dreussi, Roland 

Dudek, Paul 

Durojaiye, Titus 

Eumurian, Dan 

Evans, Sheila A. 

Farrow, Belinda 

Fedak, Linda 

Ferguson, Sally 
Feterle, Gary W. 

Fifer, Lind 

Fischer, John 

Foldvary, Theodore 

Forbes, Clifford A. 

France, Richard 

Fredrick, James 

Freedman, Ellen 

Fuchs, Russell 

Gaffney, Debra K. 

Galbraith, Roger 

Gallese, Frank 

Garcia, Fred 

Gates, Janice 
Gaynor, Christina 
Gentry, Joan 
Gleitsman, Lucy 
Gould, Patricia 
Gramly, Margaret 

Greenisen, Judith 
Grider, Bruce 
Grise, Sheryl 
Griveas, Elaine 
Gruenewald, Kurt 
Grunkemeyer, Kerry 

Grunn, Claire 
Grupp, Marcia 
Guttman, Debbie 
Hafemeister, James 
Hafner, Julie J. 
Hammill, Sharon 

Hampp, Michael 
Hanichak, David 
Harris, Rhonda 
Harris, Stephen 
Hawk, Gay 
Hedeen, Rosanne 

Heritage, David 
Hersey, Lawrence 
Hicks, Kenneth 
Hill, Benjamin 
Hodanovac, Thomas 
Hodder, Carol 

Hoffer, William 
Hogan, Brian 
Holovisk, Sam 
Hottell, Martha 
Hrehocik, Michael 
Hubbard, Dale 

Hubbard, William 
Humphrey, Theresa 
Hunter, Constance 
Hunter, Donna 
Jackson, Evelyn 
Jankowski, Tom 

Jermyn, Frederic 
Jensen, Julia Johnson 
Johanning, Fran 
Johnson, Arthur 
Jones, Mark N. 
Jones, Michael 

Jones, Ronald 
Joviak, James 
Joyce, Marilyn 
Kageorge, Brenda 
Keefe, Mary 
Keener, Debra 


Keisler, Bernard 

Kirk, Karen 

Klika, Kathy 

Klingensmith, Ruth 

Knight, J. Brad 

Kropf, Carl 

Krych, Ken 

Kuehne, Terry 

Kukucz, John 

Kulcsar, Kathleen 

Lambert, Wilma 

Langford, Cynthia 

Latal, Keith 

LaVelle, Cynthia 

Lear, George 

Lee, Bob 

Lee, Cynthia 

LeFevre, Lynnia 

LeMoine, Karen 

Lenard, Lois 

Leuengood, Donald 

LeVine, Joyce 

Levit, Linda 

Liebhart, Linda 

Lieptz, Joan 

Little, Charles 

Lorusso, Bruno 

Luck, Gabriele 

Luton, Grant 

McComb, Thomas 

McCormick, Janet 
McDonald, Marcia 

McGaughran, Stuart 

McHugh, Mary B. 

McKay, Brett 

McKinley, Hershel L 

McKinney, James 

McLaughlin, Katherine 

McNamara, Brian 

Maczka, Richard 

Malay, Maureen 

Manley, Mary 

Manus, Robert 

Marrone, Sue 

Massucci, Anthony 

Maurer, Allen 

Mayo, James 

Mehaffey, Susan 

Melenbacker, Mary 

Meleney, James 

Mertz, Dennis 

Metti, Debbie 

Miller, Michael A. 

Misichko, Kathleen 


Mitchell, Lynn 
Mitchell, Mary Anne 
Moore, Gregory 
Morgan, Howard 
Morrison, C. Douglas 
Morrow, Donna 

Morton, Robert 
Motiska, Rodger 
Muck, Edward 
Muehling, Eric 
Murphy, Thomas 
Murrey, Jennifer 

Naujoks, Judy 
Neiheisel, Paul 
Nieberding, Jeanne 
Nyerges, Cathy 
Nylander, Mark 
Ogureuc, Frank 

O'Hara, Gary 
O'Leary, Thomas 
Orendt, Inge 
Origlio, John 
PanterUs, Anna 
Pearlman, Laura 

Perk, William 
Perkins, Sunday Dell 
Peters, Alexander 
Petrison, Christine 
Picciano, Pamela 
Pierce, Ronald 

Pinyard, Mary Beth 
Pizzuto, Marjorie 
Pliszka, Joseph 
Polasky, Anne 
Poshedly, Ken 
Precker, Natalie 

Preksta, Ronald 
Preston, Marta 
Preyss, Jerry 
Prorok, Catherine 
Pulver, Craig 
Pur dy, Jay 

Rab, Bruce 
Raukar, Rudy 
Raymond, Keith 
Rechedy, Lawrence 
Rechner, Sharon 
Reed, Cynthia 

Reiter, Donna 
Reiter, Susan 
Reuling, Rebecca 
Reynolds, Ronald 
Richardson, Frank 
Ritchie, Marilee 

Roberts, Lawrence 

Robinson, Charles 

Rosenthal, Mark 

Russell, Jim 

Rutledge, Merlin 

Safarz, Richard 

Sambur, Gail 

Schager, Karen 

Schlemmer, Donald 

Schmidt, Sheryl 

Schoffstall, Kent R. 

Schuler, Ron 

Sciarrino, Chris 

Scott, Melinda 

Searl, Charles Jr. 

Semonian, Vivian 

Sepesy, Stephen 

Shaker, Tom 

Sherman, Ruth 

Shivers Teryl Lynn 

Siegfried, Paul H. 

Simms, Stephen 

Simpson, Beverly 

Sisson, Sharon 

Slaven, Carol 

Smay, Elaine 

Smith, Cheryl D. 

Smith, Hunter 

Smith, Susan R. 

Snipes, Pamela 

Soposky, Daniel J. 

Spataro, Joseph 

Spirko, Michael 

Stauffer, Thomas 

Stech, Amy 

Stefaniak, Gary 

Storey, Deborah 

Stoupal, Claudia 

Swaffield, Bruce C. 

Synk, William 

Szabo, Robert 

Szalay, Diane 

Taylor, Donald 

Teasdale, Marion 

Templer, Carl 

Thurin, Mary Ann 

Timmerman, Kathryn 

Tinapple, Sharon 

Todd, Mark 

Tuerler, Kathryn 

Turner, Gregory 

Tyler, Norene 

Uguccini, Lydia 

Valtman, James E. 

Veasley, Rita 
Venditte, James 
Vollmer, Mary Ann 
Walker, Linda 
Ward, Jeffrey 
Watson, Nancy 

Weagraff , Wendy 
Weaver, Daniel 
Weber, Betty 
Weiner, Lisa 
Weir, Thomas 
Weisenbach, Susan 

Wells, David 
Wesley, Craig 
Whitehead, Verria 
Wilhelm, Lee 
Williams, Earl 
Williams, Jack 

Witcher, Dwight 
Witham, Mary Gail 
Woit, Linda 
Wolen, Jim 
Wolny, Gary 
Woo, Susan 

Yager, William 
Yaskoff, Mary Jo 
Yazvac, Mike 
Young, Nancy 
Young, Raymond V. 
Yukl, Kenneth 

Yukl, Patricia 
Zahler, Richard 
Zak, Chris 
Zander, Gary 
Zumstein, James 


Adams, Tom 
Addy, Randy 
Ammerman, Mary 
Amstutz, Rebecca 
Barnick, Debra 
Baugh, Gwendolyn 

Beck, Vicki 
Berger, Joanne 
Birdwell, Debbie 
Bolenbaugh, Marcia 
Brady, Andrea 
Breneman, Deborah 

Butterworth, Jane 

Cantwell, Stephanie 

Cimo, Lawrence 

Cmich, Dianne 

Condello, Sonna 

Conway, Diana 

Conway, Helenann 

Cottle Nancy 

Cowley, Cheryl 


Criswell, Phyllis 

Dahlin, Cheri 

Dain, Peter 

DiPiero , Susan 

Dora, Bruce 

Dorazio, Dan 

Dumek, Dale 

Eidson, Thomas 

Elder, Keith 

Elliott, Brian 

Ferrara, Barbara 

Forrey, Emma 

Fortelka, Donald 

Frazier, Marsha 

Gatti, Patricia 

Georgeson, Debbie 

Glass, Janet 

Goudy, Roger 

Gray, Linda 

Griffith, Laurie 

Haas, Harry 

Hines, John 

Hoener, Susan 

Holt, Deborah 

Horvat, Linda 

Hurford, Judith 

Hutchinson, Mike 

Izant, Richard 

Jaksic, Stanley 

Janes, Reyman 

Kadel, Patti 

Kessler, Sharon 

Klein, Suzanne 

Knisely, Debbie 

Kokinda, Perry 

Krauss, Laura 

Kronick, Jan 

Kuklica, Renelda 

Kurple, Victoria 

McCabe, Maryella 

Lapidus, Larry 

LaRiccia, Mary 

LaRosa, Michele 

Logan, Sue 

Lohman, Lynn 
Mack, Marsha 
Manfrass, Denise 
Meiselman, Jay 
Moore, Deborah 
Morgenthaler, Theresia 

Muske, Jerry 
Nedd, Arlene 
Nelson, Douglas 
Noble, Kathy 
O'Brien, Michael 
Oslin, Judy 

Page, Herbert 
Paget, Bonnie 
Paul, Mariann 
Peterson, Roberta 
Pietz, Johanna 
Rahe, Michael 

Raver, Jo-Ellen 
Resick, Cathy 
Riehl, June 
Roberts, Suzanne 
Robinson, Cathy 
Rodriguez, Carmen 

Roepke, Deborah 
Russell, Gary 
Sanderson, Harry 
Saurer, Leslie 
Sherer, Barbara 
Sherer, H. Stephen 

Schmittke, Wendy 
Schneider, Joan Karen 
Schnorf, Georgene 
Schobert, Susan 
Sells, Sandra 
Sheppard, Bruce 

Sherl, Dick 
Sherman, Suzanne 
Silvidi, Gina 
Smith, Thomas 
Smoker, Kim 
Stocker, Gene 

Stoddard, Elizabeth 
Trinetti, Guy 
Warner, Mauri 
Weber, Barbara 
Wheeler, Dale 
Williams, Janet 

Woerner, Laura 
Zitek, Hildy 

School of Library Science 

Lawson, Constance 

School of Nursing 

Adams, Rebecca 

Baird, Linda 

Barthalis, Patricia 

Bayer, Grace M. 

Boosinger, Marilyn 

Borneman, Patricia 

Burr, Barbara 

Butera, Barbara 

Chandler, Robin 

Chase, Alice 

Cor win, Sally 

Demeter, Dianne 

Dogger, Marcy 

Drugan, Elaine 

Drummer, Lana 

Eickelberger, Nancy 

Ellis, Elizabeth 

Etzler, Diane 

Fatla, Sandra 

Fisher, Diane 

Fisher, Thomas 

Fowler, Jean 

Goettge, Christina 

Gregg, Andrew 

Hall, Debra 

Hardesty, Susan 

Harrison, Diane 

Haskins, Kathy 

Henkle, Kathleen 

Holligan, Kathleen 

Hopes, Judith 

Horvath, Margaret Ann 

Howard, Nancy 

Jackson, Anita 

Joice, Karen 

Jones, Carolyn 

Kawka. Mary 
Keating, Donna 
Kebbel, Diane 
Keglovic, Gayle 
King, Peggy 
Kopp, Judy 

Kozma, Julia M. 
Laing, Glynis 
Lammers, Kathy 
Leonhart, Kay 
Lewis, Virginia 
Ly tie, Janet 

Mahoney, Meg 
Mazurik, Natalie 
Mitchell, Deborah 
Mock, Marilyn 
Moon, David 
Moore, Sally 

Moser, Donna 
Muller, Kristina 
Myers, Tami 
Nimberger, Sister Elaine 
Okragley, Susan 
Patton, Renay 

Perk, David 
Petcher, Patricia 
Pinter, Kathleen 
Plastine, Margaret 
Powdermaker, Lynn 
Prugh, James 

Purvis, Judy 
Raduansky, Stephen 
Ragan, Joan 
Reese, Sheri 
Retrum, Janice 
Rinta, Christine E. 

Rose, Debbie 
Ruzsa, Susan 
Schneider, Kathy 
Seidenwand, Kathy 
Short, Julie 
Steffens, Becky 

Strebler, Ruthann 
Thress, Kathy 
Trutko, Susan 
Tscherne, Pamela 
Van Poppel, Kathleen 
Varga, Carol J. 

Varkala, Margie 
Vinkler, Adele 
Waltman, Lynn 
Washington, LaSharon 
Wiley, Susan 
Winkler, Dianne 

Yoshiiio, Trula 

Zamborsky, Barbara 

Zook, Rhoda 

Events of 
the Year 

MARCH 1973 

S M T W Th F S 
1 2 3 

4 5 6 7 8 9 10 

11 12 13 14 15 16 17 

18 19 20 21 22 23 24 

25 26 27 28 29 30 31 

10 KSU Track Team finishes in a three-way tie for 
second place in NCAA Indoor Track 

13 President Glenn A. Olds announces KSU 
intercollegiate atheletics will be reviewed by a 
14-member committee. 

28 Spring quarter classes begin. 

Dr. Gordon Keller, associate professor of political 
science, is appointed new chairman of the political 
science department. 

Ohio House of Representatives voted to ratify the 
Equal Rights Amendment. 

29 William Simon, deputy treasury secretary, 
announces that no rationaing of gasoUne will be 
required although supplies will be tight for 
summer and fall. 

Nixon announces a ceiling on retail and wholesale 
meat prices to stop soaring food prices. 
Former Attorney General John Mitchell denies 
approving plans to wiretap Democratic National 


Tlie University Center's name is officially changed 
to the Student Center. 

March 13 

APRIL 1973 

S M T W Th F S 

12 3 4 5 6 7 

8 9 10 11 12 13 14 

15 16 17 18 19 20 21 

22 23 24 25 26 27 28 

29 30 31 

2 International Telephone and Telegraph (ITT) 
acknowledges that it offered $1 million to the U.S. 
government to block the election of Marxist 
Salvador Allende as president of Chile. 

4 Dr. Phyllis Chesler speaks and is sponsored by 
Kent Women's Action Collective and Kent 
Women's Project. 

5 Butterflies Are Free opens at Rockwell Theatre. 
Senate approves long, mandatory prison sentences 
for hard drug pushers. 

10 Ohio Senate extends to 18 to 21 year-olds all legal 
rights of adulthood except the right to buy liquor 
and high-power beer. 

Greek Week activities begin including a cancer 
drive and rushing. 

12 Local 153, American Federation of State, County 
and Municipal Employees threaten a 
university-wide strike. 

Walter Hickel, former secretary of the interior 
under Nixon, speaks in Student Center Ballroom. 

14 Merce Cunningham Dance Company and John 
Cage perform in Student Center Ballroom. 

1 5 Campus Police begin foot patrol. 

16 Creative Arts Festival begins four-day program. 

1 7 James Taylor sings in Memorial Gym. 

19 The Rev. Ralph Abernathy, president of the 
Souther Christian Leadership Conference, speaks 
in Student Center Ballroom. 


22 KSU Women's Gymnastics Team places seventh in 
the Fifth National Gymnastics Championship. 

27 The Women opens at E. Turner Stump Theatre. 

May 4 

May 4 

MAY 1973 

S M T W Th F S 
12 3 4 5 

6 7 8 9 10 n 12 

13 14 15 16 17 18 19 

20 21 22 23 24 25 26 

27 28 29 30 31 

2 International Workers' Day rally is held at the 
Student Center Plaza. 

3 The Justice Department accuses the Nixon 
re-election campaign of failing to report a 
$200,000 cash contibution from Robert L. Vesco. 
John McLaughlin and the Mahavishnu Orchestra 
and Frank Zappa and the Mothers of Invention 
play at Memorial Gym. 

Candleliglit vigil at the spots for the four dead 
students begins. 

4 Candlelight vigil ends at noon. 

Vernon Bellecourt, national director of the 

American Indian Movement, and John Froins, 

member of the Chicago Seven, speak at the 
alternative program. 

Norman Cousins, former editor of World 
magazine speaks at Memorial Service. 

8 Local 153, American Federation of State, County 
and Municipal Employees agree on university 
contract and strike is averted. 

9 Two KSU students are charged with the sale of 

The physics department sponsors telepath Yuri 


Incumbent Mayor Joseph Sorboro, Democrat, and 

Dal M. Hardesty, Republican, take Kent Mayoral 


10 What The Butler Saw o^ens at Rockwell Theatre. 
University Opera Theatre presents The Tales of 

11 KSU Trustees approve creation of a S170 annual 
instructional fee for University School students. 
Judge Mathew Byrne dismisses the case against 
Daniel Ellsberg for releasing the Pentagon Papers. 

12 Week -long Campus Day activities begin. 


1 7 Budget cut of $750,000 for the next school year is 

Constitutional Convention unanimously approves 
a new student government constitution. 

19 Watergate hearings begin. 

KSU Track Team wins MAC title. 

KSU Golf Team finishes third in MAC golf 


29 The Death and Life of Sneaky Fitch 
Stump E. Turner Theatre. 

30 Student Referendum election is held. 

opens m 

June 8 

JUME 1973 

S M T W Th F S 

I 2 

3 4 5 6 7 8 9 

10 11 12 13 14 15 16 

17 18 19 20 21 22 23 

24 25 26 27 28 29 30 

^,---^-a,^:'---^-^irr>>- ■ ^ ^^^ ^^^ °^ classes Spring quarter. 

" "* '^ " i>»;2^ 16 Commencement excersizes 

June 16 


S M T W Th F S 

2 3 4 5 6 7 8 

9 10 11 12 13 14 15 

16 17 18 19 20 21 22 

23 24 25 26 27 28 29 

26 First day of classes Fall quarter. 

Robert Malone replaces James L. Fyke as KSU 

Director of Security. 

Freshman Week '73 is in progress. 

27 Special Federal grand jury begins hearing evidence 
allegedly involving Vice President Agnew in 
wide-spread political corruption. 

Governor GilUgan presents Louis "Pop" Fisher 
with the Governor's Award for "meritorious 
service beyond the call of duty to one's 
community" for forming Pop's Snow Squad. 

30 Flying Grcus, Spirit and Lighthouse play in 
September 26 Student Center Ballroom. 


October 1 1 


S M T W Th F S 

12 3 4 5 6 

7 8 9 10 11 12 13 

14 15 16 17 18 19 20 

21 22 23 24 25 26 27 

28 29 30 31 

October 5 

1 U.S. Senate approves bill to cut back military. 
Donald H. Segretti, political saboteur financed by 
Nixon campaign funds, pleads guilty and agrees to 
cooperate with federal prosecutors. 

2 Kent City Planning Commission decides not to 
rezone the area encompassing the historic Wolcott 
House and Ulac gardens . 

279 new voters register in Kent during a special 


White House imposes mandatory allocation system 

on wholesale supplies of propane gas. 

3 Nixon announces support of Vice President Agnew 
despite political corruption charges against him. 

4 William M. Stephens, former dean of KSU regional 
campuses, is appointed vice provost by Board of 

Kent Women's Action Collective displays nude 
mannequin in Student Center lobby to symbolize 
the exploitation of women. 

5 Buzzy Linhart plays in the Rathskellar. 

8 Student Center opens music listening room. 

9 Hillel speakers defend Israel in rally at Student 

10 Vice-President Agnew resigns from office. 
Students gather on Taylor Hill to howl at moon. 

11 0-chee-ce (wooded area near Korb Hall) will be 
free of future construction. 

WKSU-FM installs full stereo facilities. 

Dr. Marjorie E. Ramsey is appointed assistant 

education dean. 

13 Artist-Lecture Series presents Julian Bream, 
English guitarist and lutenist. 

14 Deodato appears in concert. 

Spirit Log Chase kicks off Homecoming '73 

1 5 Remodeling of the old Student Union begins. 

16 Secretary of State Henry A. Kissinger and Le Due 
Tho of North Vietnam recieve Nobel Peace Prize. 


17 Tri-Towers is hit by fire, causing damages of 
SI, 500. 
Kent mayoral candidates address students. 

1 9 Carnival starts Homecoming events. 

October 20 

October 27 

20 Robert C. Dix, retired chairman of Board of 
Trustees, dedicates Student Center. 

Flashes defeat Eastern Michigan 34-20.Paul Simon 
provides Homecoming entertainment. 
Suzanne Sherman is crowned queen at 
Homecoming ceremonies. 

21 All-campus Bike-a-thon opens U.N. week. 

22 Donald E. Halter announces resignation from 
position as Registrar. 

23 U. N. sets Mideast cease-fire. 

Drs. Ewing, Friedl and Reuter are given teaching 


Biophysicist Robert L. Sinsheimer, discoverer of 

single-strand DNA virus, speaks in Kiva. 

24 Her Excellency Angle Brooks-Randolph 
(Ambassador-at-Large and former president of 
U.N.) speaks at Kent's World Issues Seminar. 
Nixon surrenders White House tapes. 
Impeachment inquiries begin. 

26 Kent Gay Liberation Front pickets bar in Akron 
because of "sexist, racist" policies. 

The Place opens at E. Turner Stump Theatre. 

27 United Farm Workers picket Kent's Sparkle 
Market because of non-union lettuce and grapes. 
Camille Yarbrough, Afro-American Griot, 
performs in the Kiva. 

Artist-Lecture Series presents the Kerala 
Kalamandalam Kathakali theatre of India. 

28 Earth, Wind and Fire play in Student Center 

29 Black Homecoming week begins. 

Kent Gay Liberation Front sponsors a Halloween 

31 Halloween. 


S M T W Th F S 

1 2 3 

4 5 6 7 8 9 10 

11 12 13 14 15 16 17 

18 19 20 21 22 23 24 

25 26 27 28 29 30 31 

1 Stokely Carmichael speaks in Student Center 


November 14 

2 Parents' Weekend begins. 

7 George "Spanky" McFarland speaks in Student 
Center Ballroom as part of "An Evening of 

The Is ley Brothers play for Black Homecoming. 
Rhonda White is crowned Homecoining Queen. 

5 Dean Kahler, Greg Rambo and Paul Keane ask 
attorney general designate WiUiam B. Saxbe to 
disqualify himself from making any decision on 
the reopening of the May 4, 1970 investigation. 
Times magazine calls for Nixon's resignation. 
Jean-Pierre Debris, former prisoner of South 
Vietnamese government, speaks at Living/Learning 

6 Local elections. Incumbent Mayor Joseph M. 
Sorboro defeats Councilman Dal M. Hardesty. 

7 Germaine Gibson Smith, president of Wonder 
Productions, speaks in Kiva. 

Electric wheelchair race. 

8 Israel accepts five-point plan for settlement with 
Egypt, mediated by Henry Kissinger. 

9 Eh? opens in Rockwell Theater. 
Wheelchair basketball game. 

10 KSU football team loses MAC title to Miami 
University . 

Artist-Lecture Series presents the National 

Shakespeare Company in a performance of 

Shakespeare's Julius Caesar . 

Tlte Doobie Brothers play in the Student Center 


13 University announces energy saving measures. 
Congress authorized Alaskan oil pipeline. 

14 Students learn what it is to be handicapped by 
using wheelchairs and wearing blindfolds on 
Disability Day, sponsored by Handicapped 
Student Services Center and Center for Human 

Federal judge rules firing of special Watergate 

prosecutor Archibald Cox illegal. 

Nixon promises full disclosure of facts about 


15 Senatorial candidate Howard Metzenbaum speaks 
in Kiva. 

16 Concerned faculty and students file a grievance 
with the federal department of Health, Education, 
and Welfare accusing the administration of alleged 
sex discrimination in women's intercollegiate 
athletics program. 

November 10 


November 25 

25 Nixon announces plans to reduce fuel sales to save 

26 Rose Mary Woods, Nixon's personal secretary, 
testifies she accidentally pushed a recording 
button while listening to a key Watergate tape. 

27 Faculty cutbacks due to tight budget announced. 

28 Senate passes bill designed to clear the way for the 
formal nomination of Senator William Saxbe, 
R-Ohio, as attorney general . 

29 About 70 students march to President Old's house 
to protest faculty cutbacks to join 200 visitors 
already discussing the subject. 

December 5 


S M T W Th F S 

2 3 4 5 6 7 8 

9 10 11 12 13 14 15 

16 17 18 19 20 21 22 

23 24 25 26 27 28 29 

1 Ban on gasoline sales from 9 p.m. on Saturdays to 
midnight Sunday begins. 

5 Rose Mary Woods denies any knowledge of 
anyone tampering deliberately with subpoened 
White House tapes. 

Dr. G. Henry Moulds, chairman of the department 

of Philosophy and faculty member of 25 years, 


The Serpent: A Ceremony opens at E. Turner 

Stump Theatre. 

Planetarium presents annual Christmas show, "A 

Star of Bethlehem". 

6 Gerald R. Ford is confirmed as the 40th vice 
president, the first to be selected under the 25th 

KSU Chorale present "Olde English Yuletide Feast 
and Renaissance Revel" to celebrate the Christmas 

7 Last day of classes Fall quarter. 

Student/Faculty Coalition sponsors 
Student/Faculty Solidarity Day. 

1 8 Federal grand jurors are sworn in to investigate the 
May 1970 disturbances at KSU. 


January 14 

February 18 


S M T W Th F S 

12 3 4 5 

6 7 8 9 10 11 12 

13 14 15 16 17 18 19 

20 21 22 23 24 25 26 

27 28 29 30 31 

6 Winter quarter classes begin. 

25 faculty members receive non-reappointment 
letters over Christmas vacation. 
Republicans on the House Judiciary Committee 
seek non-partisan impeachment investigation. 

7 William J. McQuire III, Howard E. Ruffner, 
Douglas Moore, Gregory Moore, Don Roese and 
Paul Tople, photographers present during the May 
4 shootings, testify before the Federal grand jury. 

8 Former KSU President Robert I. White testifies to 
grand jury that he did not ask Ohio National 
Guard to disperse the May 4, 1970 rally. 

14 Dr. Bernard Hall announces resignation from 
position of Executive Vice President and Provost 
to return to teaching. 

Dean Kahler and Joseph Lewis, Jr., injured in the 

May 4 shootings, testify before grand jury. 

A panel of Maryland jurors call for Agnew's 


TIte Apple Tree opens at Cabaret Theatre at Friar 


15 Experts suspect deliberate tampering of 
subpoenaed White House tapes because of 
18-minute gap. 

1 6 Black United Students officials call for dismissal of 
head basketball coach on grounds of 

Billie Jean King is named Female Athlete of the 
Year by the Associated Press. 

1 7 Kent Gay Liberation Front and Campus Ministries 
co-sponsor a gay and straight ministers' debate. 
Kent Women's Action Collective sponsors a 
Women's Dance. 

19 Artist-Lecture Series presents pianist Gina 

Black Oak Arkansas and Bruce Springsteen play in 
Student Center BalLroom. 

21 Townhall H-Helpline begins anti-smoking clinic. 

23 Three men arrested in drug raid on campus 
involving 52 pounds of marijuana, a large number 
of pills, and a .45-caliber machine gun. 
Elmer L. Novotny, director of KSU school of Art 
for 28 years, announces retirement. 








^BP^^^ '^ 





1^ J 


5 V -isvE 



^^^r .^^ 



February 18 

28 Margaret Stopher, associate professor of English 
for 28 years, dies. 

Campus Bus Service opens services to city 
residents on temporary basis. 

29 Dr. Fay Biles, vice president for Public Affairs and 
Development, announces her candidacy for Ohio 
House of Representatives. 

30 Jack Lambert and Gerald Tinker, KSU football 
players, are selected in National Football League 

31 Violence flares in independent truckers' strike in 


S M T W Th F S 

1 2 

3 4 5 6 7 8 9 

10 11 12 13 14 15 16 

17 18 19 20 21 22 23 

24 25 26 27 28 29 30 

Duke Ellington and his orchestra play in Student 
Center Ballroom. 

Musical and dance show climaxes "China Week 


February 24 

24 Egil Krogh, Jr., boss of the White House plumbers, 
is sentenced to serve six months in prison for the 
office burglary of Daniel Ellsberg's psychiatrist. 

25 Volpone opens in E. Turner Stump Theatre. 

26 Frank Truitt, head basketball coach, announces 

4 Dr. Benjamin Spock speaks about impeachment in 

Nixon is officially subpoenaed to testify in 
Ellsberg burglary case. 

6 Former presidential counsel John W. Dean III is 
disbarred for his conduct in the Watergate affair. 

7 Kent State Folk Festival begins in University 

8 Ohio ratifies the Equal Rights Amendment. 
Abraham and Mary opens at E. Turner Stump 

Dad's Weekend begins. 

13 Soviet Nobel Prize author Alexander Solzhenitsyn 
is banished from Russia and deported to Germany. 

14 Mary Stuart opens at Rockwell Theatre. 

Dr. Lawrence Kaplan, professor of history, is 
awarded a Woodrow Wilson fellowship. 

16 Artist-Lecture Series presents poetical tribute to 
W.H. Auden given by his literary friends John 
Hollander and Stephen Spender. 

18 Seals and Crofts play at Student Center Ballroom. 
U.S. Justice Department investigators fire shots on 
campus to recreate sound patterns which occurred 
May 4, 1970. 


19 Kool and the Gang and Whispers play in the 
Student Center Ballroom as part of Black History 
Week activities. 

20 Kent Farm Workers Support Committee organize a 
protest of Gallo Wines and Party Fare. 

21 About 150 Black students march around campus 
in memory of the assasination of Black Muslim 
leader Malcolm X. 

Reg Murphy, editor of the Atlanta Constitution, is 
abducted by a group calling itself the 
Revolutionary Army. 

Kidnappers of Patricia Hearst demand an 
additional $4 million. 

22 Campus Bus Service offers service to Cleveland for 
first time. 

24 Billy Preston and Graham Central Station play in 
Student Center Ballroom. 

26 Nixon says he will not testify before the Watergate 
grand juries. 

27 Governor Gilligan signs bill lowering Ohio speed 
limit to 55 m.p.h. 

28 KSU Trustee John S. Johns announces resignation 
from the board. 

U.S. and Egypt resume full diplomatic relations. 

MARCH 1974 

S Wl T W Th F S 
1 2 

3 4 5 6 7 B 9 

10 11 12 13 14 15 16 

17 18 19 20 21 22 23 

24 25 26 27 28 29 30 

1 My Fair Lady opens at E. Turner Stump Theatre. 
Wrestling team wins fourth place in MAC. 

2 Head coach Frank Truitt coaches his last 
basketball game and resigns because of a losing 

Artist-Lecture Series presents the Vienna Choir 
Boys at Roosevelt High School. 
KSU Committee to Throw the Bum Out sends a 
delegation of 25 people to Columbus for and 
impeach Nixon demonstration. 

4 Student Affairs CouncU (SAC) Subcommittee in 
Student Governance begins functioning after two 
quarters of inactivity. 

Fantasticks opens at Cabaret Theatre at Friar 

5 Ex-Governor James A. Rhodes testifies voluntarily 
before the Federal grand jury probing the 
disturbances and shootings during May 1^, 1970. 

6 KSU Branch student Gary Sherman is shot and 
killed by Robert Baldine, a Mahoning, Ashtabula, 
Trumbull Counties (MAT) undercover narcotics 
agent during a staged marijuana sale near Ravenna. 
The streaking craze hits KSU campus as 23 
students streak near the Administration building at 

Kent City Council approves the creation of the 
Portage Area Regional Transportation Authority 

7 Two KSU students are arrested and charged with 
disorderly conduct while streaking on campus. 
Artist-Lecture Series presents Ruby Dee. 

THe KSU Board of Trustees approves an increase 

in residence hall rates and a new coupon meal 


John D. Erlichman gets second indictment for 

allegedly sending White House agents to rifle the 

office of Daniel Ellsberg's psychiatrist. 

8 Rally at Student Center to celebrate International 
Women's Day. 

Charles Stanley Albeck is named to replace Frank 

Truitt as head basketball coach. 

Journalism professor Harvey Saalberg announces 


9 KSU Swim teamwins third MAC championship. 

10 About 30 people, at least three women, streak 
across the Commons as 500 gather to watch. 

13 Dr. Juliet Saltman, associate professor of 
sociology, is nominated by Ladies' Home Journal 
for a Woman of the Year Award in Community 

Bruce Miller, a local attorney, and Ted Joy, writer 
for Cleveland magazine, hold an open forum and 
discuss the shooting death of Gary Sherman by 
MAT narcotics agent. 

14 Dr. Fay Biles, vice president for Public Affairs and 
Development, withdraws her bid for a seat in the 
Ohio House of Representatives in order to 
continue her vice-presidency at KSU. 

Arab oil ministers in Libya decide to drop the oil 
embargo against the United States. 
G. Gordon Liddy, Bernard L. Barker, Eugenio R. 
Martinez, and Felipe De Diego plead innocent to a 
charge stemming from the break-in at the office of 
Daniel Ellsberg's psychiatrist. 

1 5 Last day of classes Winter quarter. 

The Student Union activates its grievance system 
designed to hear complaints that students have 
about the university. 




These groups are student membership organizations Delta Sigma Theta 

recognized on the Kent State University campus. Delta Zeta 

Participation is vohntary or recognized as honorary. Zeta Phi Beta 


Bahai Campus Club 


Campus Crusade for Christ 

Fellowship of Christian Athletes 


Independent Jewish Student Movement 

Jewish Student Lobby 

Krishna Yoga Society 


Newman Center 

Students National International Meditation Society 

United Christian Fellowship 

United Christian Ministries 

Zen Study Group 


Alpha Phi Omega 

Angel Flight 

Coed Cadettes 

Kent State University Veterans 

KSU Family Planning 

Campus Girl Scouts 

Campus Outreach 

Portage County Family Planning 

Pregnancy Information Center 

Student Consumer's Health Care Association 

Town Hall II - Help Line 

Volunteer Ambulance Association 


Kent African Student Association 

Chinese Association 

Iranian Students Club 

Kent State India Students Association 

Kent Internationals 

Organization of Ukranian Students 


Alpha Gamma Delta 
Alpha Kappa Alpha 
Alpha Phi 
Alpha Xi Delta 
Chi Omega 
Delta Gamma 


Alpha Phi Alpha 
Alpha Tau Omega 
Delta Tau Delta 
Delta Upsilon 
Kappa Sigma 
Omega Psi Phi 
Phi Gamma Delta 
Sigma Alpha Epsilon 
Sigma Chi 
Sigma Phi Epsilon 
Sigma Tau Gamma 


All Campus Programming Board 

Commuter and Off-Campus Student Organization 


Kent Interhall Council 

Inter-Greek Council 

Student Caucus 

Student Faculty Advisory Council 


American Indian Rights Association 

Arab Students Association 

Attica Brigade 

Black United Students 

Black Unity 

Environmental Conservation Organization 

Indochina Peace Campaign 

Joe Hill Collective 

Kent Gay Liberation Front 

Kent Student Union 

Kent Women's Action Collective 

Student Alternative Lifestyles Group 

Students For MobiHty 

Student Rights Action Lobby 

Students Ticked About Book Prices 

The All Americans 

United Farmworkers Association 

Vietnam Veterans Against the War 


Aikido Club 


Amateur Radio Club 

Bhangra Dance Group 

Chess Club 

Fencing Club 

Figure Skating Club 

Fishing Club 

Flying Club 

Golden Wings and Anchors of N.E. Ohio 

Ice Hockey Club 

International Film Festival 

Isshinryu Karate Club 

Karate Club 

Kent State University Sports Car Club 

Korean Karate Club 

KSU Rock Climbing Club 

KSU Tai Kwon Do Karate Club 

KSU Volleyball Club 

KSU Yudo Kwan 

Kwan Ying Kenpo 

Martial Arts of KSU 

Parachute Club 

Rugby Club 

SaiUng Club 

Scuba Club 

Ski Club 

Tuesday Cinema Film 

Wheelchair Athletic Club 

Women's Recreation Association 


Alpha Lambda Delta - freshman women's honorary 

Alpha Omicron Chi - home economics 

Alpha Psi Omega - drama 

Beta Beta Beta - biology 

Blue Key - women's student activities 

Delta Phi Alpha - German 

Delta Omicron - music 

Epsilon Nu Gamma - English 

Kappa Delta Pi - education 

Kappa Kappa Psi - university bands 

Kappa Omicron Phi - homeeconomics 

Mortar Board - senior women 

Omicron Delta Kappa - men's leadership 

Phi Epsilon Kappa - health and physical education 

Pi Omega Pi - business teacher education 

Pi Sigma Alpha - political science 

Sigma Delta Pi - Spanish 

Sigma Gamma Epsilon - eaath sciences 

American Industrial Arts Association 

American Institute of Aeronautics and Astronautics 

Anthropology Association 

A.R.E. Stude Group 

Arnold Air Society 

Art Graduate Students 

Art Union 

Association for Childhood Education 

Association of Graduate English Students 


Black Graduate Student Association 

Collegiate Marketing Association 

Council for Exceptional Children 

Department of Biological Sciences 

Designers Limited 

Finance Club 

Gamma Theta Upsilon - geography 

Geological Society 

Graduate Association of Students in Psy chology 

Graduate Education (GRED) 

Graduate Student Council 

Graduate Student Organization of Chemistry 

Graduate Urban Design Studio 

History Graduate Student Association 

Home Economics Graduate Student Association 

Journalism Graduate Student Association 

Mu Iota Sigma - teaching of the deaf 

Music Educators Club 

Kent State Performing Dancers 

Physics Club 

Pre-medical Society 

Public Relations Student Society 

Recreation Club 

Russian Club 

Pershing Rifles Company K-1 

Sigma Delta Chi -journalism 

Soil, Food, and Health 

Student Bar Association 


Accounting Association of KSU 

American Guild of Organists, Student Chapter 

American Home Economics Association 



Sports Scores 

Kent State University Varsity sports statistics for 
1973-1974. The score for Kent team is listed in the 
left column, opponents in the right column. 

SPRING 1973 




Texas Arlington 



Texas Christian 



Texas Christian 


Texas Wesleyan 



Dalles U. 



BowUng Green 



Bowling Green 



BowUng Green 


Ohio University 



Ohio University 



Ohio University 


Cleveland State 



Central Michigan 



Central Michigan 


Central Michigan 



Ohio State 



Ohio State 









Eastern Michigan 












Wright State 



Wright State 



Eastern Michigan 



Eastern Michigan 



Western Michigan 


Western Michigan 



Western Michigan 





Outdoor Track (4-2-1) 


Bowling Green 






Penn State 









Western Michigan 



Eastern Michigan 


Golf (8-0-1) 


Cleveland State 




















Pensacola J.C. 


West Florida 



West Florida 



Naval Air Station 






Central Michigan 



Bowling Green 








Penn State 






Cleveland State 






Eastern Michigan 



Western Michigan 














Ohio U. 



San Diego 



Western Michigan 



Bowling Green 



Eastern Michigan 



Utah State 












Central Michigan 



Soccer (0-6-3) 

2 Bowling Green 




1 Toledo 


Ohio University 


2 Ohio State 




3 Miami 


1 OberUn 


1 Western Michigan 


Crosss Country (3-8) 





Western Michigan 



Baldwin Wallace 









Eastern Michigan 



BowUng Green 






Ohio University 



Penn State 





WINTER 1974 

Basketball (9-17) 


Mt. Union 












Cleveland State 



Penn State 









Eastern Michigan 









Central Michigan 



Wright State 



Bowling Green 






Western Michigan 






Ohio University 






Central Michigan 



Eastern Michigan 



BowUng Green 






Western Michigan 








Wrestling (9-5) 


Penn State 



Western Michigan 



Eastern Michigan 















John Carroll 



Central Michigan 



Wayne State 



BowUng Green 



Cleveland State 








Swimming (9-1) 


Western Michigan 



Eastern Michigan 



Ohio State 






Central Michigan 



Penn State 



BowUng Green 



Ohio University 










ream (10-4) 


Central Michigan 



Western Michigan 






Ohio State 



Bowling Green 



Northern Michigar 






Cuyahoga Comm. 




Schoolcraft Coolege 



Cuyahoga Comm. 




Eastern Michigan 






Slippery Rock 



I's Team (11-1) 


Central Michigan 









Michigan State 



Eastern Michigan 



Ohio State 



Penn State 









Slippery Rock 



BowUng Green 



BaU State 




Remarkable shots by the staff 
with remarks by the editor.... 

Parting Shots 


The '73 gridiron season was 
certainly an eye-opener, as it 
seemed realistic for so long that a 
second MAC crown was in our 

A guy named "Mouse" on the third 
floor of Johnson got tired of 
walking the halls outside his room, 
so he decided to take a walk 
outside his window one day. 


„ L_r-l S~ 

" . ' '- 

I ■. . "'■ " j^' . , ■ ', L---;: -i- 

r ^■>-r* 

"^^Zl-™, i~ ~L^^~^ — r 








•■. 1 i _L__,— J 

Parting Shots 

...oh, the rhino? He sleeps in the sandbox." 

As Glenn and Eva Olds opened the presidential home to 
student and faculty inspection, they couldn't very well 
hide some of the peculiarities of their home- like the 
bird's nest on the wall, or her stuffed leather rhino, or 
the sandbox... 


"...Dash Hash KW AC desk 

Liberated women on campus, from 
the Kent Women' Action 
Collective, realized there are some 
people they can never change. 

'\..if you can't lick 'em, 
fry 'em." 

One dude from Johnson Hall 
figured out how to beat the high 
cost and poor taste of dorm food 
with a Uttle Bar-B-Q in February. 

Parting Shots 






*'...exit grog stage left, 
enter the nag stage right.' 

Unnamed KSU officials made their 
unhappiness with the Grog mascot 
known and were more than eager 
to phase in the donated charms of 
the Golden Flash steed and a 
cloaked blonde rider for all the Dix 
Stadium games. 

Interest in the occult was high during the whole school 
year but flared most for Halloween parties, like this one 
on College Street, and then later in winter quarter when 
The Exorcist came to Cleveland. 

"...being the exorcist was easy. 


"...Mr. Fingers 
faddles baffle." 

An ACPB second-stringer amazed 
students at the Student Center in 
March after a wild private party at 
Mike Solomon's the night before. 

Parting Shots 

"...nowhere on the 
know-your-figure chart."" 

The people in the Home 
Economics Department are 
expanding toward a total "human 
ecology" interpretation of the 
field; but still attract a majority 
who want to be scientific 
home makers. 

"...the pause that 

At the Campus Day festivities, 
academics were the farthest thing 
from this guy's head as he relaxed 
on the circus rides with a smoke. 


Parting Shots 

"...the post sixties depression." 

In a period when very little of anything made sense, 
when nothing was sacred, when security was stripped 
off, it was kind of embarrassing that the show did go on. 


''...very little singing in the rain." 

The weather in Ohio is probably the largest single factor 
in depressing the mass of the student body, here on the 
rainy afternoon of October 13. 

Parting Shots 

.try for a tight shot of the victory bell." 

TV camera crews from Cleveland exploited every angle 
for their May 4, 1973 revisit- tryijig to make a story on 
a student mood that was barely even a mood. 


"...after loss of innocence comes loss of memory.' 

Leading the nation in innocent cynicism. The National 
Lampoon tied this prematurely off-color toy set to their 
October comic book, C.i?.£'.£'.i'. (Committee to Re-elect 
the President). 








110 Fleeing Students 
9 Bleeding Students 

4 Dead Students 
1 Kneeling Girl 

36 Standing National 

Guard Riflemen 
12 Kneeling National 

Guard Riflemen 
12 Prone National 

Guard Riflemen 
7 Officers 9 w. pistols 

5 Rock-throwing govern- 
ment provocateurs 

7 Negroes 

1 Gutted ROTO Buildinc 



'74 Burr staff 

Getting it aii 

"Getting it all together," 
represents a gathering of ideas, 
concepts, but more important a 
bringing together of exceptional 

Each editor and staff strives to 
find a unique approach. Just being 
different is easy: a square book, 
the biggest book, the smallest 
book, etc. But to discover a way to 
be significantly different must go 
beyond the gimmick, the 
whimsical, the non-book, or the 
shocker. We felt there was a way to 

J.RossBaughman.editor.photographs: 1 1 , 
14bc, 24, 37, 46b,47a,52,53b,55,57,67, 
68b, 69bc, 83, 95b, 1 1 0, 1 20a, 1 32, 1 33b, 
144, 146, 160, 161a, 165b, 167b, 187b, 

Craig Pulver, production editor, 
photographs: 161c, 162,163d, 165c,193a, 

4-7a, 9, 18b, 18c, 19a, 25-34, 38-39, 44, 
73-79, 82, 96a, 97a, 104-105, 124-125, 
138-141, 158-159, 167c, 169c, 218, 
221bc, 222a, 223ab, 232, 242, 244,257, 

Kathy Belknap, managing editor, 
photographs: 53c,56bc, 68b, 69a, 113a, 
115-117, 118b,119,204b,and stories: 10! 
16, 37, 40, 51, 67, 81 , 106, 108, 109, 114 

JaniceClark,copyeditor,stories: 10,16,55, 
83, 86, 89, 135, 139, 147, 164, 168, 170, 
180, 182, 242, 247, 278, 309, 325, and 
photograph :56a. 

Tom Hudson, labtechnician.photographs: 


cover the university cominunity 
and activities witli a greater degree 
of involvement, to relate to the 
individuals, to go deeper than 
football Saturday, or opening night 
at the theatre. 

I feel this edition of the Bun- 
represents a new and significant 
concept in yearbooks. This 
people-to-people concept began as 
an idea two years ago. It took one 
year to gather a staff of 
exceptional photographers and 
writers. The 66 picture stories go 

beyond the surface, each 
photographer and writer had to 
become involved with people and 

In a sense, the challenge was to 
do more than just see the event. 
But to reach out and experience, to 
feel, to understand relationships 
between people. 

Each staff member had to make 
a commitment, had to put it on the 
line. Many of the stories took 
weeks, even months to produce. It 
is not unusual to have one or two 

exceptional photographers or 
writers on a staff, but to gather a 
staff of exceptional, dedicated 
photographers, writers, layout 
people and technical staff is indeed 
exceptional. And it doesn't just 
happen. It takes a long time and a 
lot of effort to get it all together. 

Charles Brill, 

Burr adviser, 

associate professor of journalism, 

coordinator of photography 

Larry Roberts, layouteditor, photographs: 
12ac, 13,14a, 15,16, 17, 18a,20-21,96bc, 
97b,98, 109,153-157, 164, 165ad,167ad, 

Leslie Burkhart, layout coordinator 

Dave Black, business manager 

Arlene Pete, office secretary and 
Kathie Ashbaugh, typesetter 


Craig Cunningham^hotographs:46a,47b, 
70-72,91 ,93b,94,206-207,andstory:207. 

DwJghtErnest.photographs: 99-103, 108, 
1 18a,300,andstory:99. 

Mark Greenberg, photographs: 23, 88, 
106-107, llac, 126, 129-131, 133a, 143, 
145, 147-152, 171-173, 178-183, 188, 

Len Jendry: 8b, 35, 40-41, 121a, 163ab, 
194c, 248-249, 250b, 251, 252, 253bcd, 
254, 258-261 , 263, 264b, 265-266. 284c, 

Bob Jones, photographs: 51d, 53a, 54, 
61ab, 63a, 80-81, 111b, 166, 168a, 234. 

Nancy Kaye, photographs: 64-66, 112, 
113b, 246c, 247, 280a, and stories: 269, 

Doug Mead, photographs: 273.274.276. 

Eugene Nieminen. photographs: 90. 192. 
193b .288-293. 


Jack Radgowski, photographs: 10a,36,50, 
51abc,61c, 62, 63c, 85a, 95a, 128, 136b, 
220, 222b, 226ac, 228ac, 229-231, 
237-241, 325b,386,387,andstory:237. 

Keith Sinzinger, stories: 52, 127,226,and 
photograph :224a. 

JoanneSturiale,stories: 64,65,285. 

Jim Wolen, photographs: 84abc,85b,91a, 
92, 12-b,121bc, 122-123, 163c,196-201, 
208-209, 210b, 211b, 212-213,214-217, 
224b, 225, 226b, 227, 228b, 255a, 256, 

Sue Wohlstein, stories: 70, 153, 197,283. 

Charles Brill, adviser 

Not pictured: Jon Baker, story: 85. 
Bob Baptist, stories: 176, 209. 
Frank Beeson, story: 174. Davis 
Bradley, story: 322. Keith Crippen, 
photographs: 58, 59ac, 60, 211c, 
and stories: 58, 184. Dan Ernst, 
photographs: 59b, 185, 186, 190, 
191, 235, 269-272. Steve Evans, 
stories: 45, 48. Andi Goodman, 
story: 169. Linda Jones, story: 
268. Bruno Larusso, photographs: 
48, 49. Nancy Lee, story: 83. 
Joyce Lyman, stories: 91, 273. 
Diana McNees, photographs: 

315-324. Doug Moore, university 
photographer, photographs: 134, 
135, 136ac. Jane Moriss, stories: 
112, 149. Eric Muehling, 
photographs: 250a,252a, 255bc, 
302-307. Jerry Persky, stories: 10, 
16. Tony Piazza, stories: 120, 299. 
Milford Prewitt, stories: 164, 165, 
162. Larry Rubenstein, 
photographs: 7b, 175-177. Merlin 
Rutledge, stories: 258, 267. Bruce 
Snyder, story: 203. Ron Stanway, 
story: 229. Charlie Stricklen, 
stories: 172, 214, 218. Steve 

Stroud, photographs: 86, 87. Bill 
Synk, photographs: 210a, 245, 
280c, 281c. Gary Wolf, 
photographic printing.